Excerpts from Haydn's Trio in C major Op. 32 skilfully arranged for Sax duet or trio by William McConnell.

Violin Marimba Percussion. Kelterborn R

String Duet Or Trio-Playable by 2 violins OR 2 violins and cello OR violin and viola OR violin viola and cello. The optional cello line is included as a pull-out part. Grade: 3 - 5

Suite in memory J. S. Bach-As times go bye... is a title with several possible meanings. In one sense it is a nostalgic reference to the long period of time that has elapsed since the days of J. S. Bach. In another sense though it refers to the musical concept of time which is a principal element of this composition: As time goes by and Playing with time are taken as themes with each movement dealing with a particular aspect of time in conjunction with musical motifs from Bach's Well-tempered Clavichord. A rewarding piece for the saxophone ensemble repertoire - suitable for competitions concert performance and teaching purposes.

Mit über 1.200 Titeln aus Orchester- und Chorliteratur Kammermusik und Musiktheater ist die Edition Eulenburg die größte Partiturreihe der Welt. Sie deckt einen große Teil der Musikgeschichte vom Barock bis zur klassischen Moderne ab und blickt auf eine lange Tradition zurück.

MIXED-ENS SC. Koch-raphael E

Vignettes is a varied collection of pieces suitable for advanced pianists ranging from around grade 8 upwards. Each has its own distinct style and sound world whilst always seeking to consolidate the performer's technique and musicality.

Concert Piece after Nikolai Rimsky-Korsakov- The popular Flight of the Bumblebee by Nikolai Rimsky-Korsakov is a welcome opportunity for every musician to demonstrate his or her technical skills. The Russian composer-pianist Alexander Rosenblatt composed a virtuoso Piano arrangement of the famous theme which moves masterfully back and forth between jazz and classical music thus being a 'cross-over' work: bebop (a jazz style from the 1940s and 1950s) is added to 'Bumblebee' which makes this work not only an amusing play on words ('Bumble-Bee-Bop') but also a virtuoso concert piece which ought to be enjoyable for both performers and listeners alike.

Nirvana For (SSAA) was expertly composed by Michael Bojesen for male A capella. Nirvana af Michael Bojesen. V ersion for lige stemmer (SSAA). Tekst af Ole Hyltoft.

Runnin' Down To Bethlehem is a boisterous celebratory gospel song written by Pepper Choplin in a Cajun-influenced style. Arranged for SATB choir and Piano accompaniment.

A stunning arrangement of this piece made famous by Torvil and Dean when they skated to it to win their winter olympic Gold.

Bass. Dvorak A

Bas- En Vioolsleutel Stem-For both trombones: Bass clef or treble clef (two parts). A new series for brass by Stephen Duro creator of the highly successful piano series 'I Can Play That!' from Music Sales and the composer of the Associated Board's 'Finger Jogging Boogie'. Grade: 3 - 5

Good Times Past comprises a series of nine short and contrasting piano pieces in a light yet essentially modern idiom. Glancing affectionately back in time to an era of traditional pastimes and board games these pieces where published on the occasion of Spartan's 25th birthday and are musically related to a set of flute duets written in 1982 which became 'Tricks and Games' - Spartan's first published book. Nine easy pieces including:- Chinese Chequers Draughts Cowboys American Indians Ragtime etc. - each presents a different challenge yet with the emphasis on fun. Ragtime was selected to be published in Pianist Magazine March 2015.Good Times Past comprises a series of nine short and contrasting piano pieces in a light yet essentially modern idiom. Glancing affectionately back in time to an era of traditional pastimes and board games these pieces where published on the occasion of Spartan's 25th birthday and are musically related to a set of flute duets written in 1982 which became 'Tricks and Games' - Spartan's first published book. Nine easy pieces including:- Chinese Chequers Draughts Cowboys American Indians Ragtime etc. - each presents a different challenge yet with the emphasis on fun. Ragtime was selected to be published in Pianist Magazine March 2015.

Mit über 1.200 Titeln aus Orchester- und Chorliteratur Kammermusik und Musiktheater ist die Edition Eulenburg die größte Partiturreihe der Welt. Sie deckt einen große Teil der Musikgeschichte vom Barock bis zur klassischen Moderne ab und blickt auf eine lange Tradition zurück.

35 Favorite Christmas Songs and Carols In Easy Arrangements-It's no wonder that Play a Song of Christmas has been everyone's favourite holiday collection for generations. Part-books for each instrument provide the melody line plus 'Part B C or D ' so anyone can play the tune and any combination of instruments can play in 2- 3- or 4-part harmony. This collection of 35 favourite sacred and secular Christmas songs is wonderfully practical for school church parties and professional gigs. It's no wonder that Play a Song of Christmas has been everyone's favourite holiday collection for generations. Part-books for each instrument provide the melody line plus 'Part B C or D ' so anyone can play the tune and any combination of instruments can play in 2- 3- or 4-part harmony. This collection of 35 favourite sacred and secular Christmas songs is wonderfully practical for school church parties and professional gigs.

Programme note The spectrum of sound the gesticulation - in short the very nature of the strings - has always had a central place in my output demonstrated by the numbers of string quartets concertos with string soloist chamber and solo works. The interest dates back to my school years when I was fortunate to be able to compose for a cello-playing schoolmate and to accompany him on the piano. I discovered then the innumerable nuances of sound and playing varieties offered by just one bow four strings and five fingers.. The bell-like association if the title reflects the special texture of the work. Like thecontinously changing overtones of a struck resonating bell the four parts are unified through one single basic line broken up in a multitude of changing dynamics of a multifacetted rhythm and resulting in an ever transforming harmony. The duration of the work is ca 12 minutes. Per Norgard (1998)

High Voice Piano. Graener P High Voice Piano. Graener P

Franz Schubert's Litanei is scored here in the keys of F and E-flat with Piano accompaniment and so is available for High or Medium voice. Maybe performed by either Soprano or Tenor Voice (In F) or Mezzo-Soprano or Bariton Voice (In E Flat).

June Armstrong’s songbook The Girona Suite – Eight Evocations For Piano features eight original and challenging compositions for grades five to seven standard all inspired by the shipwreck of the Spanish galleas the Girona. The pieces included in this songbook were all composed specifically for this collection by revered pianist and teacher June Armstrong . Her many years of experience in teaching have allowed her to craft compositions both subtle and powerful that stretch the ability of students while giving them an engaging story on which to base their expression and feeling when playing. Armstrong is an advocate offocusing learning on atmosphere and tonal awareness which when combined with the necessary techniques and theory makes this songbook a learning tool that is theoretically sound and musically enticing. From the first page the composer has shown her commitment to creating pieces specifically for students learning the Piano as she writes of how many people including former students have inspired her. She then writes in detail about the historical context of the theme of the work before giving more practical advice on the music itself and how to go about playing it. The friendly and warm approach that Armstrong brings to presenting her suite makes it more than a simple songbook it becomes a personal journey where the composer herself guides you through the characters and settings that the music has been composed to evoke. As well as presenting challenging and entertaining pieces Armstrong’s work serves as a fantastic introduction into how major and minor keys can be manipulated to different ends and how motifs can be used together with a theme. Armstrong writes: ”The final piece Sarabande for the Lost Souls returns to the desolation of Eb minor closing with a final statement of the No Tengo theme.” The songs in The Girona Suite are designed to