Coronation Anthem for Mixed Choir and Orchestra-Zadok the priest and The King shall rejoice are the best-known of the four coronation anthems that Handel wrote for the crowning of George II in London (1727). HWV 258 accompanied the king's anointment HWV 260 his actual coronation. Thanks to their festive and majestic character befitting the occasion as well as their spacious scoring for large choir and orchestra it comes as no surprise that motifs from Zadok the priest have found their way into the official hymn of the UEFA Champions League. The present editions by the authoritative Handel scholar Stephan Blaut are the first to offer these two anthems based on the Urtext from the Halle Handel Edition. Zadok The Priest HWV 258 (BA10258) and The King shall rejoice HWV 259 (BA10259) are the best-known of the four coronation anthems that Handel wrote for the crowning of George II in London (1727). HWV 258 accompanied the king’s anointment HWV 260 his actual coronation. Thanks to their festive and majestic structure befitting the occasion as well as their spacious scoring for large choir and orchestra it comes as no surprise that motifs from Zadok The Priest have found their way into the official hymn of the UEFA Champions League. The present editions by the authoritative Handel scholar Stephan Blaut are thefirst to offer these two anthems based on the Urtext from the Halle Handel Edition. Bilingual Forewords (Ger/Eng). Idiomatic Piano reductions. Based on the Halle Handel Edition. Full score parts and vocal score available for sale.

Ballet in 2 Acts

The Round Table a project of the concert band Odyssey in Belgium was specially composed to present the various instrumental groups and separate instruments of the orchestra. With this sparkling composition you can familiarise the audience with the wealth of sounds and the strength of your ensemble. As an opening or concert piece.

Earth Water Sun Wind is a four movement work with the unifying theme of these four elements. The music varies from being purely descriptive of the movements’ titles to specific sound painting - Earth for example is pure music and non programmatic whereas Sun attempts to paint a specific sound picture. The Symphony as a whole concerns itself with man’s relationship with these monumental aspects of nature.

For Piano Voice and Guitar. This book contains the songs Amico mio (sigla) Annozero (sigla) Buongiorno principessa Caro diario Ginger e Fred Good morning Babilonia Il campo di pallone Il sole anche di notte Il valzer della cioccolata La teta y la luna La vita è bella La voce della luna L'équipier Pinocchio Quanto t'ho amato . For Piano Voice and Guitar. This book contains the songs Amico mio (sigla) Annozero (sigla) Buongiorno principessa Caro diario Ginger e Fred Good morning Babilonia Il campo di pallone Il sole anche di notte Il valzer della cioccolata La teta y la luna La vita è bella La voce della luna L'équipier Pinocchio Quanto t'ho amato .

For elementary through early intermediate students these books contain a variety of favorite pieces from the four stylistic periods of piano repertoire with skillfully composed second keyboard parts for teacher/parent or more advanced student.

Christina Rossetti wrote the words to this famous Christmas carol in 1872 in response to a request from the magazine Scribner's Monthly for a Christmas poem. They were set to music by Gustav Holst (1874-1934) for inclusion in the first edition (1906) of The English Hymnal edited by his life-long friend Ralph Vaughan Williams. Philip Sparke has carefully arranged the beautiful melody into this delightful version for concert band. A must for any Christmas concert.

Jazz Play-Along Vol.36-This is a book and 2 CD Set. One CD has the tunes at performance tempos and the other CD contains slower practice tempos to aid in learing. Includes 8 tunes by a variety of jazz greats that have been recorded on many records in the past 40 years and songs by Jamey in the same style. If you listen to jazz records you've heard these tunes. Composers represented here include such heavies as Tadd Dameron Thelonious Monk Ray Brown and Tommy Flanagan. Smokin' rhythm section keeps you inspired from the first note to the last! Learn and enjoy these great tunes.Lead sheets and chords for all instruments and vocalists complete with a CD of band accompaniments.

Enigma I - IV und VI-For mixed chorus a cappella.Text by Leonardo da Vinci from Profezie.The very concise pieces of medium difficulty can easily be handled by competent amateur choirs.With his extremely impressive musical language Furrer captures the poetry and timeless imagery of Leonardo's classical literature. The texts describe every day occurrences such as a dream metal and fire. By using a simple grammatical device the future tense the texts are transformed into the language of prophecy: The strange in the familiar. Includes notes on historical performance practice (Eng/Ger).

This series aims to present the significant concert band works of Philip Sparke in a format that enables any player to study their music whether or not they get the chance to play these pieces with their own band.

Symphonic Band (score & parts). Grundman C

Work for Flute Clarinet Bassoon and String Orchestra. Work for Flute Clarinet Bassoon and String Orchestra.

4 Voix Mixtes - Chansons Francaises- SATB chorus

Study score for Concertino for 12 Instruments by Igor Stravinsky dating from 1952. Parts are for hire: hire@ewh.dk Study score for Concertino for 12 Instruments by Igor Stravinsky dating from 1952. Parts are for hire: hire@ewh.dk

Nelsonmesse- The so-called “Nelson Mass” is the third of the six great High Masses that Haydn wrote between 1796 and 1802 for the name-days of Princess Maria Josepha Hermenegild Esterházy. According to the dates given in the autograph he composed the work in the period between 10 July and 31 August 1798. It was thus written in the year of the first performance of the Creation. Urtext of the Joseph Haydn Complete Edition Soprano solo Alto solo Tenor solo Bass solo Mixed choir (SATB) Flute Oboe (2) Clarinet (in B-flat) (2) Bassoon Horn (2) Trumpet (3) Kettledrum Strings Basso continuo Full score together withMissa in B major (Theresa Mass) Hob.XXII:12 (BA4660-01) Performance material (BA4660) vocal score (BA4660-90) and study score format 22.5 x 16.5cm (TP98) available for sale

Monologue- A Monodrama with music. Drama by John Stuart Anderson. This work comprises the Old Testament story of Daniel The Burning Fiery Furnace Belshazzar's Feat the Lions' Den Sussanah and the Elders and Bel and the Dragon. All the characters are portrayed by one actor in a highly charged Monologue. Used extensively throughout as a backcloth the musical score also contains a Prelude and Epilogue besides the Motets - which may either be declaimed by the narrator accompanied by the organ or sung by a choir.

Cantata for the Feast of St. Michael- Herr Gott dich loben alle wir (Lord God we praise Thee all of us) BWV 130 Cantata for the Feast of St. Michael Composed for Michaelmas 1724 Bach's cantata 'Herr Gott dich loben alle wir' belongs to the cycle of chorale cantatas which uses a hymn as perhaps various preachers also did to interptet the ideas of the Biblical texts. The hymn used here composed by Paul Eber in 1554 has twelve stanzas. Texts for two recitatives and two arias were written to go with each of stanzas 2 to 10. Bach used the first stanza as a processional and the last two stanzas were made into a concluding chorale withthe original text. - Urtext of the New Bach Edition

(The Four Seasons)-Antonio Vivaldi (1678-1741) stands with Handel and J.S. Bach as one of the titanic figures of late Baroque composition. Not only was he lauded as a composer of vocal and instrumental works both sacred and secular he was without serious competition the most prolific composer of his age. In addition to hundreds of vocal works includingforty-nine operas he composed five hundred concertos. The Four Seasons are probably the best known of his concerti with the second movement

SATB recorders

Sonata WoO postum for Violin and Piano-Johannes Brahms’ compositions for one instrument and piano have been standards in chamber music literature ever since their inception. These works were written with specific performers in mind and Brahms worked closely with them when refining thefinal texts. Nevertheless we rarely approach the music taking into consideration the possibilities of the instruments for which Brahms wrote or the performing practices of the individual players who first performed these compositions includingBrahms himself. Edited by Clive Brown and Neal Peres Da Costa with an Urtext solo part as well as a second part with performance markings. Johannes Brahms The Works for one Instrument and Piano : Johannes Brahms ’ compositions for one instrument and Piano have been standards in chamber music literature ever since their inception. These works were written with specific performers in mind and Brahms worked closely with them when refining the final texts. Nevertheless we rarely approach the music taking into consideration the possibilities of the instruments for which Brahms wrote or the performing practices of the individual playerswho first performed these compositions including Brahms himself. The New Urtext Editions : Bärenreiter’s pioneering new scholarly-critical editions of Brahms ’ works for one instrument and Piano are edited by a team of musicologists who are also performers. They offer today’s musicians not just a reliable musical text based on all known sources but also a comprehensive approach to the works which aims to place them in their historical context and to elucidate the complex of meanings that the composer wished his notation to convey to performers. In addition to the musical text these editions offer an informative Introduction laying out the genesis publication history and reception of the works. At the same time there is a complete list of the sources an explanation of the editorial procedures and a Critical Commentary. Also each volume contains a detailed discussion of specific performing practice issues raised by individual works. An integral part of Bärenreiter’s Brahms publication complex is a text booklet which approaches general performance practice issues of the 19th century with regard to e.g. tempo rubato rhythmic flexibility and articulation. Furthermore musicians will find valuable information concerning vibrato portamento and bowing. Last but not least characteristics of Brahms ’ own Piano playing as well as that of his circle and contemporaries are discussed. The Violin and Viola sonata editions come not only with an Urtext part freed from all editorial emendations but also with an