Concerti Grossi by Simon Bainbridge was commissioned by the Northern Sinfonia and first performed at The Sage Gateshead by the Northern Sinfonia conducted by Thomas Zehetmair on 4 June 2010. Concerti Grossi by Simon Bainbridge was commissioned by the Northern Sinfonia and first performed at The Sage Gateshead by the Northern Sinfonia conducted by Thomas Zehetmair on 4 June 2010.

Unison song with piano accompaniment A song for Unison voices with piano accompaniment by Nina Perry.

Songs from the Zarzuela for Tenor with piano accompaniment including notes on the dramatic context of each song and English literal translations by Christopher Webber. This unique collection presents celebrated songs from Zarzula the popular Spanish tradition of music theatre which draws on elements of opera popular song dance and spoken drama. As well as providing an excellent selection of high quality vocal music the ever-increasing popularity of Zarzuela means that this collection of songs will be welcomed by a wide range of experienced singers students amateur musicians and audiences everywhere.

Raymond Parfrey has written for Choir Piano Organ and String Orchestra though he feels happiest when writing for wind instruments. Among his more popular works aer Travel Without Tears and A Variety Of Moods both ideal for the developing Oboe player.

Nico Muhly 's All Our Works for unaccompanied SATB Choir. This piece incorporates words by Thomas Cranmer. It was commissioned by The Cardinall's Musick for their 25th Anniversary in 2014 with the support oftheir friends. The first performance took place on 26 July 2014 conducted by Andrew Carwood atWigmore Hall London. Nico Muhly 's All Our Works for unaccompanied SATB Choir. This piece incorporates words by Thomas Cranmer. It was commissioned by The Cardinall's Musick for their 25th Anniversary in 2014 with the support oftheir friends. The first performance took place on 26 July 2014 conducted by Andrew Carwood atWigmore Hall London.

Diamonds Are Forever Is The Theme Song Of The Seventh Film In The James Bond Series. The Sensual Lyrics Of The Song Are Voiced By Shirley Bassey Written By Don Black And Set To Music By John Barry. This Ssa Arrangement By Thomas Lydon Captures The Longing Of The Song With Its Luxurious Harmonies And Mimicry Of The James Bond Signature Brass Stabs In The Piano Accompaniment. Diamonds Are Forever is the theme song of the seventh film in the James Bond series. The sensual lyrics of the song are voiced by Shirley Bassey written by Don Black and set to music by John Barry. This SSA arrangement by Thomas Lydon captures the longing of the song with its luxurious harmonies and mimicry of the James Bond signature brass stabs in the piano accompaniment.

James Weeks ' Saerendam for Chamber Ensemble (2 Alto Flutes Oboe d'amore 2 Clarinets (in A) Vibraphone Guitar Organ accompaniment). Parts. This is one movement from Schilderkonst which was composed 2003-4 and is dedicated to Michael Finnissy. James Weeks ' Saerendam for Chamber Ensemble (2 Alto Flutes Oboe d'amore 2 Clarinets (in A) Vibraphone Guitar Organ accompaniment). Parts. This is one movement from Schilderkonst which was composed 2003-4 and is dedicated to Michael Finnissy.

Sallinen's Sonata For Cello And Piano Op.86 was commissioned by the Naantali Music Festival Finland in 2004. It was first performed by Arto Noras and Rolf Gothoni at Naantali Church on 10th June 2005 as part of the festival. The piece is structured across four movements a Barcarola a Serenata a Scherzo and an Epilogue.

Blue Moon written by Richard Rodgers and Lorenz Hart in 1934 has had many treatments over the decades. Mel Tormé made a smooth hit version in the 1940s Elvis Presley put it on his first album in 1956 and The Marcels had a doo-wop hit with it in 1961 but ‘An American Werewolf in London’ was the first movie to associate this most romantic of songs with lycanthropy. This brand new arrangement by Simon Foxley & Christopher Hussey for SATB choir makes the evocative standard a welcome addition to the Novello Choral Pops series. The juxtaposition of melancholy and melodic creates a bittersweet atmosphere of love and lust perfect for a classicallyromantic addition to your choir's repertoire. Your choir's own interpretation of this standard will thrill audiences invigorating the already-long list of cover versions.

A4 Mit CDs-This must-have collection contains the most beautiful and best known German traditional 'Volkslieder'. With extra large text and practical spiral binding this book is accompanied by 2 CDs featuring each song played and sung for up to 4 verses (2.5 hrs play time). The pieces in this collection are in easy arrangements with melody line lyrics and chords. This must-have collection contains the most beautiful and best known German traditional Volkslieder'. With extra large text and practical spiral binding this book is accompanied by 2 CDs featuring each song played and sung for up to 4 verses (2.5 hrs play time). The pieces in this collection are in easy arrangements with melody line lyrics and chords.

Solo and Emsemble Violin 1 and 2-Many selections in this volume are unique and until now have been inaccessible to the string ensemble repertoire. These pieces are intended for multiple strings for performance in the classroom as well as performance in concerts. Several players may be used on each part. Whenever possible every effort was made to keep the viola and violoncello/double bass parts melodic rather than simply filling in the various harmonic chord progressions. The pieces may be performed as a solo for each instrument (Violin 1 Violin 2 Viola or Cello) with piano accompaniment or as duets or trios as well as full orchestra. If performed with full orchestra the piano accompaniment is not necessary.The string ensemble series meets all standards for ASTA with NSOA (American String Teachers Association/National School Orchestra Association) and Suzuki Association of the Americas Inc. Free piano accompaniment AND ensemble score downloads available for use with this title. Many selections in this volume are unique and until now have been inaccessible to the string ensemble repertoire. These pieces are intended for multiple strings for performance in the classroom as well as performance in concerts.Several players may be used on each part. Whenever possible every effort was made to keep the viola and violoncello/double bass parts melodic rather than simply filling in the various harmonic chord progressions. The pieces maybe performed as a solo for each instrument (Violin 1 Violin 2 Viola or Cello) with piano accompaniment or as duets or trios as well as full orchestra. If performed with full orchestra the piano accompaniment is not necessary.The string ensemble series meets all standards for ASTA with NSOA (American String Teachers Association/National School Orchestra Association) and Suzuki Association of the Americas Inc. Free piano accompaniment AND ensemblescore downloads available for use with this title.

Mastering the Snare Drum is a comprehensive method developed over many years of teaching and playing incorporating both traditional and modern techniques. The book includes extensive commentary on the music and techniques in each lesson making it an exceptional choice for self-study. Current and past lesson reviews also make this book easy to use when studying with a teacher. This method was designed to guide the student swiftly through a variety of concepts to prevent boredom. Still it thoroughly covers all aspects of playing the snare drum and techniques used in classical music rock jazz and more. Beginning with the operation and tuning of the drum and progressing to allfacets of technique this book will provide a wide array of material for all learners. Includes access to online audio. Mastering the Snare Drum is a comprehensive method developed over many years of teaching and playing incorporating both traditional and modern techniques. The book includes extensive commentary on the music and techniques in eachlesson making it an exceptional choice for self-study. Current and past lesson reviews also make this book easy to use when studying with a teacher. This method was designed to guide the student swiftly through a variety ofconcepts to prevent boredom. Still it thoroughly covers all aspects of playing the snare drum and techniques used in classical music rock jazz and more. Beginning with the operation and tuning of the drum and progressing to allfacets of technique this book will provide a wide array of material for all learners. Includes access to online audio.

The two-volume collection 'Romantic Piano Music' draws from the vast repertoire of 19th-century music for piano duet. The 23 pieces include real 'gems' – unjustly forgotten or lesser known works which shall be brought to mind again with these two volumes. As a consequence rarely played works of great composers such as Schubert Mendelssohn Dvorák Schumann Brahms Fauré and Moszkowski are next to hitherto undiscovered compositions by Johann Ludwig Böhner Heinrich Hofmann Friedrich Gernsheim or Julius Röntgen among others. A creative collection to add to the piano duet repertoire.

A collection of songs arranged for medium voice and piano. First performance was given 5 May 1994. Duration c.17 minutes. A collection of songs arranged for medium voice and piano. First performance was given 5 May 1994. Duration c.17 minutes.

Dramatic Music Part 1 (Full Score)-A highly authoritative and accurate edition of Henry Purcell's Dramatic Music with a wide selection of his Vocal and Instrumental music for the stage. This edition has been edited under the supervision of the Purcell Society by Margaret Laurie.

Paperback-for SATB & organ The choral writing in this energetic and joyful carol is rich with rhythmic character while the organ part is typically virtuosic. Alleluya. A new work is come on hand is recorded on the Regent Records CD A Year at Tewkesbury (REGCD474). The choral writing in this energetic and joyful carol is rich with rhythmic character while the Organ part is typically virtuosic. Alleluya . A new work is come on hand is recorded on the Regent Records CD A Year at Tewkesbury.

Beethoven’s importance as the creator of monumental orchestral works and of substantial chamber music and solo sonatas is so great that his rich song oeuvre is often hardly even noticed. But his Lieder offer a highly entertaining repertoire in which love songs and humorous songs alternate with serious pieces of philosophical or religious subject matter. Goethe Claudius Herder Lessing Gellert and Rousseau are among the authors whose poems he set. In this way we are offered a panorama of the waning 18th and incipient 19th centuries with a specific blend of feeling for nature Enlightenment thought and religious sensibility. This Henle Urtext edition in two volumes which isbased on the Beethoven Complete Edition also contains those songs which were rediscovered long after Beethoven’s death and were therefore hardly known for a long time. A detailed preface on the history and source situation of Beethoven’s art songs rounds off this edition.

Nobody Does It Better sung by Carly Simon came from the James Bond film The Spy Who Loved Me . Marvin Hamlisch and Carole Bayer Sager’s song marked the first time a bond song had not shared its title with that of the film - since the tradition started. It stood as an excellent pop song in its own right and has endured as Carly Simon’s longest-charting hit and the title of her greatest hits album. This choral version has been arranged for male voice TTBB choir with Piano accompaniment by Thomas Lydon.

New compositions for solo classic guitar by acclaimed guitarist and composer David Pritchard. All solos are in standard notation.In addition to all the music I've written over the past twenty years for multiple acoustic guitars I have on occasion felt inspired to write a smaller number of pieces for just one guitar. Exploring a meditative feel was my motivation for writing A Pale View A Silent Dream and Restoration. A Silent Dream can be played either as a solo piece or it can be enhanced by having another guitarist play the second part. Arundo is basically a right hand study piece alternating between two patterns both in different meters while Orb Weaver isprimarily a Latin rhythm study with much syncopation alternating simply between two chords. Coryza was written with the acoustic steel string in mind using DADGAD tuning. New compositions for solo classic guitar by acclaimed guitarist and composer David Pritchard. All solos are in standard notation. 'In addition to all the music I’ve written over the past twenty years for multiple acousticguitars I have on occasion felt inspired to write a smaller number of pieces for just one guitar. Exploring a meditative feel was my motivation for writing “A Pale View ' 'A Silent Dream ' and 'Restoration.' 'A Silent Dream'can be played either as a solo piece or it can be enhanced by having another guitarist play the second part. 'Arundo' is basically a right hand study piece alternating between two patterns both in different meters while 'OrbWeaver' is primarily a Latin rhythm study with much syncopation alternating simply between two chords. 'Coryza' was written with the acoustic steel string in mind using DADGAD tuning.

von Bertolt Brecht-SATB Orchestra (Vocal Score). Einem G