The book Gulliver�s Travels (1726) by author Jonathan Swift formed the provocation for writing this composition. Even though this composition isn�t a literal representation of the original story a number of elements were still retained. The ship�s doctor Gulliver finds himself in 4 (fictive) areas each with their own inhabitants and customs. Each part of this suite also received the name of one of these areas:I. LilliputThe enterprising Lilliputians are represented by a playful common theme in the first part.II. BrobdingnagIn the land of Brobdingnag Gulliver is carried off by gigantic giants which you hear approaching with the sounds of the bassinstruments. The same theme is constantly repeated and quickened in order to increase the tension.III. LaputaLaputa is an island that floats in the air; its inhabitants are strange people with slanting heads. The dreamy special atmosphere is especially well conveyed here.IV. The HouyhnhnmsFinally Gulliver finds himself in the land of the Houyhnhnms where intelligent and noble horses rule over the primitive undeveloped people (yahoos). The trumpets in the brilliant opening express the galloping horses; the gallant theme that follows (horns and trombones) symbolises the primitive yahoos. The whole composition ends with a big finale.I intentionally tried to limit the degree of difficulty of Gulliver�s Travels. Despite this I think that this work can appeal to many orchestras due to the colourful orchestration (cues are provided where needed) the simple and clear theme and the highly imaginative breeding ground of a beautiful story around which this composition is built.

Originally for violin and piano Robert D. McCashin has done an outstanding job of making the Largo and Allegro from Telemann’s Sonata in G accessible to string orchestras. The opening movement offers beautiful and lush harmonic content with solo lines trading between the upper and lower string voices. The Allegro includes interesting and independent lines for all instruments providing a substantive musical experience for each member of the ensemble. (4:00)Originally for violin and piano Robert D. McCashin has done an outstanding job of making the Largo and Allegro from Telemann’s Sonata in G accessible to string orchestras. The opening movement offers beautiful and lush harmonic content with solo lines trading between the upper and lower string voices. The Allegro includes interesting and independent lines for all instruments providing a substantive musical experience for each member of the ensemble. (4:00)

Celtic in style this programmatic work follows a waterway from gentle meandering beginnings to turbulent white-water adventures. After a lyrical and flowing beginning the piece eventually moves into a brief rustic section before returning to the gentle lines of the opening. River Song is a welcome addition to the repertoire – musical approachable and highly memorable. Beautiful writing for strings! (3:35) Celtic in style this programmatic work follows a waterway from gentle meandering beginnings to turbulent white-water adventures. After a lyrical and flowing beginning the piece eventually moves into a brief rustic section before returning to the gentle lines of the opening. River Song is a welcome addition to the repertoire – musical approachable and highly memorable. Beautiful writing for strings! (3:35)

Meander by the riverside in carefree style. This catchy melody with its easy syncopations happily takes players and listeners along. Clever use of knuckle rapping on the fallboard captures the “rock-skipping” effect. Sure to hook intermediate pianists on “swing.” Meander by the riverside in carefree style. This catchy melody with its easy syncopations happily takes players and listeners along. Clever use of knuckle rapping on the fallboard captures the “rock-skipping” effect. Sure to hook intermediate pianists on “swing.”

Sacred Cantata- In the words of Karl Wilhelm Ramler this cantata is one of the most beautiful Christmas compositions of the 18th century. Written for a performance in 1759 it combines festive trumpet sounds with moving chorale settings. Telemann has used his musical resources with moderation and restraint allowing the chorus to appear at the central passages in both sections and painting an unobtrusive pastoral background for the Christmas setting. A worthy alternative in any Christmas concert. Our edition contains an English translation of the German text in an appendix and follows the Urtext of the Telemann Edition (vol. 30) thereby providing a reliabletext reflecting the latest findings of scholarship. Urtext of the Telemann Edition Full score and performance material (BA5852) and vocal score (BA5852-90) available for sale.

Exploring the History of America's Own Music-Jazz is OUR MUSIC...the music of America! From New Orleans to Chi-town from the cotton fields to the Cotton Club you will learn about such jazz greats as Fats Waller Cab Calloway Benny Goodman Billie Holiday and more! The sixoriginal songs and delightfully entertaining script in this 30-minute musical are ideal for elementary/middle school performers and John Jacobson's choreography and staging are included right in the publication. Available:Teacher's Manual Singer's Edition 5-Pak Preview Cassette (full performance) Performance/Accompaniment Cassette and CD. Performance Time: 30 minutes. For Grades 4-8.Jazz is OUR MUSIC...the music of America! From New Orleans to Chi-town from the cotton fields to the Cotton Club you will learn about such jazz greats as Fats Waller Cab Calloway Benny Goodman Billie Holiday and more! The sixoriginal songs and delightfully entertaining script in this 30-minute musical are ideal for elementary/middle school performers and John Jacobson's choreography and staging are included right in the publication. Available:Teacher's Manual Singer's Edition 5-Pak Preview Cassette (full performance) Performance/Accompaniment Cassette and CD. Performance Time: 30 minutes. For Grades 4-8.

These pieces are designed as a diversion for teacher and pupil and present a variety of challenges for the fairly advanced student. They are primarily for enjoyment and are perfectly suitable for public performance. Grade: 8

The familiar folk song Black Is the Color of My True Love's Hair is the basis of this beautifully scored work in E minor. The melodic line occurs in various voices against a slightly contrapuntal accompaniment. With octave scoring in all voices this theme eventually becomes the impetus in the final measures. The familiar folk song Black Is the Color of My True Love's Hair is the basis of this beautifully scored work in E minor. The melodic line occurs in various voices against a slightly contrapuntal accompaniment. With octave scoring in all voices this theme eventually becomes the impetus in the final measures.

Version for Violin and Piano later transcribed as the second movement of the Concero for Piano Op.38.

Version for SATB Choir and Piano as arranged by Hawley Ades.

As performed by Queen-Your whole crowd will join in with the stomps and claps as you perform this rock and roll classic! This iconic 1978 pop hit by Queen will bring down the house! Your whole crowd will join in with the stomps and claps as you perform this rock and roll classic! This iconic 1978 pop hit by Queen will bring down the house!

Hal Leonard Student Piano Library Showcase Solos - Late Elementary Level 3-Be afraid be very afraid! Zombies are scary anytime of year but students will adore the lyrics and marching rhythms in this original elementary piano solo by Jeremy Siskind. Be afraid be very afraid! Zombies are scary anytime of year but students will adore the lyrics and marching rhythms in this original elementary piano solo by Jeremy Siskind.

1999 is the fifth album from 'Prince' released in 1982 and features the singles '1999' 'Little Red Corvette' and 'Delirious'. 1999 is the fifth album from 'Prince' released in 1982 and features the singles '1999' 'Little Red Corvette' and 'Delirious'.

Featuring quick scalar passages light arpeggios chromaticism and a full range of dynamics Fantasia is a wonderful addition to the late-intermediate repertoire. Featuring quick scalar passages light arpeggios chromaticism and a full range of dynamics Fantasia is a wonderful addition to the late-intermediate repertoire.

Explore the rich and important history of the Underground Railroad in this serious festival work. Opening with a solemn chorale themes in the cello and bass soon take on the character of traditional spirituals. As the piece moves into a lively allegro section the music becomes much more dramatic depicting the excitement nervousness and extreme courage displayed by those who were able to escape to freedom. Inspirational! Explore the rich and important history of the Underground Railroad in this serious festival work. Opening with a solemn chorale themes in the cello and bass soon take on the character of traditional spirituals. As the piece moves into a lively allegro section the music becomes much more dramatic depicting the excitement nervousness and extreme courage displayed by those who were able to escape to freedom. Inspirational!

Featured in all of the popular Toy Story movies the big band version recorded by Robert Goulet (as the voice of Wheezy) is the most memorable. In a similar style Mark Taylor brings a fresh setting of this modern day classic for vocal soloist and big band. Featured in all of the popular Toy Story movies the big band version recorded by Robert Goulet (as the voice of Wheezy) is the most memorable. In a similar style Mark Taylor brings a fresh setting of this modern day classic for vocal soloist and big band.

Perfect for Halloween this piece is short and fun to play. Featuring a rousing ending this piece is highlighted by the key of D minor and pentascales in dotted rhythms. Perfect for Halloween this piece is short and fun to play. Featuring a rousing ending this piece is highlighted by the key of D minor and pentascales in dotted rhythms.

Available separately: SATB SAB and SSA. ShowTrax CD also available. Duration: ca. 3:55 Available separately: SATB SAB and SSA. ShowTrax CD also available. Duration: ca. 3:55.

Spiritual-Arranged with a simple and accessible vocal accompaniment that enhances the intense hope expressed in the text and melody. Stepwise contrapuntal melodic phrases and repeated harmonic patterns provide a carpet of vocal sounds for the inspiring melody. Builds to an effective climax in the coda with an unexpected harmonic turn. SSSS. Taylor-howell S

Traditional British Carol-The Apple Tree Wassail comes from the cider country of Devon and Somerset where it might be sung in the orchards or at the farmer's door. Wassail comes from the Anglo-Saxon wes hael - to be healthy. Traditional British carol arranged for treble voices in three parts (SSA). The Apple Tree Wassail comes from the cider country of Devon and Somerset where it might be sung in the orchards or at the farmer's door. Wassail comes from the Anglo-Saxon wes hael - to be healthy.