SWV 376

SWV 378

Volume 1 : 70 études très faciles et faciles

Op. 48

From La Damnation De Faust

Choral Music From Latin America - Vol. 2: Argentina Chile Uruguay Bolivia Peru-A collection of vibrant choral pieces from Argentina Chile Uruguay Bolivia and Peru. Covering a wide range of styles from traditional dances such as carnavalito and candombe to modern tango arrangements this music is full of the characteristic rhythms and melodies which capture the unique vitality of Latin America. With background information translations and pronunciation guides enabling performers to immerse themselves in the atmosphere of Latin music this collection provides a great addition to the repertoire for any choral concert. • A varied collection of mostly secular music with some carols • Easy to advanced level • Includes introductions to the songs translations of all texts and guidance on pronunciation • Spoken recordings of the lyrics and audio samples of authentic A collection of vibrant choral pieces from Argentina Chile Uruguay Bolivia and Peru. Covering a wide range of styles from traditional dances such as carnavalito and candombe to modern tango arrangements this music is full of the characteristic rhythms and melodies which capture the unique vitality of Latin America. With background information translations and pronunciation guides enabling performers to immerse themselves in the atmosphere of Latin music this collection provides a great addition to the repertoire for any choral concert. • A varied collection of mostly secular music with some carols • Easy to advanced level • Includes introductions to the songs translations of all texts and guidance on pronunciation • Spoken recordings of the lyrics and audio samples of authentic

Exigence-The Pretoria Youth Choir from South Africa under their director Lhente-Mari Pitout has traveled the world spreading the joy of traditional South African music. Now this music from South Africa finds a new home with the professional choir EXIGENCE featuring music of Black and Latinx composers under the direction of Eugene Rogers. A wonderful recording exposes the complexity and the joy in this exciting music. The Pretoria Youth Choir from South Africa under their director Lhente-Mari Pitout has traveled the world spreading the joy of traditional South African music. Now this music from South Africa finds a new home with the professional choir EXIGENCE featuring music of Black and Latinx composers under the direction of Eugene Rogers. A wonderful recording exposes the complexity and the joy in this exciting music.

Brehm Composition Winner-Winner of the 2018 prestigious Brehm composition competition at the University of Michigan here is a Walt Whitman text that seems to float in the air like the stars it is about. Very subtle dynamic contrasts require a skilled choir and thorny dissonances establish a contemporary harmonic language. Winner of the 2018 prestigious Brehm composition competition at the University of Michigan here is a Walt Whitman text that seems to float in the air like the stars it is about. Very subtle dynamic contrasts require a skilled choir and thorny dissonances establish a contemporary harmonic language.

Creating Artistry-Better than a thousand hollow words is one word that brings peace. These insightful and powerful words begin this song and weave in and out of the music from beginning to end. A carefully crafted baritone part sits perfectly in the range of the beginning singer. Optional conga and shaker parts are included in the back of the octavo. Better than a thousand hollow words is one word that brings peace. These insightful and powerful words begin this song and weave in and out of the music from beginning to end. A carefully crafted baritone part sits perfectly in the range of the beginning singer. Optional conga and shaker parts are included in the back of the octavo. Better than a thousand hollow words is one word that brings peace. These insightful and powerful words begin this song and weave in and out of the music from beginning to end. A carefully crafted baritone part sits perfectly in the range of the beginning singer. Optional conga and shaker parts are included in the back of the octavo.

Creating Artistry-America's first renowned songwriter Stephen Foster wrote Oh! Susanna in the middle 1800s. Any combination of bluegrass instruments will make a welcome addition to this arrangement - banjo fiddle mandolin guitar washboard double bass - and a piano accompaniment is included when these instruments are not available. Bluegrass band parts are available separately as a digital download. America's first renowned songwriter Stephen Foster wrote Oh! Susanna in the middle 1800s. Any combination of bluegrass instruments will make a welcome addition to this arrangement - banjo fiddle mandolin guitar washboard double bass - and a piano accompaniment is included when these instruments are not available. Bluegrass band parts are available separately as a digital download. America's first renowned songwriter Stephen Foster wrote Oh! Susanna in the middle 1800s. Any combination of bluegrass instruments will make a welcome addition to this arrangement - banjo fiddle mandolin guitar washboard double bass - and a piano accompaniment is included when theseinstruments are not available. Bluegrass band parts are available separately as a digital download.

Creating Artistry-Commissioned for the 25th anniversary of the Cincinnati Children's Choir We Will Do Miracles is a fun inspirational and boisterous tune for treble voices. The text is adapted from Walt Whitman's Song of the Open Road and is perfect for any occasion of joy and celebration. From the riveting dynamics to its strong lyrical message this piece is a wonderful choice for any treble voice choir. Commissioned for the 25th anniversary of the Cincinnati Children's Choir We Will Do Miracles is a fun inspirational and boisterous tune for treble voices. The text is adapted from Walt Whitman's Song of the Open Road and is perfect for any occasion of joy and celebration. From the riveting dynamics to its strong lyrical message this piece is a wonderful choice for any treble voice choir. Commissioned for the 25th anniversary of the Cincinnati Children's Choir We Will Do Miracles is a fun inspirational and boisterous tune for treble voices. The text is adapted from Walt Whitman's Song of the Open Road and is perfect for any occasion of joy and celebration. From theriveting dynamics to its strong lyrical message this piece is a wonderful choice for any treble voice choir.

Discovery Level 1-Using constant and flowing eighth notes in the piano accompaniment along with overlapping echoes in the voices to mirror the sound of a steady rainfall here is a beautiful setting of the James Joyce poem. The most famous setting of this text was created by American composer Samuel Barber and now we have a setting that is suitable for middle school singers. Detailed and informative rehearsal notes are included in the page two notes. Using constant and flowing eighth notes in the piano accompaniment along with overlapping echoes in the voices to mirror the sound of a steady rainfall here is a beautiful setting of the James Joyce poem. The most famous setting of this text was created by American composer Samuel Barber and now we have a setting that is suitable for middle school singers. Detailed and informative rehearsal notes are included in the page two notes.

from Star Wars: The Force Awakens

for Voice Cello and Piano

BH Sounds of a Better World

From the Willows There Came Up a Whispering-Rozszumia y si Wierzby P acz ce is a traditional military song arranged for TTBB voices by Derek Myler. The vocal lines are very accessible with the challenge being in learning the Polish pronunciation and the clapping and stomping. This incredibly exciting and dynamic arrangement makes an incredible closer. Rozszumialy Sie Wierzby Placzace is a traditional military song arranged for men’s voices by Derek J. Myler. The vocal lines are very accessible with the challenge being in learning the Polish pronunciation and the clapping and stomping. This incredibly exciting and dynamic arrangement makes an incredible closer. (From Three Polish War Songs).

A Benediction-God Be with You is a stunning new take on the well-loved benediction by Grammy-nominated arranger and former member of Take 6 Cedric Dent. This will be best as a concert closer or a service benediction and is well-suited for more advanced choirs. God Be with You is a stunning new take on the well-loved benediction by Grammy-nominated arranger and former member of Take 6 Cedric Dent. This will be best as a concert closer or a service benediction and is well-suited for more advanced choirs. Jason Max Ferdinand Choral Series.

Based on the Scriptures-An SSAA/four-hand piano version of Davison's original O Sing to the Lord. A strong yet accessible concert opener. Multi-rhythms enhance the excitement of this majestic concert or festival selection. An SSAA/four-hand piano version of Davison's original O Sing to the Lord. A strong yet accessible concert opener. Multi-rhythms enhance the excitement of this majestic concert or festival selection. Can also be performed with a downloadable two-hand piano score.

Op 45 No. 1- Composed in 1878 Antonín Dvorák's “Slavonic Rhapsodies” op. 45 launched his so-called 'Slavonic Period'. When they were issued by the publisher Simrock the following year these three self-contained orchestral pieces in D major G minor and A-flat major were gathered together into a single opus. The “Slavonic Rhapsodies” are now available in three separate scholarly-critical editions. Editor Robert Simon has taken the original print as the principal source which was authorised by the composer. Other known sources are drawn on and a foreword is included in English Czech and German.

RV 604- This is the individual part for Violin 1 for Antonio Vivaldi's 'In Exitu Israel'. One of a total of 13 psalms the present work based on psalm 113 was probably composed for the Easter Sunday in 1739. In 'In Exitu Israel' Vivaldi treats the voices homophonically (in block chords) accompanied by a String Orchestra and Basso Continuo. Although it is rather a short piece the text of psalm 113 is over twice the length of any of the other psalms set by Vivaldi but even set as a single continuous movement it still keeps the composer’s acute sensitivity regarding the emotional content of the text.