This piece was written as a tribute to the people of Fair Isle a remote community that lies between Orkney and Shetland which is also the home of the composer. The work was composed for the Grieg Trio of Norway and reflect theensemble's virtuosity with striking cadenzas that showcase the performers. The music is rugged ever-changing and full of the energy of this unique landscape.

For unaccompanied viola. Heinrich Ernst Kayser (1815-1888) was a German violinist violist pedagogue and composer. His most famous work is his opus 20 36 Elementary and Progressive Studies . Originally written for the Violin it has been transcribed for Viola and edited by Leonard Mogill. Students who faithfully follow the instructions given in this edition will find themselves having acquired the correct position of the left hand without which a reliable technique cannot be attained.

A Cantata for Passiontide (Preview CD Pak)-John Leavitt has created a cantata designed for Lent and Holy Week. Titles include: What Wondrous Love Is This Were You There Surely He Has Borne Our Griefs Alas! And Did My Savior Bleed and Jesus Died on Calvary'sMountain. Available separately: SATB ChoirTrax CD Chamnber Orchestra score and parts (fl 1/2 ob cl 1/2 bn perc 1 and 2 hp str:88442) Preview CD Preview Pak. Duration: ca. 30:00.

1.Dorian; 2.Phrygien

Score-for Jazz Ensemble. Study Score for All Set - a work for Jazz Ensemble dating from 1957.

for Mezzo-Soprano/Alto and Baritone. Charles Gounod's O Divine Redeemer - Prayer for Mezzo-Soprano and Baritone Duet with Piano accompaniment.

The Prince of Sleep to words by Walter de la Mare is a languid setting capturing masterfully the absent-minded sentiments of the words; imagery of dreams and the natural world (especially woodland) always seemed to inspire Elgar . In the Summer of 1925 Elgar produced two songs The Prince of Sleep and The Herald and both were on the subject of death like their immediate predecessor from the year before The Immortal Legions and The Wanderer of the year before that. Michael Kennedy refers to the de la Mare setting as being “in the raptmanner Elgar reserved for special moments of vision” a view with which it is difficult to disagree. The part-song for SATB unaccompanied Voices is now available as part of the Elkin Choral Series. Performance time approximately 5 minutes. Piano accompaniment for practice only.

Sadie Harrison 's Quintet: 'No Title Required' was composed in 1994 and revised in 1999. The wonderful work lasts approximately 14 minutes and is arranged for Flute Clarinet Violin Cello and Piano. This piece was commissioned by Double Image who put on the first performance. The title of this work is taken from a poem of the same name by the Polish poet Wislawa Szymborska (winner of the Nobel Prize for Literature in 1996) and considers the importance of revolutions tyrannicides and politicalconspiracies in relation to that of skimming shadows fluttering white butterflies and windblown clouds. No Title Required has two movements. The first is fast and virtuosic the second lyrical and colouristic. Both havethe same formal pattern - a series of variations where one aspect of each section provides the theme' for the following variation. Whereas the first movement juxtaposes blocks of material to create a disjunct segmented structure the second weaves lines together to create a single flexible texture (disrupted towards the end by reminiscences' of the work's opening). No Title Required was commissioned by DoubleImage (to whom the work is dedicated) and has received several performances worldwide. The work was chosen to represent Australia in the ISCM World Music Days Hong Kong in

A fabulous example of Giovanni Gabrieli’s multi-choir music in which he extends the notion of rhythm and expands tonal colours to create the pulse of the music. In Hodie Christus Natus Est he establishes a remarkable rhythmic counterpoint akin to the swallowing up of rhythms as they mingle and are lost. Note that this is a rather complex piece that will require skilled and disciplined performers to follow their own independent line. This is an ideal choice of material to be used for general festivals or as a rejoiceful Christmas song. This fantastic piece is set for a Double Chorus of Mixed Voices with an Organ accompaniment.

This book is packed with seventeen great fingerstyle arrangements of jazz standards. Each tune is presented in standard notation and tab for easy reading. These playable solos work great for fingerstyle players wanting to broaden their repertoire with jazz classics. Guitar solos include: All the Things You Are Alone Together Beautiful Love A Day in the Life of a Fool (Manha de Carnaval) A Felicidade (Adieu Tristesse) Have You Met Miss Jones? How High the Moon I Could Write a Book I Love You I've Got You Under My Skin Just Friends Makin' Whoopee My Funny Valentine My Secret Love The Shadow of Your Smile Summertime and The Way You Look Tonight.This book is packed with great fingerstyle arrangements of jazz standards. Each tune is presented in standard notation and tab for easy reading. These playable solos work great for fingerstyle players wanting to broaden theirrepertoire with familiar tunes. Perfect for gigs or fun.

This is an evocative musical picture of the season of Autumn for SATB choir with piano accompaniment.

The solo group consists of a sextet of the woodwind instruments which are normally doubled with more regular members of the orchestra: these six strangers now brought to the fore are piccolo and alto flute cor anglais Eb andbass clarinets and contrabassoon. They make a motley group diverse in colour as in register and one of the tasks of the piece sets itself is to have them blend and cohere both together as an ensemble and in partnership with thestring orchestra (which itself is used with unusual variety and subtlety). Another evident task of the work is to provide fine solos for each member of the woodwind sextet: bright dances for the piccolo recitatives for thealto flute a stoical song from the contrabassoon in the extreme bass. The work is cast as a single movement which begins in the composer's first-movement style of rapid regeneration. This is interrupted by slow interventions including one for divided strings which gives rise to a sextuple cadenza for the soloists. Out of this comes a slow movement or sequence of short slow movements followed by a dancing finale with its own slow episodes. Altogetherthis is music of songs and dances heavily tinged with Scottish rhythms and tonalities: one might think of a magic bagpipe having six chanters and a drone of variegated string texture. This work for woodwind instruments andstring orchestra was commissioned by the Strathclyde Regional Council and the Scottish Chamber Orchestra. It is the ninth of ten concerti to be written for principal players of the Scottish Chamber Orchestra. The first performancewas given in February 1995 by the Scottish Chamber Orchestra conducted by the composer.

50 Tunes Volume 1 for Fiddle is one book in a 5-book series. The 50 Tunes series is a collection of Bluegrass Old Time and Celtic tunes for ensembles families and individuals. This book contains the same 50 tunes as those found in the other 4 books of the series but carefully designed for the fiddle.The parts in this book range from beginner to advanced. All tunes contain a simple melody and most of the tunes contain an intermediate or advanced part. Many tunes contain a harmony part to match the melody. Since fiddle contests are a tradition in American and Celtic fiddling 50 Tunes Volume 1 for Fiddle contains hoedowns waltzes reels rags hornpipes jigs polkas and airs.Some of the tunes are authentic to true championship fiddling and were arranged and recorded by a former national champion fiddler. Includes access to online audio. Tunes recorded by full band not all instruments featured in every song. 50 Tunes Volume 1 for Fiddle is one book in a 5-book series. The 50 Tunes series is a collection of Bluegrass Old Time and Celtic tunes for ensembles families and individuals. This book contains the same 50 tunes as thosefound in the other 4 books of the series but carefully designed for the Fiddle. The parts in this book range from beginner to advanced. All tunes contain a simple melody and most of the tunes contain an intermediate oradvanced part. Many tunes contain a harmony part to match the melody. Since fiddle contests are a tradition in American and Celtic fiddling 50 Tunes Volume 1 for Fiddle contains hoedowns waltzes reels rags hornpipes jigs polkas and airs. Some of the tunes are authentic to true championship fiddling and were arranged and recorded by a former national champion fiddler. Includes access to online audio. Tunes recorded by full band notall instruments featured in every song.

Symphonic Band - Grade 4 A majestic and memorable score from John Williams gives this classic film a bigger-than-life aura that brings all the drama emotion and imagination to the forefront. Paul Lavender'sadaptation for band includes many of the score's themes - a wonderful way to delight an audience. (opt. synthesizer part included)Symphonic Band - Grade 4 A majestic and memorable score from John Williams gives this classic film a bigger-than-life aura that brings all the drama emotion and imagination to the forefront. Paul Lavender's adaptation for band includes many of the score's themes - a wonderful way to delight an audience. (opt. synthesizer part included) (Grade 5)

This work is a free transcription of the aria Wer Bist Du? Frage Dein Gewissen from J.S.Bach's Cantata No 132 Bereitet die Wege bereitet die Bahn . First performed by Nicholas Hodges at the British MusicInformation Centre London on 1st October 1992. Duration: c.3 minutes.

(Key: C-Db)-Here's a solid vocal chart on a great jazz classic that offers a nice change of pace. Dave's expert writing makes it work equally well with either a male or female soloist.

from Three Folk Carols-A rich rendition of the French carol. With French and English lyrics and piano or chamber orchestration. Available for SATB and SSA. Score and Parts for Flute Oboe Hammer Dulcimer Harp and Cello are available separately. Performance Time: Approx. 3:45.

A treasure trove of 19th century songs hilarious jokes wild stories vintage photos and even a recipe for cooking groundhog! 48 favorite melodies of the past that have traveled along with the pioneers in covered wagons throughthe Civil War period and up to today! The perfect companion to the recording 'Front Porch Favorites.' Over 125 000 sold!.

This energetic 1920s style song has been captured in a partner-song by Jill Gallina. The original melody adds bounce and certainly the entire work begs for choreography. A must-have selection for the novelty portion of your program.

This selection of eleven great Christmas tunes has been especially graded arranged and transposed into suitable keys for the alto saxophone and will increase the enjoyment of playing from and early stage of learning. The pianoaccompaniments are suitable for intermediate players and there are superb demonstration and play-along backing tracks on the CD included. Includes Deck The Hall We Wish You A Merry Christmas When Santa GotStuck Up The Chimney and more.