Rare is the drummer who is both influwntial and essential to a genre but Billy Cobham is just that in regards to jazz and consequently to music in general. He's performed with Miles Davis - displaying his ambidextrous drumming on classic recordings. This play-along package features selections from Spectrum where the individual instrument tracks are remixed so that the musician/student can play along in essence filling in for any key member of the London Jazz Orchestra with whom this project was recorded. The experience is one that Cobham describes as 'accessible yet challenging'.

This song is of course one of the most famous ballads of all time. The pure simplicity of the melody is precisely what makes this number so unforgettable. Ben Haemhouts has made an arrangement that can be played by every orchestra and every soloist and by different instruments. The arranger also played this gem himself on the I've Got the Music CD with the band that he played with for 10 years.

Pocket or Study Score. Druckman J

Twenty three arrangements for organ (manuals only) and voice with English words.

Miniature Score-Written for Flute Violin Cello and Piano. This score doubles as the piano part. Written for Flute Violin Cello and Piano. This score doubles as the piano part.

Trumpet Piano. Kolb B

A selection of 26 George and Ira Gershwin's best songs for piano voice and guitar.

Hawkes Pocket Scores HPS 630-Study Score - Hawkes Pocket Score 630. Strawinsky I

Clarinette En La Et Percussion - Ou Piano- for clarinet and 1 percussion (or piano)

Sinfonia Uit Kantate 156-Sinfonia uit Kantate No 156.

A beautiful work for Clarinet and Cello by Finnish composer Erkki Jokinen. It was composed in 1990 commissioned by the Toimii Ensemble. A beautiful work for Clarinet and Cello by Finnish composer Erkki Jokinen. It was composed in 1990 commissioned by the Toimii Ensemble.

Bergstedts Børnesange has been composed by Jørgen Nielsen. Bergstedts Bornesange has been composed by Jorgen Nielsen.

Work for Oboe Violin Cello and Percussion commissioned by the Student Union of the University of Helsinki. Dedicated to Juoko Teikari. Work for Oboe Violin Cello and Percussion commissioned by the Student Union of the University of Helsinki. Dedicated to Juoko Teikari.

A splendid selection of Johann Sebastian Bach's best loved solos and duets arranged for Pickstyle guitar. With an accompanying CD of demonstratrion tracks all the music has been made available in specific arrangements for jazz and rock guitarists of intermediate and advanced ability. Includes standard notation and TAB.

In 2001 Bärenreiter issued a newly engraved keyboard reduction and solo parts to this concerto based on the acclaimed New Bach Edition. The present expanded new publication goes a step further in that it offers not only the two solo Violin parts as presented in the New Bach Edition but also two additional parts with fingerings and bowings by the baroque specialist Andrew Manze. Manze also offers players enlightened comments (English/German) on historical performance practices dealing with how the instrument was held fingerings bowing shifting the use of open strings and much much more. Full score & parts (BA5188) 2 Violins and Pianoreduction (BA5188-90) and study score (TP284) available for sale.

Part of the Anglo Music Play-Along Series Philip Sparke’s 15 Easy Christmas Carols is aimed at the young instrumentalist who can play just over an octave. Specifically tailored to suit the individual instrument this book introducesthe beginning player to the world’s most popular Christmas tunes by selecting simple yet attractive melodies that fit their limited range. This book will provide invaluable additional material to complement any teaching method and includes both pianoaccompaniment and a demo/play-along CD.

for Oboe and Concert Band-Composer Philip Sparke decided to use the idea of white to write a piece that was both bright and light in terms of harmony colour and orchestration. He achieves this by using simple major and minor chords and emphasising the pure transparent timbres of the upper woodwinds of the band. He was also keen to capture the essence and history of the oboe as a solo instrument. A perfect way to put your oboist in the spotlight.

In early 1729 Bach became director of the so-called »Scottish Collegium Musician« a music organization of students and local citizens. The remarkable results of this undertaking are the concertos for Harpsichord. Today it is almost certain that practically all of these concertos were transcribed from concertos for melody instruments (mostly Violin or Oboe). - Urtext of the New Bach Edition - Full scores and performing material to the five concertos for Harpsichord and Strings BWV 1052-1056 (BA5224-BA5228) the concerto for Harpsichord two Recorders and Strings BWV 1057 (BA5229) as well as the concerto BWV 1058 (BA5230) also for Harpsichordand Strings based on the Violin concerto in A minor are available for sale. - Study score of the Complete Concertos for Keyboard format 22.5 x 16.5cm (TP410)

révision de Claude Debussy- Frederic Chopin 's Ballades Et Impromptus . Revision by Claude Debussy for solo Piano.

Tiefe Stimme / Low Voice-Continuing the new Urtext edition of Schubert’s Lieder editor Walther Dürr now presents Volume 6 for Low Voice . While volumes 1 to 4 of this series contain mostly Lieder that Schubert had published during his lifetime volume 5ff. contain the remaining songs which are presented basically chronologically in the order of their Deutsch catalogue number. The Lieder in this sixth volume were composed during the period between autumn 1814 and spring 1815. With “Nachtgesang” (D 119) and “Trost in Tränen” (D120) Schubert turns to the“Strophenlied” in its stricter sense for the first time. He develops an interest in this form parallel to his first involvement with Geothe. Schubert during this period an assistant teacher at his father’s school orientated himself towards the so-called “Berliner Liederschule” particularly the songs of Johann Friedrich Reichardt. By the beginning of the year 1815 he drew his inspiration mainly from the texts of Theodor Körner; however he regularly still produced settings for the poetry of Goethe and Schiller. - Based on the Urtext of the “New Schubert Edition” - Newly engraved clearly presented musical layout - Foreword by Walther Dürr on the history and genesis of the work as well as an explanation of the sources for each individual lied (Eng/Ger) - Includes English translations of lieder texts by Richard Wigmore