Per Soprano Contralto E Basso Continuo - For Soprano Alto And Continuo-A Venetian nobleman member of various judiciary boards of the Serenissima Repubblica an intellectual of vast erudite learning Benedett o Marcello was a prolifi c and eclectic composer.Duets hold a special place in Marcello’s output a musical genre attended by famous composers such as Händel and Steffani. Marcello wrote at least fifty such works as the many manuscripts kept in libraries across Europe bear witness.This edition by Antonio Frigé contains a selection of his most significant duets for soprano and alto accompanied by continuo.

The Cantabile in D major for violin and piano (M.S. 109) is one of Paganini’s most popular and famous compositions. This brief piece - a short tripartite ‘aria variata’ - is particularly spontaneous and lighthearted reminiscent of the lyricalnature of the Italian bel canto tradition. It has an intimate feel to it bringing us closer to this composer from Genoa. The main aim of this critical edition based on the autograph source held at the Casanatense Library in Rome and collated withall the key printed editions is to provide both performers and scholars with a text containing a philologically authoritative original reading.

Per Voce E Pianoforte- Rarities - Arie per Soprano Vol. 2 contains an exclusive selecion of arias that discovers a less known and yet important repertoire. Also included: original texts with English translations and CD with instrumental and vocal versions. The Cantolopera series is made up of various collections: the Favourite Opera Collection dedicated to operatic works organized by voice category; the Composers Collection devoted to individual composers; and the SongsCollection consisting of lyric songs romanzas and traditional songs.

Piano Vocal Score and 2 CDs with instrumental and vocal versions-A new collection from Ricordi of Verdi arias produced for Verdis bicentenary in a reduced version for soprano voice and piano together with a brief synopsis and the original lyrics in Italian with an English translation. Each Cantolopera book comeswith two CDs with recordings of the orchestral accompaniment played by the compagnia d`Opera Italiana. an ideal collection for singing teachers and students. Arias from: ATTILA; UN BALLO IN MASCHERA; DON CARLO; I DUE FOSCARI; ERNANI; FALSTAFF; LA FORZA DEL DESTINO; LUISA MILLER; MACBETH; NABUCCO; OTELLO; RIGOLETTO; SIMON BOCCANEGRA; LA TRAVIATA; IL TROVATORE; I VESPRI SICILIANI

Pianoreduction for Violin and Piano by Maurizio Carnelli

150th Anniversary Edition 1858 - 2008-With standard vocal/piano aria editions plot notes and English translations and with two CDs of full performances and orchestral accompaniments. Arias from: Le Villi - Manon Lescaut - La Bohème - Tosca - Madama Butterfly - La fanciulla del West - La rondine - Suor Angelica - Gianni Schicchi - Turandot .

Contrebasse et Piano

Testo Italiano - Tedesco

Vocal Score (Testo italiano - tedesco)

Ed. Critica F. Della Seta - Riduzione per canto e pianoforte testo cantato Italiano - Inglese

hard cover

Testo Cantato In Italiano-Inglese

Testo Cantato In Italiano

19th Century Repertoire

Ed. Tradizionale - Opera Completa

Etudes 1 à 16

During his lifetime composer Piano manufacturer and publisher Ignaz Pleyel bestowed upon the world of music an almost unimaginable number of published compositions some of them in multiple arrangements too. Of those what has remained in the repertoire today are primarily works for small chamber ensembles. Several Violin duos for instance have maintained their place among enthusiasts and students among them in particular the “Little Duos in Increasing Difficulty ” which appeared in print in 1806 “at the urging of several teachers” (according to the title page!). Now for the first time G. Henle Publishers presents these light performance pieces in anUrtext edition – both in full score and as two individual parts to optimise use for any occasion.

Fragments K. 442- Mozart often began work on a composition only to put it aside unfinished. Some of these fragments contain wonderful music as is proved by these three Piano trio fragments. Mozart composed them at different times as individual movements though the posthumous first edition brought them together as a supposedly new and unknown Piano trio by the composer and on this basis they were given the number “442” in Köchel’s catalogue. The first edition used completions by Mozart ’s friend Abbé Maximilian Stadler that were stylistically correct but possessed little originality. This Henle Urtext edition offers both these versions andnewly-composed highly rewarding completions by Robert D. Levin.

Opus 118 Nr. 2-When his contemporaries heard the works that Johannes Brahms had composed during his summer holiday in Ischl in 1893 – the Piano Pieces op. 118 – they were delighted. Clara Schumann was one of the first to be allowed to get to know the new pieces and she attested that they contained “a wealth of sentiment in the smallest of dimensions”. Philipp Spitta fittingly said that the works were “perfect for slowly absorbing in solitude and tranquillity.”

from The Greatest Showman-From the hottest movie soundtrack to come along in years here is a high-energy yet playable arrangement of the dynamic opening number.