Text: Stengaard From the Palladium motion picture Det Gælder Os Alle! mws Ilelil og Poul Reichardt. Text: Stengaard From the Palladium motion picture 'Det Gaelder Os Alle!' mws Ilelil og Poul Reichardt.

BWV 10- Now My Soul Exalts The Lord BWV 10: Cantata for the Feast of Visitation B. V. M. With his cantata Meine Seel Erhebt Den Herren which Bach composed for the Visitation of Mary (2 July) he created a Magnificat setting of a different kind: The German text source is a combination of biblical text and a free interpretation the basis being the Marian hymn of praise from the Gospel according to Luke. The 9th psalm tone acts as the chorale melody and becomes a recurring musical theme. With a small scoring of one trumpet (which if need be can be omitted) two oboes strings and basso continuo along with four soloists and choir Bach succeeds in writing a festive music of 20-25 minutes. This performing edition is based on the Urtext of the New Bach Edition.

1.Hommage à Scarlatti; 2.Bransle de Touraine; 3.Tempo di Gavotta (for harpsichord or piano)

Leroy Anderson 's Sleigh Ride for Organ arranged by Thomas Trotter.

2 Violins 2 Violas Cello (parts). Gal H 2 Violins 2 Violas Cello (parts). Gal H

Kyrie eleison-Gloria in excelsis deo- The five volume editorial project Repertorium Troporum Bohemiae Medii Aevi presents the textual and musical edition of troped mass chants from Bohemian sources from the 11th to the 16th century. The second volume of the complete edition of mass tropes from Bohemian manuscripts of the 12th to 16th century includes 45 Kyrie tropes and 7 Gloria tropes. They represent thee distinct traditions as they developed in Bohemia in the High and Late Middle Ages: those of Cathedral the Prague Diocese and the late Utraquist liturgy. A considerable number of texts and melodies are presented for the first time in this publication. As in the first volume theedition is complemented by comprehensive commentaries an introduction and plates. The tropes are edited along with their native chants as such this publication will be of interest to both the academic community as well as those interested in performance. Hana Vlhová-Wörner studied musicology in Prague and Basel Switzerland. From 1993 to 2006 she worked at the Institute for Musicology Charles University Prague (Ph.D. 2000 Habilitation 2009). Since 2006 she has lived in the U.S.A. where she has taught at Duke University and UNC Chapel Hill. She is the author of numerous publications on church music and Latin liturgical poetry in Bohemia and Central Europe from the 11th to 16th centuries and one of the editors of the Jistebnice Kancionál.. Also available: - Part 1: Tropi ordinarii missae. Tropi proprii missae H7878 - Part 3: Tropi ordinarii missae. Sanctus H8017 - Part 4: Tropi ordinarii missae. Agnus Dei H8030

Pour voix flûte et piano- Pour conjurer le 'Bogue!' (To ward off the Bug) for flute (or voice) flute and piano

Sergio Leone a renouvelé les codes du western en lui redonnant un souffle épique et moderne. C’est ainsi qu’est né le western italien. The Italian Western est un arrangement qui rassemble trois thèmes ( Santa Fe Express Funerale Nero et Marcia dei MacGregor ) composés par Ennio Morricone pour deux westerns “made in Cinecittà”.

SATB recorders

Trombone Quartet - 'Preludio Scherzo e Variazioni per quattro tromboni' was composed by Bo Holten in 2015. Trombone Quartet - 'Preludio Scherzo e Variazioni per quattro tromboni' was composed by Bo Holten in 2015.

For Euphonium and Brass Band-This piece was commissioned by Swiss euphonium virtuoso Erich Schmidli. Bert Appermont dug deep into Celtic music for inspiration and created a fantasy that shows off the incredible but often overlooked versatility of the euphonium. Charminglyrical melodies virtuosic runs and exciting colourful tuttis create plenty of contrast in this exciting work. The difficulty level for the soloist and band means almost any band to perform this piece and showcase their euphonium player.This piece was commissioned by Swiss Euphonium virtuoso Erich Schmidli. Bert Appermont dug deep into Celtic music for inspiration and created a fantasy that shows off the incredible but often overlooked versatility of the Euphonium. Charming lyrical melodies virtuosic runs and exciting colourful tuttis create plenty of contrast in this exciting work. The difficulty level for the soloist and band means almost any band to perform this piece and showcase their Euphonium player.

Quartet by Pierre Max Dubois is a piece for four Saxophones also known as Concertino initially composed for four Saxophones and a String Orchestra. The scores for all Saxophones are part of this edition with a set of all four Saxophones scores. It is considered as difficult it requires strong endurance and a good technique. This Quartet is divided into four distinct movements : 1. Ouverture Brillante 2. Dolorospo 3. Spirituoso 4. Andante Pierre Max Dubois (1930-1995) is a French composer who was awarded the Prix de Rome in 1955. Mainly composing classical music hisworks are mainly for woodwinds. He is one of the founder of Les Six which included his professor Darius Milhaud.

from Piano Sonata No. 8 in c minor Op. 13-This beautiful melody may well be one of the most delightful solo piano pieces ever and over the years has been arranged for many line-ups. In this arrangement Georges Moreau wanted to stay as close to the original as possible. He has given the passionate aspect of the melody absolute priority and it is supported by a straightforward accompaniment.

Dvorák’s Symphony No. 7 was commissioned by the “Royal Philharmonic Society” in August 1883 and received its premiere on 22 April 1885 in London conducted by the composer himself. The following June the second movement was shortened by some 40 bars and the work was published in this form in 1885 by Simrock.The editor of this new scholarly-critical edition is Jonathan Del Mar who has gained an international reputation for his edition of Dvorák’s cello concerto in B minor (BA 9045) not to mention his editions of works by Beethoven and Elgar. Del Mar has drawn on all the available sources including letters. The original version of the second movement appears in theappendix as well as in the performing material.This new Bärenreiter edition sets the highest scholarly standards whilst also taking the needs of modern performers into account. First Urtext edition of this important workContains the original London version of the second movementIncludes a foreword (Cz/Eng/Ger) and a critical commentary (Eng)

For SATB Choir A Cappella. Text in Italian. For SATB Choir A Cappella. Text in Italian.

As the title suggests this Sonatine interprets musical elements of sport. With this in mind Tcherepnine 's Sonatine is a highly amusing energetic and fun piece to play for saxophonists. Russian born composer Alexandre Tcherepnine (1899-1977) moved to Paris with his family in 1921 following the increasingly hostile political environment in Russia. During WWII Tcherepnine 's composing activities virtually stopped. However just before doing so he composed his Sonatine Sportive . The first movement interprets boxers with pulsating quavers in the piano partrepresenting a defence. Movement two suggests a rest that the two players take before the 'racing' third movement written in the form of a canon. With such stimulating and imaginative creativity Tcherepnine 's Sonatine is essential to the saxophonist's repertoire.

Transcribed for Harp- 18 Pieces by Bach Corelli Couperin Handel Pachelbel Paradisi Purcell and Vivaldi arranged by Floraleda Sacchi for solo Harp.

Les Rendezvous Bourgeois-Romance from Les Rendezvous Bourgeois arranged by Robert Graves.

Tanzlieder-Voice Piano. Bartok B

This musical fairy tale takes place during the middle ages in England at the court of King Arthur and his knights of the round table. Bert Appermont wanted to cast knights castles and princesses as the lead role and let young bands andsmaller/incomplete ensembles enjoy this rich fantasy.