The ND6 Filter for Phantom 3 Professional / Advanced from DJI reduces light reaching the camera's sensor by the equivalent of 4 stops. This enables slower shutter speeds for more realistic motion blur in video and helps avoid overexposure in bright conditions in photo and video.

Vanguard’s Supreme Cases are designed to cope with the most rugged conditions a photographer can meet. The sturdy construction is designed to withstand 120kg of external weight to protect your valuable camera gear inside. With the padded divider bag inside it can withstand most serious knocks and bumps. The Supreme Cases are also O-ring sealed which ensures they are waterproof up to a depth of 5 metres (or 16 feet), airtight/dustproof and built to withstand temperatures of -40°C to +95°C. To keep your equipment secure, the Supreme Cases have steel-reinforced lock holders. Secure with a good padlock and no-one will be able to get in without some serious cutting equipment. Just don’t forget your padlock key or combination or you’ll find out just how difficult they are to get into!For air-travel, the Supreme Case comes with an automatic air equalization valve. No need for you to remember to do anything - just place your camera equipment in the case, lock it and relax. The case will ensure that the pressure differences you’ll experience as you travel to your next photography adventure are not a problem.Inside the Supreme Case, you’ll find a customisable divider bag that is well padded to keep your camera equipment safe. This is also removable so if you don’t need the case, you can also carry your gear in the divider bag.The Supreme 40D is perfect for a DSLR or Mirrorless 4/3 camera body with 4/5 lenses (including telephoto), flash, power packs and accessoriesSo whether you’re going on a full blown photo-adventure or just wanting peace of mind to store your camera gear, you’ll struggle to get better protection than a Vanguard Supreme Case.FeaturesWaterproof and airtight (up to a depth of 5 meters) Soft divider bag organizes gear and doubles as stand-alone bagSteel reinforced lock holdersPressurized equalization valve for airline travelSpecificationsInternal dimensions (LxWxD) - 430 × 295 × 175 mmExternal dimensions (LxWxD) - 465 × 365 × 195 mmWeight: 4.7kgMaximum Load Capacity: 20kg

The new Manfrotto 290 Light Kit 3 Way Tripod is the first sturdy supports of the 290 collection dedicated to hobbyist photographers that is also easy to carry.The 290 Light is a 3-section tripod, the smallest in the 290 range, featuring aluminium leg tubes and aluminium top casting enhancing rigidity, durability and performance. Its aluminium leg-locking levers are tension-adjustable, so they can be tightened to counteract any effects of aging or wear, keeping the tripod fully functional throughout its long lifespan. Two leg angle position settings enable low-angle shooting, and a rapid centre column adds flexibility extending the min-max height range. A new rubber legwarmer guarantees comfortable grip and maximum ergonomics. The 290 Light comes as a kit with a three-way photo head specifically designed for compactness and transportability, while also allowing precise framing and solid support of medium-heavy camera equipment. The head's distinguishing feature is its unique handle-folding mechanism for when the head is not in use. The three-way head is made of Adapto, a special lightweight polymer which keeps it extremely lightweight while guaranteeing high mechanical resistance for sturdy support.SpecificationsLeg Type: SingleLeg Lock Type: Flip LockHead Type: 3 Way HeadWeight: 1870 g Closed Length: 55 cmMax Height: 144 cmMin Height: 41 cmSafety Payload: 4 Kg

The Canon EF 85mm f/1.8 USM lens is an extremely popular choice for Canon EOS owners who specialise in portrait photography. Its short telephoto perspective is flattering to subjects and offers control over depth of field.Its fast aperture of f1.8 means that it is both suitable for shooting in very low light and can have very shallow depth of field if desired. In addition to this there is a circular aperture design which gives a softness to defocused areas when using smaller apertures. Focusing speed is fast too thanks to the USM focus motor which also has full time manual focus override. Super Spectra coatings keep ghosting and flare to an absolute minimum thus providing excellent colour and contrast.This lens also has E-TTL II flash compatibility and a non-rotating front element, ideal for use with square filter systems.Specifications(Physical specs under Features tab)Lens Construction: 9 Elements in 7 GroupsHorizontal / Vertical / Diagonal Angle of View: 24° / 16° / 28°30’Aperture: 8 Rounded Blades, f/1.8 – f/22Closest Focus: 0.85m (0.13x magnification)Lens Hood Fitting: ET-65IIIOptional Hard Case: LH-B12, Optional Soft Case: ES-C13 / LP1014

The Hahnel HL-ON1 Battery (Olympus BLN-1) is a spare or replacement battery for the Olympus OM-D. Capacity 1170mAh, 7.6V, 8.9WhLithium IonInfo Tech SystemReplacement for Olympus BLN-1

The Celestron Observer’s Accessory Kit is a great way to expand the functionality and enjoyment of your telescope. Contents: 17 mm and 6 mm Plossl Eyepiece - 1.25”These can be used in any telescope with a 1.25” focuser, each eyepiece features a four-element design with a 52º apparent field of view. The lenses are fully multi-coated to improve light transmission and protect the optics. The 17 mm Plossl eyepiece offers a nice medium magnification view in most telescopes, and the 6 mm Plossl provides high magnifications, great for the Moon and planets, especially when seeing conditions are good. 2x Barlow Lens/T-Adapter - 1.25”The versatile 2x Barlow will double the magnification of any 1.25” eyepiece, making the 17 mm Plossl effectively a 8.5 mm eyepiece, and the 6 mm a 3 mm. Any other 1.25” eyepieces you already have will also work in this desirable accessory, giving you even more magnification choices. T-threads are machined into the top portion of this Barlow lens, allowing a user to attach a camera with the addition of an optional T-ring. Colour Filters: #80A Blue Filter and #25 Red Filter - 1.25” The #80A is a medium-blue filter that enhances the contrast of the cloud belts on Jupiter and the polar ice caps on Saturn. It also can be used to increase contrast on the Moon if you don’t mind the colour shift.The #25 filter is a deep red colour and is a good choice when you want to define the polar ice caps on Mars. It’s also fun to use this filter when observing Jupiter. The #25 Red filter blocks quite a bit of light coming through your telescope, however, so it is best used on bright objects with larger aperture telescopes. Moon Filter - 1.25”The Moon filter helps block out a portion of the light the Moon sends into your eyepiece so you can see details better. You can also try this filter on Venus; it blocks enough glare so that the planet’s phases can more easily be seen.Microfiber Cleaning Cloth Use it to safely remove fingerprints and smears from your optics without leaving residue behind. Remember to blow or brush any dust particles off of your optics before rubbing them with the cloth. Carry Case The black plastic carry case has die-cut foam inside to protect and cushion your accessories, keep each one in its appointed place when not in use and you’ll keep them looking and performing like new. The case is large enough to also carry a few extra accessories safely.

The Colorama 2.75x6m Black Colorvinyl offers a durable background solution for High and Low Key photographs. Dirt and footprints can be wiped away following a shoot leaving the roll freshly clean and ready for use next time.

A 55mm, F1.8, 35mm full-frame E-mount prime lens, with Carl Zeiss Sonnar T* optics.A 35mm full-frame formatThis E-mount prime lens is designed to be used with α7 and α7R bodies for 35mm performance.A large F1.8 maximum apertureAllows more light to reach the camera sensor, producing rich, high contrast pictures.Carl Zeiss Sonnar T* lensProduces images in exceptional contrast and resolution with Carl Zeiss technology and a Sonnar T* anti-reflective coating.A 55mm fixed focal lengthCapture images in sharp detail with a 'normal' prime lens. Enjoy a higher level of optical performance than most zooms.Minimise distortionAspherical lens elements ensures less internal reflection in a more compact design.Smooth and responsive focusA linear motor driven internal focusing mechanism produces quick autofocus and reduces minimum focal distance.Shoot outdoors, rain or shineIdeal for shooting in adverse weather conditions: critical areas of the lens exterior have been sealed against dust and moisture.Smooth, rounded defocusingA 9 blade circular aperture delivers natural defocusing effects or 'bokeh'.A versatile shooting experienceThe SEL-55F18Z is ideal for shooting landscapes, portraits and action shots. This bright lens can handle indoor or low-light shoots.

A polarising filter is probably the most useful all-rounder after a protective UV filter.Polarising filters can be used to reduce reflections on glass or water (and other non-metallic surfaces).Another major application is to increase colour saturation - particularly effective in landscape shots where the blue of the sky can be greatly enhanced (as shown in picture at top of page - top image before, lower image after).The filter itself is set in a rotating mount and you can vary the degree to which the image is affected by turning the front of the filter ring.It will reduce the amount of light reaching the film by a small amount (up to 2 stops), but a camera with TTL metering will compensate for this automatically.Please Note: This circular polarising filter is designed for autofocus cameras, camcorders, or manual-focus cameras with spot-metering. If you have a manual focus camera you can get away with using a linear polarising style of filter (although this circular one will work equally well).If using a lens wider than 28mm watch out for vignetting caused by the deeper-than-usual filter mount.All in all this is a fantastic addition to the enthusiast photographer's gadget bag, and highly recommended as the first filter to go for when building up an outfit. It is not a special effect filter but can be used to subtly enhance natural-looking scenes.

The Tamron 17-50mm f/2.8 VC Di II lens is the successful addition of Vibration Compensation (VC) to an already impressive lens. Provides wide aperture, razor-sharp performance with surprising compactness. NB. This lens is designed for digital SLRs with APS-C sensors only.Vibration CompensationFeatures a tri-axial (3-plane) mechanism that mechanically compensates for any camera shake. For a wide aperture lens such as this, a bulky stabilisation mechanism would generally add greatly to its size. Not here though, as Tamron have successfully applied their most sophisticated technology to keep things compact.Top Quality Optical PerformanceThe SP 17-50mm lens features the following to maximise optical performance and reduce bulk:XR (Extra Refractive Index) glass which allows smaller dimensions yet with improved correction of aberrationsThree compound aspheric elements for further space efficiency to give consistent sharpnessTwo LD (Low Dispersion) elements which act to reduce chromatic aberrations and improve colour fidelity.Reduced peripheral falloff giving better edge-to-edge illumination, especially in wide angle photos.All of these add up to excellent resolution and contrast.BBAR Coating (Broad Band Anti-Reflection)This multi-layer coating is designed to give maximum light transmission of all visible wavelengths while minimising internal reflections which can cause ghosting and flare. To reinforce this, all cemented surfaces are coated too plus a tailored petal lens hood is supplied as standard.Close FocusA close focusing distance of 11.4 (29cm) is possible throughout the entire zoom range. At the 50mm end, this equates to a magnification ratio of 1:4.8 .Zoom LockThis feature locks the zoom barrel in place so that for example when your camera is being carried with the lens facing downwards, your lens won't extend of its own accord. Visit Tamron's interactive site for more information on focal length and depth of fieldIncludes a 5 year Manufacturer’s warranty (new only, excludes used products)

The Sony Alpha a6500 is one of the most advanced and best mirrorless cameras for advanced to enthusiast photographers looking for a versatile compact camera for capturing stills and video.Featuring a 24.2-megapixel Exmor APS-C CMOS sensor, 4K-video recording, in-body 5-axis image stabilisation, fast autofocus and an OLED viewfinder, the a6500 offers a comprehensive package. Whether you’re interested in creating videos, portrait photography, travel photography or capturing fast-moving subjects, such as in wildlife photography and sports, the a6500 is one of the best mirrorless cameras to consider. It’s also a camera that photographers can use in a variety of environments and conditions due to the fact that it has a tough magnesium-alloy frame, as well as a dust and weather-resistant design. Using Sony’s powerful Bionz X image processing engine, the a6500 can be used to produce detailed high-resolution stills even in challenging lighting conditions, thanks to its native ISO sensitivity range of ISO 100-25600 (expandable to 51200). Capable of capturing full resolution stills at 11fps, with 425-point Fast Hybrid AF covering the majority of the frame, the a6500 was designed to handle action. One of the major advantages of the a6500’s 425-point phase detection autofocus is that it makes it significantly easier to track moving subjects. The a6500’s 3-inch 921.6k-dot tilting touch-sensitive LCD offers a crisp display for composing images and touch-AF. However, the a6500 also has a high-resolution 2.36-million dot XGA OLED Tru-finder, which is great for composing images in bright lighting conditions. For photographers looking for a more serious camera than a pocket camera or a smartphone, the a6500 offers fast capturing, superb video-recording performance, full manual control and DSLR-like handling in a highly compact form factor. Sony Alpha a6500 - Video recording and connectivityUsing the Sony PlayMemories app, Sony Alpha camera owners can connect their cameras to Android and Apple iOS smart devices using Wi-Fi and NFC, for seamless photo sharing and wireless camera control. PlayMemories also allow photographers to download apps that provide additional functionality for Sony Alpha cameras, such as Time-lapse, Smooth Reflection, Motion Shot and more. Compatible with a growing family of excellent Sony E-mount lenses, the a6500 boasts some impressive video-recording capabilities. Featuring 5-axis image stabilisation, the Sony Alpha a6500 can record smooth 100Mbps 4K-video footage at up to 30fps. It can also be used to produce Full HD videos at up to 120fps, ideal for capturing action and producing cinematically smooth slow-motion video footage.

Extreme speeds to catch your best shots, plus UHS Video Speed Class 30 (V30) and UHS Speed Class 3 (U3) ratings deliver the video recording performance you need for 4K UHD and Full HD video. Available in storage capacities from 32GB to 256GB with read speeds up to 90MB/s to move files fast, these cards are compatible with SDXC supporting devices and come with a lifetime warranty.4K UHD Ready With the latest UHS Speed Class 3 (U3) ratings, SanDisk Extreme PLUS SDHC UHS-I cards let you capture uninterrupted 4K UHD and Full HD video. This makes it ideal for recording outdoor adventures, weekend trips, or sporting events without dropping frames. SanDisk products are constructed to the highest standards and rigorously tested. You can be confident in the outstanding quality, performance and reliability of every SanDisk product. Extreme speeds for burst shooting, fast transfer, and 4K UHD Up to 40MB/s write speeds for fast shot-to-shot performance and up to 90MB/s for fast transfer (ONLY 16GB-64GB) Up to 60MB/s write speeds for fast shot-to-shot performance and up to 90MB/s for fast transfer (ONLY 128GB-256GB) UHS Video Speed Class 30 (V30) rating (32GB-256GB only) means your card is ready for advances in virtual reality and 360° video recording. Plus it is UHS Speed Class 3 (U3) rated for capturing Full HD and 4K UHD video Available in 16GB to 256GB capacity for longer video shoots and uninterrupted photo sessions. Built for and tested in harsh conditions; temperature proof, water proof, shock proof, and x-ray proof

Built for photographers who need a versatile pack to protect camera and adventure gear for a day in the outdoors.All-Day wearing comfort The ActiveZone suspension system and straps make carrying effortlessCarry exactly what you want No compromises with the split camera and open space compartments.Access your gear while wearing Flipside’s patented access allows you to get your gear without putting the bag down. Additional carrying options inside or out Multiple attachment points allow you to scale up or down the gear you carry outside of your bag.FeaturesTop Pocket storage for personal itemsFront pocket with CradleFit suspends and protects your tabletGear attachment system allows you to attach extra gear effortlessly2 stretch-mesh side pockets for quick-grab itemsThis Lowepro Flipside Trek BP 250 AW Backpack fits Mirrorless or compact DSLR camera plus lenses, a Compact Tripod, 8” Tablet and Off-Road Gear.SpecificationsExternal Dimensions (WxDxH): 25.5 x 17 x 44 cmInternal Dimensions (WxDxH): 7.9 x 4.7 x 9.1 cmCapacity: 10LTotal Weight: 1.1 kg

The Universal Smartphone Clamp from Manfrotto is designed to attach your smartphone to a tripod or camera mount when shooting stills and videos. Two 1/4' female threads located at the base and on the back of the Clamp, are provided for mounting your phone onto many supports in multiple positions. It features two silicone rubber pads for a secure grip. The Universal Clamp can also work as a stable table base for your smartphone, thanks to the self-standing bracket on its back. It is compatible with any smartphone up to 8,4 cm (3.2') wide, and accommodates phone cases as well. It is ideal for capturing group photos, self-portraits, and for general hands-free operation.

The Vanguard VEO AM-264TR Aluminium Monopod with Tri-Feet offers photographers a great alternative to a tripod where space is tight, but a monopod doesn’t offer the necessary stability. There are always times when a tripod can’t be set up as the open legs need too much space, such as a sporting event or a concert, but you still need added stability for that perfect shot. Whatever the event, the VEO AM-264TR may be the perfect solution. When extended, the tri-feet offer additional support with a discrete footprint that will fit into most situations. Compared to a monopod, the support offered by the tri-feet means you can concentrate more closely on your shot and not on simply holding the monopod upright.The tri-feet also flip up when not needed ensuring the monopod is easy to pack away. When needed, the tri-feet can be deployed in seconds.The VEO AM-264TR also includes a ball joint in the foot that allows you to pan by simply pan twisting the monopod left or right. The ball-joint also allows you to tilt the camera while keeping the tri-feet firmly on the floor. An adjustable lock at the base of the monopod allows you to control the amount of tilt – loosen for action shots when you’re tracking a target or tighten for less movement or added stability. This makes it a useful for both photography and video.The VEO AM-264TR doesn’t include a head, but includes a standard ¼” thread that allows you to attach your camera direct to the monopod, or add the head of your choice. When not needed, there is a rubber cap for the ¼” thread to ensure it doesn’t damage anything on the move.Extending over 160cm with a load capacity of 6kg, the VEO AM-264TR will support a camera up to a Pro DSLR with grip and long lens, but also works well for owners of standard DSLR cameras or Mirrorless 4/3 camera kits.If a tripod’s too big and monopod lacks stability – give the VEO AM-264TR a trySpecificationsLoad capacity: 6 KgMaximum Height: 163 cmMinimum Height: 158cmFolded Length: 57 cmWeight: 900 gLeg Diameter: 26mmLeg Sections: 4Lock type:Flip lock (adjustable tension)Feet: Retractable tri-footHead: None (standard ¼” thread)

The Canon Speedlite 600EX II-RT flashgun is engineered for fast frame-rate shooting, and performs in the most demanding situations. Used off-camera or in the hotshoe, its versatility allows you to take complete control over lighting.Shoot faster and for longerThe Speedlite 600EX II-RT delivers an uncompromising performance, making it an ideal companion for the EOS-1D X Mark II. Fire up to 50% more flashes continuously, compared with the Speedlite 600EX-RT, and add the CP-E4N battery pack for an even longer bursts.Reliable performance on- and off-cameraAn improved flash-control algorithm helps prevent overheating, and Quick Flash allows the Speedlite 600EX II-RT to fire even if a full charge hasn’t yet been achieved, so you won’t miss that unique moment. A zoom and bounce head ensures that flash coverage matches the lens in use, and allows light to be reflected from walls and ceilings for a more natural result. The Speedlite 600EX II-RT is weatherproofed to the same level as the EOS-1D X Mark II, so you can keep shooting even when conditions get tough.A Bounce Adapter is included for softer lighting when shooting portraits and clip-on coloured filters help when balancing flash with ambient light.Creative off-camera lighting from any directionSimulate light coming from any direction by positioning the Speedlite 600EX II-RT off-camera. Fire it from up to 30m away, using built-in radio or optical control and an optional wireless trigger, the Speedlite Transmitter ST-E3-RT. Multiple Speedlite 600EX II-RT can be used together (individually or in groups) and can be combined with other Canon flashes, like the Speedlite 430EX III-RT.Powerful performance, with guide number 60 (m, ISO100) The Speedlite 600EX II-RT packs plenty of power, so you never be left frustrated. It’s ideal for lighting large spaces, and bouncing light from walls and ceilings for a softer, more natural result. A Bounce Adapter is included, which softens flash light even more. The unit recycles silently in as little as 3.3s, and the optional CP-E4N battery pack shortens this time even further. Easy to use, with intuitive controls and an informative displayA customisable control dial allows quick adjustments when working under pressure, while a large, illuminated display shows relevant shooting information at a glance. The charge status of all wireless flashes in the group is shown on the display of the master Speedlite 600EX II-RT unit.Dimensions (W x H x D): 78.7 x 143.2 x 122.7 mm Weight (Excluding batteries): 435g

The AF-S DX Zoom-Nikkor 17-55mm f/2.8 G IF-ED is a flexible, wide-angle zoom designed for general photography with a picture angle equivalent to 25.5-82.5mm in 135 format. The DX optical design enables a high 3.2 zoom ratio with a fast aperture of f/2.8, without sacrificing performance or handling. Incorporating three ED (Extra-low Dispersion) glass elements and three aspherical elements for reduced distortion in the 14-element, 10-group construction. Ideal wide-angle to standard zoom rangeOptimized for DX-format Nikon D-SLRs, the AF-S DX Zoom-NIKKOR 17–55mm f/2.8G IF-ED delivers exceptional performance across its versatile wide-angle to standard zoom range. At 17mm, the lens covers a wide angle of 79°, ideal for architecture, landscapes, cityscapes, travel and group shots; at 55mm, it offers an angle of view similar to our eyes, ideal for portrait work and everyday photography. Stunning results in any lightThe AF-S DX Zoom-NIKKOR 17–55mm f/2.8D IF-ED’s ultra-fast, f/2.8 fixed aperture ensures stunning clarity, beautiful background blur (bokeh) and consistent exposure across its entire zoom range and opens the possiblity of shooting in a wider variety of lighting scenarios—without a flash. Its DX-optimized design makes for a smaller, lighter lens that achieves optimal quality from center-to edge-to-corner of the image. And advanced Nikon lens technologies help draw the full potential from any Nikon D-SLR camera.

At Jessops, we know how easy it is to accidentally drop or damage things and then have the inconvenience of finding the cash for a replacement. Thanks to The Jessops Care Plan, you won’t have to. Provided by Domestic & General, the UK’s leading specialist warranty provider, the plan offers a comprehensive aftersales service which puts your gadgets in safe hands. With The Jessops Care Plan you can enjoy protection on most product lines sold by Jessops over the value of £40, including digital cameras, and much, much more.The Jessops Care Plan gives you:Protection against breakdowns and damage caused by accident - even after the manufacturer's warranty has expired Access to a UK-based contact centre, open 365 days a yearUnlimited repairs carried out by approved and experienced techniciansA brand new product if we decide to replace yours* Worldwide protection, so no need to worry if your product breaks overseasChanged your mind? No problem. If you change your mind during the manufacturer’s guarantee period (normally the first year), provided you haven’t received a replacement in that time, we’ll give you a full refund.My product is broken, how do I get a repair?Our aim is to repair your product as soon as possible. Simply call us on 08444 810 500** and one of our customer service advisors will be happy to help you. When you call, please have your agreement number and a pen available. The advisor will give you a referral number and talk you through the repairs process. What’s not included? So there are no misunderstandings, here are a few key things that are not included in The Jessops Care Plan:Delivery charges where a replacement product is providedLoss or theftDeliberate damage Cosmetic damage, e.g. scratches or chipsA full list of exclusions for your plan can be found in the Terms and Conditions. *Subject to Terms and Conditions. **Lines open 365 days a year. Calls cost up to 5p a minute from a BT landline. Charges from mobiles and other providers may vary.

The Kenro Rocco Series design uses a finished wood and has a 20mm wide profile that is 15mm deep. This frame has also a removable picture mats allowing it to be used full frame or with the mats for different picture sizes.Frames are available in a choice of Brown, White or Grey and a choice of 4 sizes.

Frisco ‘A’ size frames are manufactured from strong hard plastic with a rounded top profile.Because of their thin profile they are ideal for all types of art, drawings and posters. All come with back fixings for wall hanging and with quality hardboard backs.