Six jazzy rock numbers with piano accompaniments. Optional recorded accompaniments are available with the acompanying CD. Three of the tunes in the collection also have extended versions for improvising.

29 Little Preludes Op. 51 (29 Smaa Præludier) for Organ or Harmonium by Carl Nielsen (1929). The present score is a photographic reproduction of the work as it appears in Carl Nielsen Works - Published by the Carl Nielsen Edition The Royal Library Copenhagen - Piano and Organ Works Series II. Vol. 12 29 Little Preludes Op. 51 (29 Smaa Praeludier) for Organ or Harmonium by Carl Nielsen (1929). The present score is a photographic reproduction of the work as it appears in Carl Nielsen Works - Published by the Carl Nielsen Edition The Royal Library Copenhagen - Piano and Organ Works Series II. Vol. 12

Afskrift was composed in 1971 by Karl Aage Rasmussen. Scored for Flute Violin Viola Cello and Piano. Dedicated to the Poul Birkelund Quintet. Afskrift was composed in 1971 by Karl Aage Rasmussen. Scored for Flute Violin Viola Cello and Piano. Dedicated to the Poul Birkelund Quintet.

Per Norgard 's 9 Danske Sange Op.14 for Voice and Piano. Former known as 9 Strofiske Danske Sange. 1. Overstaet angst (Halfdan Rasmussen) 2. Tordenbygen (Thoger Larsen) 3. Den jyske blaest (Johannes V. Jensen) 4. Fred (Haldan Rasmussen) 5. Min sjael er som en enlig baek (Joh. Jorgensen) 6. Landskab (Thoger Larsen) 7. Vinternat (Jens August Schade) 8. Pa Himmelbjerget (Jens August Schade) 9. Vedis Vuggevise - Mit lov mit lille trae (Johannes V. Jensen)

J.S. Bach's Prelude and Fugue No. 8 from Das Wohltemperierte Klavier Vol.1 expertly arranged for Chamber Ensemble by Karsten Fundal . Parts are available: KP01004 J.S. Bach's Prelude and Fugue No. 8 from Das Wohltemperierte Klavier Vol.1 expertly arranged for Chamber Ensemble by Karsten Fundal . Parts are available: KP01004

For SATB a cappella. Second extract from Quatre Motets pour le temps de Noël .

String Quartet No.11No Ground2012Score = WH31465Duration 14 min. Set of parts for String Quartet No.11 'No Ground' (2012) by Pelle Gudmundsen-Holmgreen. Score: WH31465

In Six Movements-Six 'tongue in cheek' inspirations for solo piano based on well known Christmas tunes. Amusing seasonal 'studies in style' from the highly entertaining piano guru: Mark Tanner. Mark Tanner 's Christmas Suite contains six 'tongue in cheek' inspirations for solo Piano based on well-known Christmas tunes. These amusing seasonal 'studies in style' include A Not So Silent Night I Saw Three Queens A Partridge in a Holly Tree and more.

Vioolsleutel In C-Treble Clef Version. Versatile music and very easy wherein each of the five short pieces sounds good in two three or four parts. Grade: 0 - 1

10 songs from three of Kurt Weill's most famous stage works are presented in easy arrangements for viola and piano. The CD provides invaluable listening material and an alternative accompaniment in the absence of a pianist.

Work for Orchestra composed in 1977. Parts are for hire : hire@ewh.dk Work for Orchestra composed in 1977. Parts are for hire : hire@ewh.dk

Ten tunes with CD backing tracks to play along with. Recorded by Piano Bass Drums Perc Trp Tbn and Saxes.

Set of parts for Vagn Holmboe 's String Quartet No.13 / Strygekvartet Nr.13 Op.124 (1975).

An easy virtuoso work published here for the first time and now much performed. Recorded Slatford/Academy of St Martin-in-the-Fields (EMI). AMEB (Australian Syllabus) 2004. Orchestral material on hire from Yorke Edition (not Spartan). Programme Note: As a young professional player in the 1960s my work as a double bassist with chamber ensembles and small orchestras took me all over the world. This presented an unparalleled opportunity to scour libraries and archives wherever I went. Long before the advent of the photocopier and e-mail research was far more challenging than it is today. Eastern Europe was particularly difficult to access with manycollections kept under lock and key for all but a few hours a week. One quickly found colleagues who were keen to share information gleaned in passing even though they had no specific interest in one's own particular specialism (it is so often the peripheral topics that fascinate as much as the main subject under investigation and one can quickly be side-tracked into political and social issues that have only slender bearing on the job in hand!). In the early 1970s James Brown the then sub-principal oboist of the English Chamber Orchestra with whom I was working at the time stumbled across a small collection of double bass manuscripts at the Royal Danish State Library in Copenhagen. They were by Franz Anton Leopold Keyper (b. c.1756 d. Copenhagen 7 June 1815) a double bassist of Dutch origin who worked as principal of the Royal Chapel Orchestra in Copenhagen. Keyper's son was the bassoonist Franz Jacob August Keyper (1792-1859). The collection included a number of concertos some chamber music and various naïve fragments. Although hardly the work of a Mozart or Haydn the style is characteristic of the period. For an instrument such as the double bass whose 18th century solo repertoire is largely written for tunings that are no longer in everyday use Keyper's music is easily approachable in its

Gottlieb Muffat's Arioso arranged for cello with piano accompaniment by Gaspar Cassado.

Nicolai Podgornov's compositions for piano students at all levels inspire and stimulate with beautiful and enjoyable melodies. At the same time however quite specific pianistic skills are addressed. This new collection of pieces for grades 4 - 6 is the second in a three-volume series: EASY INTERMEDIATE and ADVANCED. The pieces are presented in order the technical level gradually increasing throughout but never obscuring the pleasure of music making.

Mit über 1.200 Titeln aus Orchester- und Chorliteratur Kammermusik und Musiktheater ist die Edition Eulenburg die größte Partiturreihe der Welt. Sie deckt einen große Teil der Musikgeschichte vom Barock bis zur klassischen Moderne ab und blickt auf eine lange Tradition zurück.

Per Norgard 's Tidsrum / Spaces Of Time for Orchestra with obligate Piano dating from 1991. Programme Note Spaces of time is a 20-minute long one-movement orchestral piece with piano signifying that the piano not only as in my other orchestra works is part of the ensemble but also in a major passage attracts almost all attention. This passage is only one of the spaces of time- spaces which give the work its title and represent individual musical perspectives. Relations of tempo and scale characterize such a space (besides the mentionedpiano-concerto or other intrumental features) and in this way associate with say a small room - with close-ups of the musical objects - or perhaps to an infinitely great space - a cosmic one where all is far away and vibrating. One motive marked mainly by ascending stepwise movement unifies the spaces but the very varied scales may let the outines of the motive change between say 1/4-tone steps 1/2-tone steps diatonic and other scale steps up to such ambient steps that each one comprises almost a third of the total orchestral range. Very often 2 scales are woven together in a way that lets the hidden tone inside a major step in one of the scaels become a part of the other scale. By dynamic means one scale may be highlighted as a figure the other one as a ground in one passage - and vice versa. In this way a 12-tone chromatic scale may as well contain a Japanese 5-tone scale as a European 7-tone scale. In the final space the tones literally take leave of the listeners - by streaming down - as water sucked down into the ground by gravity - into the bass octaves and - into silence. Spaces of time was comissioned by Suntory Hall in 1990-91 (artistic director Toro Takemitsu) in October 1991 with Aki Takahashi (piano)

Pour Violon Seul-Arthur Honegger's four movement Sonata for Solo Violin with fingerings by Ginette Neveu.

Two movements for orchestra. Two movements for orchestra.