Claude Debussy wrote his two books of piano Preludes late in life between 1909 and 1913. The 12 short pieces in each book display a rich variety of styles moods and emotions almost a summing up of his compositional output and each has its own evocative title. The Girl with the Flaxen Hair is the 8th Prelude in the 1st book and popular for its emotional depth despite its technical and harmonic simplicity. Indulge your band with this delightful arrangement.

Cor En Fa Et Piano- évocation En Swing is a work composed by Armando Ghidoni for Horn and Piano.

Baum In Der Stadt for Solo Violin by Britta Byström (2014). Baum In Der Stadt for Solo Violin by Britta Bystrom (2014).

Manhattan was commissioned by the United States Army Band for their solo cornet player Woodrow English and first performed by them in Carnegie Hall New York in November 2003. The two-movement work demonstrates both the lyrical and technical abilities of this outstanding player. The 'theme' is a weekend in New York and the opening bluesy movement Saturday Serenade describes the city on a Saturday night. While writing Sunday Scherzo the composer pictured an early morning jog in Central Park. This vivaciously rhythmic second movement ends with an even quicker coda bringing the work to a brilliant close. Each movement can also be playedindividually when a shorter solo is required.

'The first day after Christmas my true love and I had a fight!' This humorous spoof addresses the use and disposal of those twelve famous gifts. Introducing new voicings and a professionally recorded SoundTrax CD with hilarious sound effects.

Sparkling woodwinds and majestic brass come together to bring us a wonderful arrangement of this classic carol! Each of the four verses are treated differently creating beautiful textures and a multi-faceted setting of the familiar tune. This fresh new arrangement for developing bands is a great choice for both church and school!

20 Progressive pieces for Trumpet/Cornet/Flugel Horn with Piano Accompaniment-Philip Sparke’s Starter Solos is the first volume of a progressive series of books that takes the young wind player from beginner to accomplished musician. Specifically tailored for each instrument this collection of 20 solos starts with pieces based on only a handful of notes and carefully introduces new musical elements such as articulation dynamics and key signatures in a structured progression to speed the learning process. The books provide invaluable additional material to complement any teaching method. Starter Solos comes with a play-along CD. The advantages of playing either with piano or CD accompaniment are that the beginning player can nowexperience the important aspects of ensemble playing from their earliest lessons thus developing the essential skills of listening while they play and maintaining strict tempo which is not always a factor when playing alone. Twenty progressive pieces with piano accompaniment for Trumpet Cornet or Flugel Horn.

Ein Herz dass seinen Jesum lebend weiss BWV 134 Cantata for Easter Tuesday (third version). Cantata BWV 134 belongs to those works in which we can follow particularly clearly Bach's custom of continually altering and improving his works from performance to performance. Although this cantata in the course of its history became a valuable even a particularly festal church cantata it does not disown its secular origin. The complete absence of blblical words and chorale is striking. Urtext of the New Bach Edition Full score & performance material (BA10134) vocal score (BA10134-90) available for sale

Marsden Thomas: Organist's Hymnbook - Church Organist's Collection Volume 3

English text

Unison or SA. Britten B

Format 22.5 x 16.5cm The scores and performing material to this most famous symphony cycle enjoy the unabashed praise of conductors performers and critics around the world. This edition can be heard not only every day in concert halls but also on CD recordings by John Eliot Gardiner David Zinman Jos van Immerseel and in the new cycle conducted by Claudio Abbado and the Berlin Philharmonic from Deutsche Grammophon. The study scores of Beethoven 's Symphonies are available at an affordable price to every student conductor and Beethoven fan.

A selection of jazz pieces arranged for Keyboard and Guitar (both chord symbols and tablatures are included). For every piece you will find three versions: A simplified version: with the melody in the right hand and an easy accompanying line in the left hand (for beginners) A version for organ: with the melody in the right hand chords in the left and bass line for the pedal a version for solo piano for use with the piano or keyboard (medium difficulty) VOICE: It is possible to use the version contained in the CD for singing the pieces. The texts are found in the sheets inserted at the end of the volume and themelodies are given in the keyboard parts (right hand) GUITAR: All the guitar boxes for the chords are given in the single sheets inserted at the end of the volume. The sheet for each piece contains besides the guitar chords the text and a table with the melodic line (right hand) of the keyboard versions. OTHER INSTRUMENTS: It is also possible to play the melody parts or to improvise with other instruments such as flute violin etc. It should be noted that for instruments such as the clarinet or the saxophone the melodies will have to be transposed. A bass can be added to the group playing from the pedal part of the organ versions.

Poem for Wind Orchestra- Hymn to the Infinite Sky est une prière mentale une reconnaissance spirituelle envers le ciel. Un poème de paix qui exige une grande sensibilité dans l’interprétation.

Full Score of the version for Accordion and Chamber Orchestra. Full Score of the version for Accordion and Chamber Orchestra.

Key: F. For Medium Voice.

Composed by J. S. Bach for Flute and Piano this edition of Sonata No.6 was arranged for Alto Saxophone in E flat and Piano by Marcel Mule . Its difficulty would fit the skills and abilities of intermediate players. In terms of composition this piece was created in four different sections: Adagio ma non tanto Allegro Siciliano and Allegro. Marcel Mule (1901-2001) is one of the greatest French saxophonists renowned worldwide for his work on the classical Saxophone repertoire. He was teaching his students how to obtain a good quality of sound and believed it was dependent on the embouchure the emission the mastery ofvibrato and thus of breathing. He wrote different methods that focus on technique articulation and tone productions such as 'Scale and Arpeggios' (in three books) 'Daily exercises after Terschack' or '30 Great exercises or studies after Soussmann' (in two books) among others.

These tunes will become jazz standards. 8 beautiful songs written by Woody Shaw which are a departure from the typical Bebop jazz melodies and chord progressions. The styles and tune formulae represented are Bossa Nova Waltz minor blues alternating bossa/swing and latin/swing slow and fast. These songs are a welcome departure from typical bebop and swing tunes and are sure to inspire fresh ideas. Eight classic Jazz originals with Play-along book and CD set for all instrumentalists. These tunes will become jazz standards. 8 beautiful songs written by Woody Shaw which are a departure from the typical Bebop jazz melodies and chord progressions. The styles and tune formulae represented are Bossa Nova Waltz minor blues alternating bossa/swing and latin/swing slow and fast. These songs are a welcome departure from typical bebop and swing tunes and are sure to inspire fresh ideas.

This piece was inspired by a variety of music such as Broadway musicals French cancan and circus marches. A special rhythm pattern called “Ipponjime” (or “Sanbonjime”) is played by the percussion (3 + 3 + 3 + 1) in the first four measures.This is how people freely clap their hands when ceremonies or parties end in Japan. This custom of clapping hands reflects Japanese people’s spirit to readily move on to the next step. As the infectious work comes to its exciting conclusion every player shouts “yeah!”ensuring you will definitely hear rapturous applause!

Second book of studies from Kohler's Op.75