for SATB congregation (or semi-chorus) and organ The Mass for All Saints is a captivating setting of the Latin Missa brevis. The accessible choral lines idiomatic organ part and colourful harmonies make this an ideal work for choirs looking for a fresh take on familiar words. The Mass for All Saints is a captivating setting of the Latin Missa brevis. The accessible choral lines idiomatic organ part and colourful harmonies make this an ideal work for choirs looking for a fresh take on familiar words.

Chanson de la côte (3') pour ténor (ou soprano) et piano (poème C. Cros). Par Aboulker aux éditions Leduc. Partition / Livre de chansons pour Piano et voix.

Cello Piano. Klingler K

Orchestral & Instrumental Material for Choral Pieces-for SATB and harp or piano This delightful choral work brings together arrangements of four well-loved folksongs: 'Green Bushes' 'The Rambling Sailor' 'The Crystal Spring' and 'O No John!'. The harp accompaniment is ideal for choirs looking to perform this work as it was originally conceived. This delightful choral work brings together arrangements of four well-loved folksongs: Green Bushes The Rambling Sailor The Crystal Spring and O No John! . A joyful celebration of youthful love and courtship A Fancy of Folksongs bears all the hallmarks of Cecilia McDowall's appealing and popular style: rhythmic vitality occasional astringent harmonies and strong melodies all brought together to create a distinctive and fresh sound. A Fancy of Folksongs can be accompanied by piano or harp and it is sure to be an instant hit with all lovers of McDowall's music.

A late Howells work for SATB and organ. Although originally intended for liturgical use it could also be used as a festive anthem or in a recital. From the first notes of the organ part it is clear that this is vintage Howells. A late Howells work for SATB and organ. Although originally intended for liturgical use it could also be used as a festive anthem or in a recital. From the first notes of the organ part it is clear that this is vintage Howells.

Flute Violin Cello. Beyer Ji

Based on the moving poetry of Robert Louis Stevenson this captivating setting by Audrey Snyder is perfect for festival or contest use. Parts for Oboe Violin Viola and Cello are included.Available separately: SSA and 2-Part.VoiceTrax CD also available. Performance Time: Approx. 2:15

Hvad Er Det Der Gør Jul Til Noget Særligt - Denmark's new Christmas song by Peter Sander Andersen & Svend Erik Petersen (2015). Versions for Choir SATB/SAA and Piano. Arranged by Phillip Faber . Hvad Er Det Der Gor Jul Til Noget Saerligt - Denmark's new Christmas song by Peter Sander Andersen & Svend Erik Petersen (2015). Versions for Choir SATB/ SAA and Piano. Arranged by Phillip Faber .

Following the success of their 2006 tenth anniversary commissions singbronze singsilver and singgold the National Youth Choir of Scotland has for a second time commissioned each of ten composers with a strong Scottish connection to write three songs. The songs are suitable for young people to sing and meet certain criteria of range rhythm and pitch. The Bronze song is pentatonic the Silver song is diatonic with no accidentals and the Gold song is diatonic with accidentals. Once again the composers have responded with fascinating songs in a variety of interesting styles with suitable and stimulating texts. Singgold! songs are diatonic with simple accidentals. Choral scores contain Voice parts only. Vocal scores contain Voice parts and Piano accompaniment.

Falling Darkness - In memoriam Frederik Gislinge. For Ensemble (2017). Commissioned by and written for Esbjerg Ensemble Parts are available on hire: hire@ewh.dk Falling Darkness - In memoriam Frederik Gislinge. For Ensemble (2017). Commissioned by and written for Esbjerg Ensemble Parts are available on hire: hire@ewh.dk

for SATB and piano This tender Advent carol sets an original text by Charles Bennett that creates a sense of anticipation for the arrival of Jesus. Underpinned by a gently rippling piano part throughout the piece opens with a simple choral melody that blossoms into expressive harmonies before the music gently fades away. This tender Advent carol by Bob Chilcott sets an original text by Charles Bennett that creates a sense of anticipation for the arrival of Jesus. Underpinned by a gently rippling piano part throughout the piece opens with a simple choral melody that blossoms into expressive harmonies before the music gently fades away.

Set of Parts-Grades 4-5

For Tenor and Chamber Orchestra. Stephen Albert 's Into Eclipse for Tenor and Chamber Orchestra. Full score. ' Into Eclipse is based on Ted Hughes' adaptation of Seneca's Oedipus. The five episodes chosen astexts for this musical setting form an abbreviated version in song of this Roman dramatisation of the Oedipus myth . Seneca's play has no external action. As Peter Brook informs us in his introduction to the play '...it takes place nowhere...possibly it was read aloud in the bathhouse to friends.' It therefore seemed possible to take the essential elements of the tale and transform them into a rather complete musical statement that wasnon-theatrical yet dramatic in its own terms. Into Eclipse is thus not a monodrama nor even a solo oratorio but rather a 'Herosong.' It is somewhat in the tradition but not of course in the manner of earlyballadeers and minstrels who often set ancient stories and myths to music and performed these musical narratives for both court and country village . The story is sung from different viewpoints (that of Creon thechorus of citizens and of course Oedipus the king) all encompassed within the bounds of one man's voice and his complement of instruments. There is no concious attempt to 'paint' or emphasise particular words or phrases withinthe text nor was there an effort to musically heighten Seneca's already nightmarish vision with its withering onslaught of bloodthirsty images. To do so seemed to risk weighing down the cycle in a morbid atmosphere one filledwith caricature and the grotesque .' - Stephen Albert The full-Orchestra version of Into Eclipse was premiered on September 8 1986 by the Seattle Symphony with Gary Lakes Tenor andGerard Schwarz conductor. It is also available in a version for Tenor and Chamber Ensemble [Flute/Piccolo Clarinet/Piccolo Clarinet Horn Trumpet Percussion (2 players) Harp Piano and Strings]. This version was premiered on

A beautiful arrangement for Recorder Trio (with Piano) of this well-known spiritual. Ideal for use in school concerts. Each set contains a score and three of each part.

Work for Harpsichord composed in 1982 revised in 1988 and premiered in Iceland in 1998. Work for Harpsichord composed in 1982 revised in 1988 and premiered in Iceland in 1998.

Promenad til en hogle sfar-This short work for orchestra is dedicated to the memory of Danish composer Pelle Gudmundsen-Holmgreen. Walk To A Higher Sphere by Britta Bystrom for Orchestra. Full score. This short work is dedicated to the memory of Danish composer Pelle Gudmundsen-Holmgreen.

for SA piano and percussion This is an uplifting setting of a fun text by Christie Dickason that characterizes the sky in an imaginative way. The compelling melodies are underpinned by a dynamic piano part and a contrasting middle section in triple time quotes from the Northumbrian folk song 'When the boat comes in'. Cecilia McDowall 's Drink The Sky for SA Piano and Percussion. This is an uplifting and expressive setting of a fun descriptive text by Christie Dickason that characterizes the sky in an imaginative way. The compelling melodies are underpinned by a dynamic Piano part often featuring rippling quavers and characterful interjections from the Glockenspiel and suspended Cymbal complement the narrative. A contrasting middle section in triple time quotes from the Northumbrian folk song 'When the boat comes in' while the final section is affirmatory in feel emphatically repeating the final line of the poem 'and I will grow'.

Franco Cesarini composed this beautiful fanfare for the 150th anniversary of the Swiss Railroad. In this piece Franco Cesarini reveals the brilliance of the brass the softness of the woodwind and the dexterity of the percussion section. The rich dynamics of this festive piece will brighten up any occasion.

for SATB unaccompanied Howell's Mass In The Dorian Mode was first heard at Mass in Westminster Cathedral on 24th November 1912. It was the first of Howell's works to be given a professional London performance. The Mass is scored for SATB unaccompanied.

Uses: Christmas Scripture: Song of Solomon 2:1; Luke 2:8-10 Beautiful imagery of a Judean hillside and the deep beauty of Christmas hope are expressed in this unique carol. The precious gift of heaven'sperfect Rose is the central theme of this tender carol. The beautifully crafted music complements this graceful message and the part writing is quickly learned. Available: SATB. Duration: ca. 2:46.