Many folk banjoists draw influence from greats such as Pete Seeger Woody Guthrie The Weavers Peter Paul and Mary and many others. These folk musicians traveled the country singing the folk songs that many of us now know some of which are still played in jam sessions. First Lessons Folk Banjo is a great introduction to learning these types of folk songs on this wonderful instrument. Included are lessons on singing and playing backup with the banjo strumming and picking exercises and many classic folk songs. The music is written in tablature and the book comes with accompanying audio. Includes access to online audio. Many folk banjoists draw influence from greats such as Pete Seeger Woody Guthrie The Weavers Peter Paul and Mary and many others. These folk musicians traveled the country singing the folk songs that many of us now know some of which are still played in jam sessions. First Lessons Folk Banjo is a great introduction to learning these types of folk songs on this wonderful instrument. Included are lessons on singing and playing backup withthe banjo strumming and picking exercises and many classic folk songs. The music is written in tablature and the book comes with accompanying audio. Includes access to online audio.

Commissioned by the Inverness Gaelic Choir for performance at the National Mod in Stornoway Isle of Lewis on 21 October 2005.

The Somerset folksong O Waly Waly arranged for SATB choir by Robert Rice . Piano accompaniment is included for rehearsal purposes only. The Somerset folksong O Waly Waly arranged for SATB choir by Robert Rice . Piano accompaniment is included for rehearsal purposes only.

Hatton's eight movement cycle for Baritone and Piano based on poems by Robert Herrick. Hatton's eight movement cycle for Baritone and Piano based on poems by Robert Herrick.

Violin Cello & Voices Version-These are the Violin and Cello Parts for the Violin Cello and Voices version of Tarik O'Regan 's Death Is Gonna Lay His Cold Icy Hands On Me for Double SATB Choir Violin and Cello. The Vocal Score is available to purchase separately. These are the Violin and Cello Parts for the Violin Cello and Voices version of Tarik O'Regan 's Death Is Gonna Lay His Cold Icy Hands On Me for Double SATB Choir Violin and Cello. The Vocal Score is available to purchase separately.

for unaccompanied SATBB or SSATB Alleluia. I Heard A Voice is a beautiful setting of words from Revelations 5:12-13. It is arranged here for SATBB or SSATB and Organ Accompaniment.

The 10 pieces contained in this book exemplify the breadth of musical styles that can be played on the Classical Guitar. Each piece has extensive performance notes and covers the works of composers such as J.S. Bach John Dowland Robert Johnson Fernando Sor Mauro Giuliani Matteo Carcassi Francisco Tarrega Chaz Hart and Claude Debussy. The arrangements are in both standard notation and tablature. The accompanying CD features performances of all of the pieces in the book.

This is an artfully crafted setting of a beautiful poem by Matthew Meiklejohn. It is rich in contrasting material and many of the text's images are apparent in the music. The violin part contributes much to the setting and has moments of virtuosity amidst the energetic piano writing and expansive choral textures.

E - Parts-Short Cuts was commissioned by the Apollo Saxophone Quartet in 2003/4 and was originally scored for two sopranos one tenor and one baritone. This new version however asks for a different scoring of three Bb Clarinets and one bass Clarinet. The work's main purpose is to play with two possible meanings for short cuts. That is both with the idea of sharp and cutting musical gestures and the idea of taking a different shorter path to reach a specific destination. But most of all it was written thinking of the wonderful sonority and the rare qualities of the ASQ to whom the work was dedicated. Short Cuts was commissioned by the Apollo Saxophone Quartet in 2003/4 and was originally scored for two sopranos one tenor and one baritone. This new version however asks for a different scoring of three Bb Clarinets and one bass Clarinet. The work's main purpose is to play with two possible meanings for 'short cuts'. That is both with the idea of sharp and cutting musical gestures and the idea of taking a different shorter path to reach a specific destination. But most of all it was written thinking of the wonderful sonority and the rare qualities of the ASQ to whom the work was dedicated.

For Baritone and String Quartet. Commissioned by Jo Boosey in memory of her husband Simon. First performance: 17th March 2012 at St. Mary's Church Pembridge Herefordshire by Marcus Farnsworth (Baritone) and the Alberni String Quartet.

Includes a Piano score and a separate Violin part also. Includes a Piano score and a separate Violin part also.

7 Negro Spirituals-for mezzo-soprano solo mixed choir and orchestra or chamber ensemble Feel the Spirit is a cycle of seven familiar spirituals equally suitable for concert school or church use. These vivid and expressive arrangements can be performed individually or as a complete cycle that showcases the rich heritage of the spiritual. John Rutter 's Feel The Spirit for Mezzo-Soprano solo Mixed Choir and Orchestra or Chamber Ensemble is a cycle of seven familiar spirituals equally suitable for concert school or church use. These vivid and expressive arrangements can be performed individually or as a complete cycle that showcases the rich heritage of the spiritual.

Dedicated to Vincent Edwards and the Choristers of Saint Paul’s Church Fairfield USA.

Even more than Schoenberg’s or Webern’s Berg’s music made an enormous impact on me during the late 1950s and early 1960s when studying with Alexander Goehr. Work on this little piece was commenced on the 25th anniversary of Berg’s death and to commemorate the first performance of his Piano Sonata in April 1911 it was first performed in April 1961 by the pianist and composer Madeleine Coates Russell at a our own ‘society for private performances’ in London. Its shape is simple - a stage-by-stage progression from slow and gentle to a dense climax at double speed then a return to the spirit if not the material of the opening. Its public première the first of any of mycompositions was given by Susan Bradshaw at a Macnaghten Concert in November 1961. It was awarded Morley College’s Fricker Composition Prize. - Anthony Gilbert Recorded on Prima Facie PFCD007 'Piano Music' by Richard Casey/Ian Buckle. Duration: 2'30 ' Even more than Schoenberg’s or Webern’s Berg’s music made an enormous impact on me during the late 1950s and early 1960s when studying with Alexander Goehr. Work on this little piece was commenced on the 25th anniversary of Berg’s death and to commemorate the first performance of his Piano Sonata in April 1911 it was first performed in April 1961 by the pianist and composer Madeleine Coates Russell at a our own ‘society for private performances’ in London. Its shape is simple - a stage-by-stage progression from slow and gentle to a dense climax at double speed then a return to the spirit if not the material of the opening. Its public première the first of any of mycompositions was given by Susan Bradshaw at a Macnaghten Concert in November 1961. It was awarded Morley College’s Fricker Composition Prize. ' - Anthony Gilbert Recorded on Prima Facie PFCD007 'Piano Music' by Richard Casey/Ian Buckle. Duration: 2'30'

James Weeks ' Sacred Muses for Trumpet and Organ. 2 x performing scores. Sacred Muses is a transcription of Byrd’s elegy for Tallis Ye Sacred Muses in which the original has undergone a process of erosion into a new form. It was written at the request of Alison Balsom. James Weeks ' Sacred Muses for Trumpet and Organ. 2 x performing scores. Sacred Muses is a transcription of Byrd’s elegy for Tallis Ye Sacred Muses in which the original has undergone a process of erosion into a new form. It was written at the request of Alison Balsom.

This is a revised and substantially rewritten version of work for chorus and orchestra. Text: George Herbert and Andrew Marvell

Five classic Abba songs also featured in the West End hit show Mamma Mia! have been skilfully arranged for SSA choir with piano accompaniment by Ralph Allwood and Lora Sansun. Includes Mamma Mia Chiquitita and Dancing Queen .

Percy Turnbull's Where Go The Boats? for SSA and Piano accompaniment. Based on a text by Robert Louis Stevenson.

Vagn Holmboe Vagn Holmboe (1909-1996) was a 20th century composer in the neo-classical style widely recognised as the most important Danish composer since Nielsen. He is best known for his symphonic works solo concertos and chamber music but his choral a cappella compositions are worthy of the same merit. Generatio Praeterit Op 54b is from the first volume of his famous choral collection Liber Canticorum.

Set of parts for the brass accompaniment to John Rutter's popular setting of the Te Deum: a hymn of praise that is appropriate for choral concerts as well as for use in sacred settings. The music is jubilant straightforward and appealing with extrovert writing.