deux pièces pour batterie et piano- ça va par deux (et) ramage (cycle 1) deux pièces pour batterie et piano. Par Couprie aux éditions Leduc. Partition / Livre de chansons pour Batterie

Piano Sonata No.5 was written in 1974. Stylistically it moves on from works completed in the 1960s which betray a synthesis of Fišer 's own musical language and the stimuli of New Music. With the exception of the final passage the sonata exclusively applies the mode B flat-B-C-C sharp-F-F sharp-G which was first used in a narrowed six-note form in 1965 in Fifteen Prints after Dürer's Apocalypse. Formally the piece is arranged into short contrasting sections which are created from brief repetitive ostinato motifs. With minimal use of thematic and expressive material the composer achieves effective dramatic abbreviation of the kind whichculminated in works from the 1960s. This musical treatment is abandoned only in the final lyrical part which anticipates the future development of Fiser 's musical language leading to its simplification and overall dramatic reduction. Piano Sonata No.5 was first published in 1996 by Bärenreiter Editio Supraphon Prague in a re-print of a transcription provided by the Czech Music Fund in whose preparation the composer was also involved at the time. The new edition consistently adheres to this authorised copy of the work while confining itself to the correction of several apparent omissions and errors.

Play a selection of superb John Williams' compositions from Indiana Jones and the Kingdom of the Crystal Skull . This book is part of an instrumental series arranged for Flute Clarinet Alto Sax tenor Sax Horn in F and Trombone. The arrangements are completely compatible with each other and can be played together or as solos. Each book contains a carefully edited part that is appropriate for the level 2-3 player and a fully orchestrated accompaniment CD. The CD contains a demonstration track of each song featuring live instrumental performance plus a Play-Along track. This terrific edition also contains a tuning note plus a host offull-colour stills from the film.

Early Opus for Piano composed in 1941. Early Opus for Piano composed in 1941.

Exploiting the Flute to its full potential Fantaisie Italienne is an exciting and challenging addition to the advanced flautist's repertoire. From cadenza passages to a delightful 6/8 melody this piece by French composer Eugène Bozza (1905-1991) covers a huge variety of the Flute's possibilities. The piece begins with an emotional characterised cadenza covering a wide range. This leads dramatically into a 6/8 section accompanied by broken chords in the piano before ending with a quirky and lively 2/4 secton. Bozza 's Fantaisie Italienne for Flute and Piano is not only symbolic but also includes exciting challenges making for an imperative performance piece in the Flute repertoire.

for Wind Instruments Violoncello and Double Bass op. 44-In 1878 Dvorák was in Vienna and was so impressed by a performance of Mozart’s Wind Serenade in B-flat major K. 361 that he wrote his own wind serenade within the space of two weeks after his return. Taking Mozart’s piece as his model he supplemented the wind band with a bass part for violoncello and double bass. The op. 44 Serenade which also delighted Johannes Brahms was issued by Dvorák’s publisher Simrock shortly after its première. Our new Urtext edition draws on this first print while using the autograph to correct a number of mistakes and above all inconsistencies in articulation. Serenade In D Minor Op.44 for Oboe I II; Clar I II; Bsn I II; Contra-Bsn; Horn I-III; Vc; Kb In 1878 Dvorák was in Vienna and was so impressed by a performance of Mozart’s Wind Serenade in B-flat major K. 361 that he wrote his own wind serenade within the space of two weeks after his return. Taking Mozart’s piece as his model he supplemented the wind band with a bass part for Violoncello and Double Bass. The Op.44 Serenade In D Minor which also delighted Johannes Brahms was issued by Dvorák ’s publisher Simrock shortly after its première. Barenreiter's new Urtext edition draws on this first print while usingthe autograph to correct a number of mistakes and above all inconsistencies in articulation. First Urtext edition of Dvorák ’s popular Serenade for winds Detailed Foreword by Dvorák expert David R. Beveridge (Eng/Cz/Ger) Critical Commentary by Robin Tait (Eng)

Piano Duet-A collection of easy-to-play piano duet arrangements of themes from 23 of the most popular classics as featured in the hugely successful recording compilations

Aber Heidschi Bumbeidschi was originally a traditional lullaby from theGerman region of Bohemia. It?s beautiful smooth moving melody hasensured that this tune has become popular outside of the German speaking countries. Today it is mainly performed at Christmas as a traditional Christmas crib song. With this lovely arrangement youcan create a beautiful moment of peace and contemplation in yourChristmas concert!

1.Choral; 2.Etude de Sonorité; 3.Un Cercle d'Argent souple; 4.Heureusement la bonne Fée...; 5.Mythologies japonaises; 6.Romance; 7.Nocturne; 8.Suite facile No.1; 9.Suite facile No.2

The last decades of the 20th century saw man's first steps in space exploration. Since the first moon landing by Neil Armstrong in 1969 these adventures in outer space have captured the public's imagination and have given birth to scores of science fiction movies books and TV series that have tackled the subject. Infinity and Beyond... takes as its inspiration the wonderful film scores of composers such as John Williams and Jerry Goldsmith who have almost invented a style which could be called 'space music'.Opening with a rhythmic bass figure Infinity and Beyond... begins with a robust introduction in 3/4 which leads to the main theme in 4/4 played by the full band. Ashort bridge passage utilising the interval of a fourth leads to a modal central section featuring first the trumpets and then played by the whole band; this in turn leads back to a repeat of the introduction until the main theme returns to bring the piece to a close.

Violin Viola Cello. Gal H

For E flat saxophone and piano.

B-Dur für drei Violinen und b. c.- Gottfried Finger (c 1656 - 1730). Many sonatas trio sonatas and chamber compositions for Wind and String Instruments are part of the compositional legacy of Gottfried Finger . Nowadays works for Wind Instruments especially for Alto Recorder are being published occasionally while works for Violin and Viola Da Gamba have escaped the attention of the researchers. One of the most remarkable composition from among them is the Sonata In B Flat Major for three Violins and Continuo whose period copy present in the library of Uppsala University served as a source for this edition. The piece is interesting especially for its unusalstructure as it is composed as a dialogue between the three concert Violins that are in contrast to the broadly set tutti. In solo parts the composer provides equal space for self-presentation for all three Violins. The edition was prepared by Miloslav Klement.

This edition includes a wealth of Classical and Romantic melodies in arrangements for two flutes. These arrangements stem from the 19th century and are by Ernesto Köhler Louis Drouet Wilhelm Popp Anton Bernhard Fürstenau and others. Where necessary the works have been transposed into a more suitable key and range for the flute. Due to the moderate difficulty they are well suited for teaching purposes. The duets are based on melodies by Mozart Weber Haydn Gluck Beethoven Schubert Schumann Mendelssohn Bartholdy Chopin and others. From the contents: Carl Maria von Weber “Barcarole” / Wolfgang Amadeus Mozart “Das klinget soherrlich” / Robert Schumann “Träumerei” / Ludwig van Beethoven “Rondo-Thema” (“Pathétique”) / Frédérik Chopin “Mazurka” and many more The editors Weinzierl and Wächter perform together as the “Münchner Flötenduo”. They actively develop and promote the combination of two flutes by means of concerts recordings courses and the publication of music.

International Folk Songs For Solo Singers holds 12 songs from around the world arranged for solo voice and piano. From Alfred's Vocal Solo Collections it is an invaluable resource for any singer looking for a wide selection of of vocal solos. The editions in this series offer the perfect repertoire for recitals concerts and contests. There is a wonderful variety to this collection reflecting the huge array of international folk and traditional music. With songs in English Italian German French Spanish and Swahili pronunciation guides are included to help authentic performance.

Philip Sparke composed Processional as a wedding present for two of his friends. It is an extremely versatile piece as it can be played simply as a concert piece but has been designed specifically for occasions such as weddings or graduation ceremonies where it?s duration can be altered according to your needs.A must for any ceremonial occasion.

Michal Hromek (*1958). Insular Duets for two Guitars. The basic theme for this collection is the folk songs of English Irish and Scottish origin. Sometimes quoting extensively from the original tune and sometimes allowing the composition to develop its own thematic material Michal Hromek 's Insular Duets offers a new perspective on familiar themes. The compositions are intended for two Classical Guitars however the use of metal strings with one or both instruments should not be ruled out. Contents: The Wild Mountain Thyme The Courragh of Kildare The Drowned Lover My Bonny BonnyBoy Once I Had A Sweetheart and Blarney Pilgrim

Magnificat for a Chorus of four mixed voices and Basso continuo Pachelbel's choral works excel in the magnificence and festive splendour of their tonal effect but at no point do they depart from an easy singable style. Simplicity of harmonic texture and voice leading is a characteristic of Pachelbel's art generally but it asserts itself especially in these vocal compositions. They are in the best sense of the word 'Gebrauchmusik' that is functional music for the church service on Sundays and feast days for these choral works are always closely associated with the seasonal liturgical themes by means of themnatic employment of the appropriate chorale cantusfirmi. Score & Basso continuo (BA2877) available for sale

subTERRA tells the story of a miner who miraculously survives the collapse of a mine shaft. The work consists of five movements:1. The Dream: A horrible nightmare plagues the miner. Dissonances and unusual sounds foreshadow the imminent disaster.2. The Work: The rhythmic second part describes the daily grind of a miner from driving into the mine shaft to working deep underground.3. The Accident: Suddenly a piercing alarm is heard. Everyone tries to escape the mine amidst the ensuing chaos as the mine shaft collapses trapping the unfortunate miner.4. Hope: Buried under rubble and debris the miner regains consciousness. A prayer can be heard.5. The Rescue: A powerfulmaestoso symbolizes the successful rescue and survival of the trapped miner.

Caisse Claire - Ou Tambour- for snare drum bass drum and piano