This 1970 #1 hit by Diana Ross has super appeal. Fantastic closer! Available: SATB SAB SSA Instrumental Pak ShowTrax CD. Performance Time: Approx. 2:30. This 1970 #1 hit by Diana Ross has super appeal. Fantastic closer! Available: SATB SAB SSA Instrumental Pak ShowTrax CD. Performance Time: Approx. 2:30.

For the intermediate to advanced pianist. A collection of studies by Czerny written especially to strengthen the agility fluency and independence of the left hand.

The traditional German carol is set with a gently rocking accompaniment that completely supports the expressive vocals. Available for SATB and SSA. The traditional German carol is set with a gently rocking accompaniment that completely supports the expressive vocals. Available for SATB and SSA.

For Four-Part Chorus of Women's Voices (SSAA) arranged Johannes Brahms. Edited and English text by Maynard Klein.

Instrumental Accompaniment Set-Includes: Brass

(Nowak) Grade 2.

Score-For 19 players. Henri Lazarof 's Omaggio (1968) for 19 players. Score.

Five songs for solo soprano eight female voices and orchestra. Study Score edition. First performed at the Salzburg Festival 1996. Duration 24 minutes. Conductor's Score vocal part and orchestral parts are available on hireonly.

No. 5 - In Our Children's Embrace-SATB chorus treble or women's voices and piano with Soprano Mezzo-Soprano Tenor and Baritone soloists. Text by David Simpatico and Menna Elfyn In Our Children’s Embrace from Garden of Light (A Millennium Symphony) for soprano mezzo-soprano tenor baritone chorus and orchestra was commissioned for the Third Millennium Celebration by Walt DisneyPictures premiered in October 1999 by the New York Philharmonic conducted by Kurt Masur with the New York Choral Artists and The American Boychoir. Arranged for Soprano Mezzo-Soprano Tenor Baritone SATB Choir Treble Voicesand Piano accompaniment.

Contents: Chere Nuit (Bachelet) Vieille Chanson (Bizet) L'Heureux Vagabond (Bruneau) Le Charme (Chausson) Les Papillons (Chausson) Hai-luli (Coquard) Beau Soir (Debussy) LaChevelure (Debussy) Mandolin (Debussy) Romance (Debussy) Bonjour Suzon (Delibes) Lied Maritime (D'Indy) Chanson Triste (Duparc) L'Invitation au voyage (Duparc) Aprés unRéve (Fauré) Les Berceaux (Fauré) Les Roses d'Ispahan (Fauré) Nell (Fauré) Rencontre (Fauré) Soir (Fauré) Brises d'autrefois (Hue) La Chanson de l'Aloutte (Lalo) L'Esclave (Lalo) ; Sur une Tombe (Lekeu) Le Nil (Leroux) Premiere Danse (Massenet) Le Roitelet (Paladilhe) Les Trois Prieres (Paladilhe) Psyche (Paladilhe) A Lucette (Pierne) La Cloche (Saint-Saëns) La Solitaire (Saint-Saëns) Le Lever de la Lune (Saint-Saëns) Ariette (Vidal) Le Fidele Coeur (Vidal) Albayde (Widor) Je ne veux pas autre chose (Widor) Nuit d'Etoiles (Widor). The Anthology Of Modern French Song is a fantastic collection of thirty-nine songs for Low Voice with Piano Accompaniment. These are all compositions by French writers and composers faithfully edited by Max Spicker with English translations. First published in 1912 the content is beautiful expressive and rich typical of French songs from this period. It is important to note that though the title may cite modern French songs it was originally published at the start of the 20th century and therefore Anthology of Romantic French Song might be a more accurate description of the contents!

From Adagio for Strings Op. 11 Latin Only-Selected by the National Endowment for the Arts as an one of the American Masterpieces of choral music. A terrific SATB setting of Samuel Barber’s popular Agnus Dei (or Lamb of God). Taken from his 1936 composition Adagio for Strings Op.11 it is among the most familiar pieces of American concert music and has graced Film and Television with it’s poignant sincerity. It is a dignified simple work with the repetition of a rhapsodic section that rises to a climax the intensity gradually building and then falling away following the ‘arch’ form tradition. This is a wonderful Latin Text version of Agnus Dei and has been transcribed effectively for Full Mixed Chorus and optional Piano accompaniment.

from Cantata No. 147 English and German-Version for SATB Choir and Piano or Organ. From Cantata No.147. Schirmer Edition.

This motown medley highlights seven songs that shaped the sound of an era! Includes: Ain't No Mountain High Enough; Back In My Arms Again; Dancing In the Street; I Can't Help Myself; I Heard It Through the Grapevine; Reach Out I'll Be There; What Becomes of the Broken Hearted. Available: SATB SAB 2-Part Instrumental Pak ShowTrax CD. Performance Time: Approx. 9:30. This motown medley highlights seven songs that shaped the sound of an era! Includes: Ain't No Mountain High Enough; Back In My Arms Again; Dancing In the Street; I Can't Help Myself; I Heard It Through the Grapevine; Reach Out I'll Be There; What Becomes of the Broken Hearted. Available: SATB SAB 2-Part Instrumental Pak ShowTrax CD. Performance Time: Approx. 9:30.

First performed on 9 May 1993 in Norwich Cathedral conducted by Michael Nicholas. For SSAATTBB Choir.

This march is adapted by Louis Osterele from Giuseppe Verdi's Aida . It depicts the celebrations of the victorious army.

Score and Parts-For violin or clarinet and piano. For Violin (or Clarinet) and Piano. Edited and fingered by Henry Schradieck.

For SATB Choir A Cappella arranged by Robert Shaw and Alice Parker.

A bright easily worked up anthem of praise and thanks to the One who indeed gives us all contains some nice back-and-forth dialogue between the choir and the organ.

Concerto composed for Pablo de Sarasate in 1880.

Contents: Poetic Tone Picture Op. 3 No. 4 * Poetic Tone Picture Op. 4 No. 5 * Humoreske Op. 6 No. 2 * Humoreske Op. 6 No. 3 * Norwegian Bridal Procession Op. 19 No. 2 * 4 Album-leaves Op. 28 (Nos. 1 2 3 4) * The Last Spring Op. 34 No. 2. Includes 'Norwegian Bridal Procession Op.19 No. 2' 'The Last Spring Op. 34 No. 2' and 'Album-Leaf'.