Op. 79b

Op. 55 - Reduction For Organ

Im Stil Von Antonio Vivaldi

A Fusion of Musical Styles Featuring Low Flutes

Music from the Full Length Feature Production-Six selections from the original 1941 full length feature production in Technicolor produced by Walt Disney as composed by Frank Churchill & Oliver Wallace. Includes: Baby Mine - Casey Junior - Look Out for Mr. Stork - Pink Elephants on Parade - Song of the Roustabouts - When I See an Elephant Fly. Six selections from the original 1941 full length production in Technicolor produced by Walt Disney and featuring songs composed by Frank Churchill & Oliver Wallace. Includes: Baby Mine • Casey Junior • Look Out for Mr. Stork • Pink Elephants on Parade • Song of the Roustabouts • When I See an Elephant Fly.

Six Pieces by Fritz Kreisler Transcribed for Alto Saxophone and Piano-Fritz Kreisler (1875–1962) was celebrated as one of the greatest violinists of all time. His brilliant technique and rich tone produced a characteristic sound that was and remains immediately identifiable. This collection features six pieces that Kreisler composed or transcribed for violin and piano here transcribed for alto saxophone and piano. Especially well known are the original pieces Liebesleid and Schon Rosmarin both of which Kreisler attributed to the now-forgotten composer Joseph Lanner. Caprice Viennois and Rondino on a Theme of Beethoven are likewise original pieces from early in Kreisler’s career which he would regularly feature as concert encores. The Old Refrainand Midnight Bells are transcriptions the former of a Viennese popular song and the latter of an excerpt from the operetta Der Opernball by Richard Heuberger. In these six transcriptions the instrument changes yet the value remains. Fritz Kreisler (1875–1962) was celebrated as one of the greatest violinists of all time. His brilliant technique and rich tone produced a characteristic sound that was and remains immediately identifiable. This collection features six pieces that Kreisler composed or transcribed for violin and piano here transcribed for alto saxophone and piano. Especially well known are the original pieces Liebesleid and Schon Rosmarin both of which Kreisler attributed to the now-forgotten composer Joseph Lanner. Caprice Viennois and Rondino on a Theme of Beethoven are likewise original pieces from early in Kreisler’s career which he would regularly feature as concert encores. The OldRefrainand Midnight Bells are transcriptions the former of a Viennese popular song and the latter of an excerpt from the operetta Der Opernball by Richard Heuberger. In these six transcriptions the instrument changes yet the value remains.

More Easy Repertoire for Young Players

Licensor Product-This is the fourth version - scored for solo soprano SSA choir string quintet and harp - of Hawes’ setting of texts from The Songs of Solomon as adapted by the composer’s brother Canon Andrew Hawes. This is the fourth version - scored for solo soprano SSA choir string quintet and harp - of Hawes’ setting of texts from The Songs of Solomon as adapted by the composer’s brother Canon Andrew Hawes.

Licensor Product-A setting of Christina Rossetti’s Remember written for the choirs of Pembroke College Cambridge for performance on the centenary of the Armistice that ended World War I. A setting of Christina Rossetti’s Remember written for the choirs of Pembroke College Cambridge for performance on the centenary of the Armistice that ended World War I.

Licensor Product-A setting of Oxford academic Katharine Craik’s poem for mixed voices and organ. A setting of Oxford academic Katharine Craik’s poem for mixed voices and organ.

from Kinky Boots-Kinky Boots was the winner for Best Musical and Best Original Score at the 2013 Tony Awards. Written by 1980's pop icon Cyndi Lauper this show is wrapping up an impressive six-year run on Broadway in April 2019. This show-closing and show-stopping number features the entire company with chances for multiple solos weaving from funk to pop in breathtaking fashion. Don't miss your chance to program this dynamite closer! Kinky Boots was the winner for Best Musical and Best Original Score at the 2013 Tony Awards. Written by 1980's pop icon Cyndi Lauper this show is wrapping up an impressive six-year run on Broadway in April 2019. This show-closing and show-stopping number features the entire company with chances for multiple solos weaving from funk to pop in breathtaking fashion. Don't miss your chance to program this dynamite closer!

Tell Martha Not to Mourn-Now Available for SATB choirs. This setting of a popular African American spiritual uses the traditional text while the harmonic melodic and rhythmic elements are in more of a gospel style. The energetic refrain is presented first in unison and then in harmony while the verses are softer more reflective and hopeful. The final section builds in intensity with optional repeats to a rich and powerful fortissimo. An outstanding choice for concert and festival programming! Now Available for SATB choirs. This setting of a popular African American spiritual uses the traditional text while the harmonic melodic and rhythmic elements are in more of a gospel style. The energetic refrain is presented first in unison and then in harmony while the verses are softer more reflective and hopeful. The final section builds in intensity with optional repeats to a rich and powerful fortissimo. An outstanding choice for concert and festival programming!

ShowTrax CD-Beginning with a slow Gospel Swing groove and then transitioning into an upbeat Broadway 2-beat this is a text with an inspirational message. Hand claps and foot stomps help to engage the singers and contrasting musical styles offer excellent teaching opportunities.

Licensor Product-As recorded on the disc 'Nodding Terms'. Laughter Leading by Ketan Bhatti for Alto Flute Bass Clarinet Harp Piano Juno Bass Cello Mallets Drs. As recorded on the disc 'Nodding Terms'.

from the Cadenza volume 'The Nativity Star'-A fiery setting of a text by Kate Roxburgh written for the Choir of St Pancras Church London. A fiery setting of a text by Kate Roxburgh written for the Choir of St Pancras Church London.

for solo violin - 2018

Licensor Product-Originally scored for solo cello this version for solo viola was written in 2019. The theme of the work is ‘man & machine’ as commissioned by the cellist Michael Nicolas. Originally scored for solo cello this version for solo viola was written in 2019. The theme of the work is ‘man & machine’ as commissioned by the cellist Michael Nicolas. Originally scored for solo cello this version for solo viola was written in 2019. The theme of the work is ‘man & machine’ as commissioned by the cellist Michael Nicolas.

SWV 48

A Guide to Essential Drumset Processes for the Modern Drummer

Full Score-This exquisite ‘fragment of a Japonisme’ – premiered in 2017 and conceived as a kind of double concerto for soprano flute and ensemble of 23 players – proved to be Oliver Knussen’s final work. The 8-minute piece couches seven exquisite haiku settings in richly evocative music which incorporates signals from Japanese theatre (particularly Kabuki). It concerns the Hototogisu (or Lesser Cuckoo) a bird widely invoked in Japanese haiku poetry of the 17th-19th centuries where the poet listens for its arrival from the mountains both as a harbinger of summer and a voice from the land of the dead. O Hototogisu! is presented here as a typeset score with two facsimile pages fromthe composer’s manuscript. This exquisite ‘fragment of a Japonisme’ – premiered in 2017 and conceived as a kind of double concerto for soprano flute and ensemble of 23 players – proved to be Oliver Knussen’s final work. The 8-minute piece couches seven exquisite haiku settings in richly evocative music which incorporates signals from Japanese theatre (particularly Kabuki). It concerns the Hototogisu (or Lesser Cuckoo) a bird widely invoked in Japanese haiku poetry of the 17th-19th centuries where the poet listens for its arrival from the mountains both as a harbinger of summer and a voice from the land of the dead. O Hototogisu! is presented here as a typeset score with two facsimile pagesfromthe composer’s manuscript. This exquisite ‘fragment of a Japonisme’ – premiered in 2017 and conceived as a kind of double concerto for soprano flute and ensemble of 23 players – proved to be Oliver Knussen’s final work. The 8-minute piece couches seven exquisite haiku settings in richly evocative music which incorporates signals from Japanese theatre (particularly Kabuki). It concerns the Hototogisu (or Lesser Cuckoo) a bird widely invoked in Japanese haiku poetry of the 17th-19th centuries where the poet listens for its arrival from the mountains both as a harbinger of summer and a voice from the land of the dead. O Hototogisu! is presented here as a typeset score with two facsimile pages fromthe composer’s manuscript.