Korsange Til Kirkeare er en samling korsaster til melodier i Den Danske Koralbog af Niels Moller & Mogens Woldike .

First performed in 1979 by Robert Winn. The first of the three movements is tense building from the depths of the piano. The middle movement evocative using slow glissandi in the bottom octave of the flute and the last movement is a naughty bi-tonal rondo. Duration: 7 - 8 minutes. Typeset and re-printed in 2010 on the occasion of the composer's 50th birthday. This was the very first work to be published by Spartan Press Music Publishers Limited in a 'low budget' facsimile format over twenty years ago in 1990.

Twenty seven of the most popular carols laid out in a simple solo manner with optional chord symbols. Grade: 1 - 3

The famous tune from Peer Gynt. Grade: 3.

Valse Pour Cello et Piano- Erik Satie 's charming fin-de-siecle waltz first appeared as a song in 1903. It was then transcribed by the composer for Piano solo and now is released for Cello and Piano by the talented pen of international soloist Mats Lidstrom .

Eulenburg's celebrated and highly authoritative miniature score is the definitive reference source for study performance preparation or simply for those with a love of the great orchestral works.

Årstiderne 1 af Linda Lehun & Anne Lassen . Sangbogen som i tekster tegninger og sange beskriver årets gang de danske hellig- og mærkedage og historierne bag dem. Der fortælles også om gamle og nye traditioner i forbindelse med dem. Alle sangene er med danske tekster. Melodi med becifring. Årstiderne 1 af Linda Lehun & Anne Lassen . Sangbogen som i tekster tegninger og sange beskriver årets gang de danske hellig- og mærkedage og historierne bag dem. Der fortælles også om gamle og nye traditioner i forbindelse med dem. Alle sangene er med danske tekster. Melodi med becifring.

4 Easy Arrangements For F-Battle Song The King's Dance Bonny Sweet Robin and Bransle De Bourgogne. Grade: 3 - 5

Mit über 1.200 Titeln aus Orchester- und Chorliteratur Kammermusik und Musiktheater ist die Edition Eulenburg die größte Partiturreihe der Welt. Sie deckt einen große Teil der Musikgeschichte vom Barock bis zur klassischen Moderne ab und blickt auf eine lange Tradition zurück.

Double Bass and Cello (1985). 'Pleasantly atmospheric'. Daily Telegraph London. A show work written for The Manchester Bass Week not too difficult but immediately pleasing. Grade: Moderate

Franz Liszt's Lieder Transcriptions for Piano.

Sommaire : Fugue en la mineur bwv 1000 - Prélude en ré mineur bwv 999 - Prélude fugue et allegro bwv 998 - Suite pour luth n° 1 en mi mineur bwv 996 - Suite pour luth n° 2 en la mineur bwv 997 - Suite pour luth n° 3 en la mineur (original en sol mineur) bwv 995 - Suite pour luth n° 4 en mi majeur bwv 1006a

For Violone-Very little is known about the two sonatas which appear here in their original keys. They were placed in the library of the Music School in Oxford at the end of the seventeenth century in a form convenient for playing (i.e. unbound). The library was catalogued by Hake between 1850 and 1855 and the sonatas were eventually bound in 1855 with other instrumental and vocal manuscripts of the same period some of which are dated 1698. The sonatas are both inscribed on the title page Sonata à Violone Solo. Col Basso per l'Organo o Cembalo. A third sonata bears the words Sonata à Violino e Violoncino … di Giovannino del Violone. Giovannino (=Little or Young John) musthave been a performer and although the third sonata has been copied by a different hand it is conceivable that Giovannino is a connecting link between the three. He cannot however be assumed to be their author. The Violone was a six-stringed instrument with frets and there is evidence to suggest that the Contrabasso of the same period was similar but probably a little larger; the Violoncino (=Little Violone or Violoncello) must have been smaller. The word 'Violone' was also used as a collective term embracing all members of the Viol family which means that the sonatas might well have been written for a tenor or a bass Viol and not necessarily a Violone as such. Indeed when they are played on a Violone or Double Bass the continuo bass line must be played at a lower pitch than the solo instrument to prevent inversion of the intended harmony. (The use of a Violone/Double Bass continuo or 16' organ tone would overcome this problem.) The editor has added no ornaments or embellishments to the solo part as it appears in the original manuscript. It is open to debate whether a Violone player owing to the very nature of his instrument would have used any but the simplest melodic decorations. Nevertheless the performer should acquaint himself thoroughly with those seventeenth century traditions that are known today (see Dart

Schule für Altblockflöte-Now the popular recorder method is available for treble (alto) recorder too! The recorder is not treated as a child's plaything but as a versatile and modern instrument. You'll find music in all sorts of styles with lots of rocky and groovy tunes too. The accompanying CD includes the best tunes from the book to listen to and play along. There's plenty of classical learning material too: loads of fun activities make it easy to learn recorder technique; playing together; intonation; improvisation and composition; and ensemble playing with mallets stomp pipes and percussion. Educational games and musical puzzles help to internalise the theoretical aspects (alsosuitable for soprano recorder).

Sonata For Piano 1949-50 Sonate For Klaver / Sonata For Piano - in four movements (1949-50) by Per Norgard..

Including Beethoven's Sonate Pathetique (second movement) two of Mendelssohn's Songs Without Words two Chopin Preludes and more. Grade: 5 - 6 Including Beethoven's Sonate Pathetique (second movement) two of Mendelssohn's Songs Without Words two Chopin Preludes and more. Grade: 5 - 6

New York is the city which fascinates and inspires Ruders. Time and again he goes back there to work. 'Manhattan Abstraction' (1982) subtitles - a symphonic skyline for large orchestra - was conceived there. Ruders’ Brittish colleague Oliver Knussen defines the piece as: - a performance of an extraordinary Morden-Times-like construction. It is a sort of symphonic sculpture which in the composer’s own words words propels forth from one particular inspiration: the New York profile as seen from Liberty Island one icy cold January day with it’s open clear sky and dazzling sun light. 'Manhatten Abstraction' appears as an amalgam of some of the compositorical habits foundin present pieces. For instance are present here compositorical ideas and melodic loans from 'Capriccio Pian’e Forte' 2nd String Quartet(1979) 'Four Compositions' (1980) and 2nd Piano Sonata(1982). The question at hand is mainly concerned with the enhanced elaboration of Ruders’ use of the classic English change-ringing system: a permuting method pre-determining the order of tone-appearances and /or tone groups a serial technique in other words. In spite of the rigidly fixed material Ruders somehow manages to chisel out a personal expression by way of emphasising contrasting elements already existing within the material itself. The spiky repetitive sections form a counterpart to a more human violin-solo. This dialectical tension is - as hinted by the title - a symphonic abstraction of a fascinating metropolis the most beautiful and the ugliest. The subtitle: a symphonic skyline reflects the musical erection of the Manhattan profile which under the clear sky materializes into the most powerful and compelling man-made sculpture on earth. Thus 'Manhattan Abstraction' is a homage to as well as a vision of this giant contraption of concrete glass and chrome. New York is the city which fascinates and inspires Ruders. Time and again he goes back there to work. 'Manhattan Abstraction' (1982) subtitles - a symphonic skyline for large orchestra - was conceived there. Ruders’ Brittish colleague Oliver Knussen defines the piece as: - a performance of an extraordinary Morden-Times-like construction. It is a sort of symphonic sculpture which in the composer’s own words words propels forth from one particular inspiration: the New York profile as seen from Liberty Island one icy cold January day with it’s open clear sky and dazzling sun light. 'Manhatten Abstraction' appears as an amalgam of some of the compositorical habits foundin present pieces. For instance are present here compositorical ideas and melodic loans from 'Capriccio Pian’e Forte' 2nd String Quartet(1979) 'Four Compositions' (1980) and 2nd Piano Sonata(1982). The question at hand is mainly concerned with the enhanced elaboration of Ruders’ use of the classic English change-ringing system: a permuting method pre-determining the order of tone-appearances and /or tone groups; a serial technique in o

Arranged for TTBB Choir and Piano (or Organ) by Noel Goemanne.

Setting of the text by John Donne. Arranged for SATB Choir and Piano by Roy Ringwald.

3 Clarinet Trios- Nutcracker Surprise is a collection of fantastic new arrangements based on Tchaikovsky's The Nutcracker . Choose from the Sugar Plum Swing Out Dance of the Knock Kneed Fairy and Tango - three up-beat arrangements for Clarinet Trio. This edition includes a Full Score and Parts and is suitable for Grade 4-5 standard.