accomp. Bassoon Concert Pieces-'The award winning wind and brass tutor series. Learn As You Play provides everything you need from the first lesson up to grade three. A well structured course of exercises studies and pieces ensures a good grounding in technique and musicianship. Also available in Dutch French German and Spanish language editions.

Antonin Dvorak's Slavonic Dances arranged by Robert Keller for Piano solo.

For two Flutes (first doubling Piccolo) and Piccolo Trumpet.

Philippe Gaubert (1879-1941) was a distinguished performer on the Flute. It comes as no surprise therefore that his compositions for the instrument are at the forefront of the Flute's repertoire his Deux Esquisses being no exception. After a prominent career as a flautist with the Paris Opéra Gaubert was appointed as professor of Flute at the Paris Conservatoire as well as principal conductor of leading orchestras. It was during this time that Gaubert composed including his Deux Esquisses for Flute and Piano which is made up of two movements. The secondof these Oriental conveys many technical features including flourishing semiquaver passages a wide range lyricism intervals chromaticism and complex rhythms. Oriental from Deux Esquisses is a challenging yet exciting piece for aspiring flautists.

This version of Partita was orchestrated by the composer in 1988 for Anne-Sophie Mutter. The first performance was given in January 1990 by Anne-Sophie Mutter and the Berlin Philharmonic conducted by the composer. Duration c.16minutes. Full score and orchestral material on hire from the publishers.

The vocal score for Max Raabe 's Für Frauen Ist Das Kein Problem a wonderful work arranged for SATB chorus. The Piano part is available to purchase separately. The vocal score for Max Raabe 's Für Frauen Ist Das Kein Problem a wonderful work arranged for SATB chorus. The Piano part is available to purchase separately.

By Bohuslav Martinu. For Violoncello Piano. Violoncello. Playing Score; Single Part. Published by Baerenreiter-Ausgaben (German import). (BA3969) ISBN M006442089

By Joseph Bodin de Boismortier. Edited by Hugo Ruf. For Cello/Bassoon Basso Continuo. Violoncello. Playing Score; Single Part. Op. 50/3. Published by Baerenreiter-Ausgaben (German import). (BA3963) ISBN M006442058.

Tender and expressive! Two of the most popular settings of the Away in a Manger text give the audience pause to reflect on the meaning of the season. This is one of those beautiful arrangements that is a worthwhile endeavor for bands at every level of ability. Younger groups can work on shaping phrases balancing chords blending the ensemble and so much more while advanced groups have the mastery to explore their own deeply expressive and freely conducted interpretation. For groups in the middle remember it’s always good to include a performance piece that does not require too much “note chasing” so the subtler aspects of the musical art can be examined and reinforced. Charming!

This album provides varied and very attractive material for players in the earliest stages of learning their instrument. The album contains 16 short pieces which have been contributed by a number of composers who in their different ways have each risen to the challenge of writing worthwhile music despite the necessary limitations (of pitch rhythm dynamic range etc.) imposed in writing for absolute and near beginners.

Sung by Pharrell Williams in the blockbusting film 'Despicable Me 2' Happy has truly taken the world by storm. With a fantastic new arrangement Carsten Gerlitz has harmonised the catchy tune for SSATB Choir. Sung by Pharrell Williams in the blockbusting film 'Despicable Me 2' Happy has truly taken the world by storm. With a fantastic new arrangement Carsten Gerlitz has harmonised the catchy tune for SSATB Choir.

Easy Winners is a fantastic collection of popular pieces from stage to film classical to pop which will provide Violin or Viola players with great enjoyment. This is the Piano Accompeniment part.

Capellchor 1- Concerto for four-part select (solo) choir two four-part ripieno choirs (ad lib) a three-part solo Violin ensemble a three-part solo Trombone ensemble and Basso continuo (Cello or Organ). My soul doth magnify the Lord and my spirit hath rejoiced in God my Saviour. Schutz 's impressive and musically colourful setting of the Magnifcat from 1665 shows the influence of Monteverdi following Schutz 's studies in Italy. This full score contains a comprehensive preface (German English) outlining the sources and particular consideration for the use of instruments and chorus. The preface also includes a German and English translationof the Latin text. - Full score and performance material available for sale (BA4334)

Quarter Military Band QMB 234-Symphonic Band (full score). Vaughan William

Dowland's third book of songs accompanied by lute with tablature. Also with keyboard realisation

Excerpts from Movement 1-Mozart belongs to everyone! The experience of actually playing Mozart's music makes him real and more than just a name we associate with old music. Stephen Bulla's arrangement of the first movement of what may arguably be Mozart's greatest symphony has a great deal of authenticity. Much more than many just the tune type transcription/ arrangements Mr. Bulla's work ambitiously explores a good portion of Mozart's miraculous musical development so that your musicians can begin to understand the true genius of the Classical icon. Those who know Mozart will appreciate the integrity of the transcription. Those who don't know Mozart have a wonderful treat in store! A classic!

Baritone solo TTBB unaccompanied

Symphonic Band (full score). Grundman C

Oratorio in three parts- Israel in Egypt HWV 54 Oratorio in three parts The versions of the 1739 and 1756-7 performances The distinguishing feature of our new edition is that it reproduces Israel in Egypt in its complete three-part form: The Lamentation of the Israelites for the Death of Joseph Exodus and Moses' Song. It was in this form that the work was given at its London premiere on 4 April 1739. Handel made extensive changes for the second performance. The reason is often said to have been the audience's dissatisfaction with the work's unusual design. However he may possibly only have wanted to satisfy the whims of asoprano who felt under-represented with solo material. Israel in Egypt is made up of a series of contrasting and artfully constructed choruses separated only by a few numbers for solo voice. Part 1 is entirely given to the chorus Part 2 largely so and Part 3 while containing most of the solo numbers still gives ample room to the chorus. Handel shortened several choral numbers and may have taken the opportunity to alter the opening of Exodus. He also added five arias and a recitative for the soprano Elisabeth Duparc. These arias had already been written for insertion in other works of the 1730s and two of them had been sung a short while previously in An Oratorio (1738). There is no libretto containing the changes introduced at the second performance. All the insert arias are reproduced in Appendix 1 of Volume I/14 of the complete edition. The next performance of the piece did not occur until 1756. Handel now compiled an entirely new Part 1 containing a balanced proportion of choral and solo numbers by selecting items from Solomon the Occasional Oratorio and the Peace Anthem. The two other parts retained their original form apart from a few cuts in the choruses and the addition in Part 3 of the aria 'Hope hope a pure and lasting treasure' from the second version of Esther (for both 1756 and 1757) and the aria 'Toss'd from thought to thought' from Alexander Balus (for 1757). Our new edition makes it possible for the first time to perform Israel in Egypt in three different versions: that of the premiere

from Three Songs of Love- Originally part of David Bednall’s Three Songs of Love the short section which sets W B Yeats’ poem The Cloths of Heaven (‘Had I the heavens’ embroidered cloths’) is here presented as a separate octavo publication. The warmth and passion of the text is portrayed in the highly expressive music which is tied very closely to the words with lavish harmonies presented in homophony with frequent divisi. This song like the complete Three Songs of Love will present a mild challenge to intermediate choirs but it is sure to be pleasing to both singers and audiences and an excellent addition to the contemporary repertoire.