Haydn's Symphony Hob. I:89 belongs to a group of symphonies composed between the “Paris” symphonies (Hob. I:82-87) and their “London” counterparts (Hob. I: 93-104) – the last ones he wrote before his trips to England in 1791-92 and 1794-95. The Symphony in F major is dated 1787 in the autograph score. In this work Haydn borrowed two movements from an earlier piece possibly owing to deadline pressure. The second and fourth movements are arrangements of movements 2 and 3 from his Concerto in F major Hob. VIIh:5 for two “lire organizzate” and orchestra. The fact that he also arranged movements from his other lire concertos suggests that he regarded them as a sort of musicalquarry. This at least allowed him to recycle parts of these works after his patron had probably prohibited him from offering them commercially. Haydn 's Symphony Hob. I:89 belongs to a group of symphonies composed between the ‘Paris’ symphonies (Hob. I:82-87) and their ‘London’ counterparts (Hob. I: 93-104) – the last ones he wrote before his trips to England in 1791-92 and 1794-95. The Symphony in F major is dated 1787 in the autograph score. In this work Haydn borrowed two movements from an earlier piece possibly owing to deadline pressure. The second and fourth movements are arrangements of movements 2 and 3 from his Concerto in F major Hob. VIIh:5 for two “lire organizzate” and orchestra. The fact that he also arranged movements from his other lire concertos suggests that heregarded them as a sort of musical quarry. This at least allowed him to recycle parts of these works after his patron had probably prohibited him from offering them commercially. This edition continues the collaboration with the Henle publishing company regarding Haydn's large-scale choral works operas and symphonies. It is based on the Henle Complete Edition of the Works of Joseph Haydn. The complete performance material for several Sturm und Drang symphonies and all of the London and Paris symphonies is now available from Bärenreiter.

The Camelot Chronicles is a series of contrasting musical tableaux each describing the famous characters from the Arthurian legend. Noone knows exactly where Camelot was situated (favourite choices areTintagel and Glastonbury) but the story has passed into legend and isthe subject of many poems and novels each of which have cloudedthe truth and added to the mystery. Let Philip Sparke?s music inspireyour band with this magical tale.

Classical melodies from Piano Opera and Orchestral Literature are revisited in this unique series. The arrangements feature jazz styles including ragtime and blues. Students who are familiar with some of these gems will enjoy their new settings while those playing them for the first time will become familiar with these wonderful melodies. Titles include: Austrian Jazz Dance; Blue Rhapsody; Bluesy Etude; Cool Etude; The Jazzy Mountain King; Parisian Jazz; Ragtime in Baroque Style; Ragtime Symphony; Rockin' Russian Song and Russian Blues

This short work for Oboe and String trio was written c.1878 probably for performance at Worcester Glee Club. It has never previously been published. Score and parts.

This piece was written for two sons of the composer as a welcome to young and innocent lives in to this big world. The concept and instrumentation of the composition allows any young band to play this piece. The optional celesta (keyboard) is a refreshing addition evoking the sound of an ancient music box and has a meaningful part as the music box fades out at the end of the piece.

The Easy Jazzy Series offers players the opportunity to play jazz at an early stage in their musical development.

from the Concerto-Fantaisie 'Oh night oh...'

Olivier Messiaen (1908-1992) is known for his unique composition style. Incorporating complex rhythms harmony and melodies Mass of Pentecost is no exception to the composer's popular distinctive style. Composed in 1949-1950 the Organ Mass is thought to be based on twenty years of improvising at Saint Trinity Church in Paris where Messiaen was organist. Mass of Pentecost is in five movements; 1) Entrance 2) Offertory 3) Consecration 4) Communion and 5) Recessional. Influences of birdsong are depicted within the piece reflecting the composer's interest in ornithology. The first movement also contains the use of Greek rhythms. Mass of Pentecost is essential to all advancedorganists seeking to expand and vary their repertoire. Olivier Messiaen (1908-1992) is known for his unique composition style. Incorporating complex rhythms harmony and melodies Messe De La Pentecôte is no exception to the composer's popular distinctive style. Composed in 1949-1950 the Organ Mass is thought to be based on twenty years of improvising at Saint Trinity Church in Paris where Messiaen was organist. Messe De La Pentecôte is in five movements; 1) Entrance 2) Offertory 3) Consecration 4) Communion and 5) Recessional. Influences of birdsong are depicted within the piece reflecting the composer's interest inornithology. The first movement also contains the use of Greek rhythms. Messe De La Pentecôte is essential to all advanced organists seeking to expand and vary their repertoire.

The third volume of this series of 12 Sonatas this book contains the Sonatas K.104 to K.155. Composed by Domenico Scarlatti this edition by the harpsichordist Kenneth Gilbert regroups the 555 sonatas arranged for Piano. Based on the two sets of books discovered in Venice and in Parma this edition still contains some of the annotations initially suggested by Kirkpatrick whose book can be considered as an essential guide for this series.

Set of parts for Rosengaardsspil / Rose Garden Play (BVN 153) for String Quartet by Rued Langgaard (1918). Critical edition by Bendt Viinholt Nielsen - The Rued Langgaard Edition. Set of parts for Rosengaardsspil / Rose Garden Play (BVN 153) for String Quartet by Rued Langgaard (1918). Crititcal edition by Bendt Viinholt Nielsen - The Rued Langgaard Edition.

Upside Down is the latest new piece by the Belgian composer Filip Ceunen in the Flexible 5 Series. It was especially composed for the beginner musician. Because of the low grade of difficulty and the flexible instrumentation options thispiece is suitable for practically any young band. The beautiful melodies great rhythmic accompaniments and colourful percussion make it a fun piece to play!

Fünf Nachrufe- Johannes Kalitzke's Figuren Am Horizont - Fünf Nachrufe Für Solovioline Und Sechs Spieler. Instrumentation: violin solo flute (also piccolo alto flute bass flute) clarinet (also bass clarinet and double bass clarinet) percussion piano viola and cello; additional instrument: kantele

Rush Hour was commissioned by the Swiss Brass Band Association (SBBV) on the occasion of the 38th Swiss National Brass Band Championships 2012 (Montreux SBBW) as the test piece in the Championship division.Structured in three parts without breaks the work opens in a heavy oppressive atmosphere sometimes even noisy. After a short passage in a lighter mood a quick tempo takes over the music becomes nervous and unrelenting with constant twists and turns. The tension builds leading to a slower movement in which various soloists are highlighted. A few humorous touches are heard in contrast to a majestic powerful and dramatic chorale. The end of this part is brighter andmore peaceful. This atmosphere is soon replaced by a return of the thematic material heard in the first movement developing into an oppressive moos. The piece concludes with a last ecstatic tutti reusing the harmonies of the introduction in a kind of final flurry. Rush Hour attempts to express the range of feelings we may experience when caught in various stressful situations in the middle of the rush hour.

Jakub Jan Ryba (1765-1815) was a provincial music teacher. He wrote more than 1 100 works of varying length and form including approximately thirty masses. The most famous of these is his Czech Christmas Mass from 1796 which thanks to its joyful mood has become an integral part of the Czech Christmas festivities. The piece is published in a Piano reduction by Josef Hercl suitable for rehearsal and practice without orchestra; Ryba 's Czech Christmas Mass can thus also be performed less formally by amateur associations or at home. - Performance material available for hire.

Hob. I:91- This four-movement work with a slow introduction is Haydn ’s last symphony for ‘Small’ Orchestra i.e. without Trumpets and Timpani. However it has long passages for solo Violoncello and is also scored for two Bassoons. The editor of this edition recommends a performance with low Horns (additionally included in the wind set) to prevent the musical character of the Andante from being compromised by the predominantly high registers. Continuing the collaboration between Bärenreiter and the Henle publishing company in the areas of large choral works operas and symphonies this edition is appearing based on the Henle Complete Edition of theWorks of Joseph Haydn. The complete performance material for several of Haydn ’s Sturm und Drang symphonies and all the London and Paris symphonies has already been published. - Based on the Henle Complete Edition of the Works of Joseph Haydn. - Orchestral parts in a large format (25.5 × 32.5 cm). - Full score & performance material (BA10978) available for sale.

for flute oboe (or flute or clarinet) clarinet bassoon (or E flat saxophone or cello) and percussion

Arranged and adapted by Andrea Cappellari. Include Backing Tracks CD.

Player's Score-Étude d'Évolution - Piano Study No. 4 was composed by Poul Ruders in 2014 for Valéria Zanini. étude d'évolution - Piano Study No. 4 was composed by Poul Ruders in 2014 for Valéria Zanini .

French composer and conductor Henri Tomasi (1901-1971) published Fanfares Liturgiques in 1952. As with his other wind compositions Fanfares Liturgiques was well-received by audiences. Tomasi was born in Marseille but his Father and Mother were originally from La Casinca in Corsica. Despite being pressured into musical studies by his parents Tomasi dreamed of becoming a sailor and during the summer he stayed with his Grandmother in Corsica where he learnt traditional Corsican songs. However in 1921 he began his studies at the Paris Conservatoire and went on to become ahigh profile composer and conductor. Tomasi did not forget his Corsican routes often incorporating themes of the songs he had learnt during the summers with his Grandmother into his compositions. Composed for an unusual instrumentation of Brass Ensemble Timpani and Drums Fanfares Liturgiques comprises four movements; 1) Annunciation 2) Gospel 3) Apocalypse and 4) Good Friday Procession. This Tomasi piece is suitable to advanced players and provides an exciting alternative addition to the ensemble repertoire.

The Irish folk tune which appears towards the end of the piece is Slane a hymn tune version of the much older folk melody The Banks of the Bann . In Prelude on an Irish Folk Tune fragments of the folk tune hint at what is to come later in the piece but another folk-like tune is predominant. This later acts as a descant to Slane when it finally appears. Add a little Sparke sparkle to any concert with this lovely interlude.