Three Salon Polkas Op.7 (F sharp major F minor E major). Smetana was a great lover of polka; a dance he had composed from his youth and had made it famous through his operas chamber and symphonic works. Three polkas for Piano in F sharp major F minor and E flat major grouped together in a cycle Op.7 are a demonstration of Smetana 's supreme compositional mastery.

Whether you want to play thundering bass grooves classic Rock 'n' Roll slap-tastic funk lines or a simple backing the Basix Bass Method is the perfect place to start. A fabulous complete tutorial for the Bass Guitar this is an indispensable book which includes sections on playing rock blues heavy metal country and jazz styles. There is also essential licks sample bass lines rhythm and timings all in TAB and standard music notation. The brilliant CD includes accompaniments for songs and examples of all the exercises found within the pages. With a detailed look at styles from different eras from the 1940's to the modern day this is an interesting educationaland proven guide to learning the bass guitar.

Landi Ljomandi - A collection of Choral Works in Faroese by Vagn Holmboe. Texts by J.H.O. Djurhuus William Heinesen Chr. Matras og Karsten Hoydal.

Overture for a Celebration- Jubilance was written to celebrate the 150th anniversary of the founding of the Xinmin Senior School in Singapore. Appropriately for the occasion the composition is a festive virtuoso and dynamic opening work. The music of Benjamin Yeo is characterised by up-tempo melodies and widely scored dynamic contrasts. The ideal opener for your concert!

Brass parts for Ouverture for Percussion Quartet and Brass Quintet by Anders Koppel . Commissioned as set piece for the finals of 'The International Percussion Competition Luxembourg 2015' for Percussion Quartet. Brass parts for Ouverture for Percussion Quartet and Brass Quintet by Anders Koppel . Commissioned as set piece for the finals of 'The International Percussion Competition Luxembourg 2015' for Percussion Quartet.

Love Songs II for Solo Voices and Sinfonietta was composed by Henrik Hellstenius in 2013.Texts by William Shakespeare (Fragments from Sonette 18 and 40) and Henrik Hellstenius.Commissioned by Norland Music Festival and premiered by NMH Sinfonietta 11.01.2013. Love Songs II for Solo Voices and Sinfonietta was composed by Henrik Hellstenius in 2013. Texts by William Shakespeare (Fragments from Sonette 18 and 40) and Henrik Hellstenius. Commissioned by Norland Music Festival and premiered by NMH Sinfonietta 11.01.2013.

Classical Music Kit-Theme from Beethoven's 'Choral' Symphony No.9.

Composed by Eugène Bozza in 1947 Short Suite In Trio Form Op. 67 is a piece for Oboe Clarinet and Bassoon. This edition features the parts for the three instruments and a full score. This four-movement work is quite difficult and would be perfect for advanced players. A great piece for recitals it is also really interesting to play for each of the three instruments. The four movements are Allegro moderato which starts with the Oboe Allegro vivo Adagio espressivo and Allegro vivo and the piece lasts approximatively 10 minutes. Eugène Bozza won different prizes at theConservatoire de Paris such as the First Prizes for the Violin conducting and composition as well as the Grand Prix de Rome. He composed several operas chamber works and ballets among others.

3 Pieces (for 2 saxophones (or 2 clarinets))

24 unforgettable italian songs for Piano Voice and Guitar. New edition.

SATB chorus

Cool Christmas favourites arranged for violin with CD backing track - a piano accompaniment score is also included. Arranged in a variety of jazz blues and rock styles by Richard Kershaw.

Eb Horn Solo-Aria was commissioned by and written for the remarkable tenor horn player Sheona White. The work opens with an accompanied recitative which leads to a change of key where the main melody is presented. This in turn serves as an introduction to another melodic idea marked calmato. The band takes up this theme and then takes centre stage with a passionate repeat of the main theme which is completed by the soloist. A cornet then plays the calmato theme against which the soloist plays a counter melody. This leads to a return of the opening recitative which brings the work to a peaceful close. A fantastic new addition to the solo repertoire for this much neglected soloinstrument. Aria was commissioned by and written for the remarkable Tenor Horn player Sheona White. The work opens with an accompanied recitative which leads to a change of key where the main melody is presented. This in turn serves as an introduction to another melodic idea marked calmato. The band takes up this theme and then takes centre stage with a passionate repeat of the main theme which is completed by the soloist. A Cornet then plays the calmato theme against which the soloist plays a counter melody. This leads to a return of the opening recitative which brings the work to a peaceful close. A fantastic new addition to the solo repertoire for this much neglectedsolo instrument.

Le Verseau- French composer Pierre Ancelin (1934-2001) studied at the conservatories of Aix-en-Provence Marseille and later under Olivier Messiaen at the Paris Conservatoire. His Scrubland is an exciting collection of five pieces for Oboe and Piano. Ancelin is particularly remembered for founding the National Union of Composers of Music along with Jolivet Lesuer and Sauguet. The five pieces in Scrubland are suitable for beginner to intermediate level oboists. Each of the five pieces contain a variety of musical features. For all aspiring oboists Ancelin 's Scrubland is adelightful compilation.

In making this piano reduction the arranger has attempted to retain as much of the original version (for string orchestra and harpsichord) as possible to give the soloist a clear idea of what is going on in the orchestra. Therefore certain passages especially in the third movement Elegy are rather tricky and not always easily playable. The composer’s suggests omitting some of the notes in the chords if required or for example when a chord is repeated in succession to play the chord in full on the beat but to play only the outer notes of the chord after the beat. Where necessary spread chords can be played as marked.

Full score for Now Sleeps The Crimson Petal for tenor horn and strings with separate horn part.

Elgar’s five Pomp and Circumstance Marches were written between 1901 and 1930 with number 1 undoubtedly being the most popular of the five. King Edward VII told Elgar that the tune would ‘go round the world’ if words were fitted to it. Elgar took the hint and included it (with slight rhythmic changes) in his Coronation Ode of 1902 with words by A. C. Benson. Thus was born Land of Hope and Glory which is now of course an integral part of the annual Last Night of the Proms when the audience (with varying degrees of success!) sing the words along to the original march. Now your fanfare band can enjoy all the pomp and ceremony of the proms with this arrangement by Philip Sparke.

Suite for blandet kor og blæserkvintet baseret på seks sange med tekster af Ludvig Holstein og musik af Carl NIelsen. I Aften for mezzosopran blandet kor SATB og klaver. Dette er et saetryk fra 'a f sommernattagernes spind' - Suite for blandet kor og blaeserkvintet af Per Drud Nielsen baseret pa seks sange med tekster af Ludvig Holstein og musik af Carl Nielsen . Suiten er udarbejdet for Danske Folkekor i anledning af 150-aret for Carl Nielsens fodsel.

Although Arthur Sullivan (1842-1900) is best known for his collaboration with W.S. Gilbert on their famous operettas he also wrote much instrumental chamber and orchestral music church anthems and around 20 secular part songs. One such song was The Long Day Closes which has remained in the popular repertoire of many male voice and mixed choirs. The melody is a combination of hushed hymn-like reverence and emotional intensity which provides the young band the opportunity to work on dynamics ensemble intonation and balance in ?chorale? style.

Fanfare-This fantastic stirring fanfare was written with the composer?s wish that the young musicians performing it would fly into the bright future like pheasants. The first part of the piece is a fanfare which is suitable for opening ceremonies and the second part is a lush chorale-like movement. Your band can perform both parts together or you could perform each one separately. This short opening work will start any concert in real style.