Op. 2 No. 2

Le Répertoire du Pianiste - the Pianists Repertory for Beginners-ALAIN : Nous n'irons plus au bois - ATWOOD : Sonatine - BACH : Menuets - BARRATT : Zut blues - BARTOK : Chant populaire hongrois - Valse - Etude - CHOSTAKOVITCH : Marche - FRANCK : Les plaintes d'une poupée - FRANCMESNIL (de) : Menuet - FRANCOIS : Mais enfin que fait donc Sally ? - GILLOCK : Fiesta - GRETCHANINOV : Conte de fée - Après le bal - Retour à la maison - Que ne suis-je grand ! - GURLITT : Novelette - Romances sans paroles - Valse - HAENDEL : Menuet - HAYDN : Danse allemande - HUMMEL : Dialogue taquin Ishii J'ai rêvé que j'étais un papillon - KABALEVSKI : Une nuit sur la rivière - Valse - Petite chanson - Petite histoire triste - KHRENNIKOW : Berceuse - Scherzo - LEVY: Espiègle - MAYKAPAR : Children's piece - MEUNIER : C'est nous les joyeux lapins ! - MOZART : Menuet - Allegro - Menuet - NORTON : Chant - PETERSON : Jazz-minuet - REINECKE : Menuets - ROWLEY : Il était une fois - SCARLATTI : Menuet - SCHUBERT : Ländler D679 - SCHUMANN : Premier chagrin - TCHAIKOVSKI : Vieille chanson française - Chanson italienne - WANHALL : Rondo - WHITEHEAD : Le Défilé des minets

For Violin and Orchestra-Mario Castelnuovo-Tedesco’s CONCERT No. 2 for violin and orchestra is dedicated to Jascha Heifetz one of the most important and influential twentieth-century violinists and the first to perform this work conducted by Arturo Toscanini (New York 1933). • This edition is a reduction for violin and piano by Castelnuovo-Tedesco himself. • A much requested classic piece from the Ricordi repertoire once again available in the catalogue.

Per Soprano E Pianoforte

Per Soprano E Pianoforte

I have developed a highly formalised compositional system which I have been using to write my music for twenty years. Summa is the most strict and enigmatic work in this series said Arvo Pärt in 1994. The neutral title itself embodies the essence of the content as the work is based on the text of the Latin Credo. The great simplicity of the piece masks its complexity. The underlying rules ensure that on the surface a cycle of continuous change is created while the deep structure possesses an order of stillness. Saale Kareda

op. 8/3 RV 293 / PV 257

Réduction pour percussion et piano

12 Pop-Hits in Easy Arrangement

Pour Piano A Quatre Mains

18 English Christmas Songs

Die neue Schule für Sopranblockflöte für den Beginn ab 7 Jahren.

Leichte Stücke für Blockflöte

Bassoon Percussion

pour piano - Ed. A. Cortot

éditées par Robert Orledge-This new completely revised edition of the Ogives is based on Robert Orledge's critical edition of Satie's works for piano (in 3 volumes; catalogue numbers: SLB 5960 - SLB 5961 - SLB 5962). Orledge's work has returned to Satie’s manuscripts and first editions to give pianists completely accurate and reliable texts to play from.

L'un des maîtres du piano jazz vous donne ses astuces et techniques pour l'improvisation jazz au piano. Martial Solal est certainement le musicien français le plus important apparu depuis la disparition de Django Reinhardt. L'ampleur de sa carrière et la richesse de son œuvre suffiraient à lui attribuer ce titre mais ce serait négliger l'essentiel : ses talents exceptionnels d'instrumentiste et l'incroyable fertilité de son imagination dans l'improvisation qui en ont fait l'un des pianistes les plus admirés bien au-delà du seul cercle du jazz.

Complete Works for Piano-This new completely revised and reset centenary edition of Satie’s complete piano music in three volumes has returned to Satie’s manuscripts and first editions to give pianists completely accurate and reliable texts to play from. As well aspresenting every piece for piano solo or piano reduction that Satie published this edition also includes some previously unknown pieces like the Petite Sonate that he wrote for Vincent d’Indy at the Schola Cantorum as well as some interestingfirst versions of well-known pieces like San Bernardo a trial version of Españaña (1913) and the markedly different first version of Les Pantins dansent (1914). In addition there areexamples of the different types of exercises that Satie completedat the Schola between 1905 and 1912 some extra trial Enfantines and some earlier drafts of his famous Sports et divertissements. To help pianists suggested metronome marks have been added throughout and there are also some performance suggestionsfor the Rose+Croix pieces of the 1890s which otherwise appear to be all quiet and slow. The notation has been made as user-friendly as possible without detracting from Satie’s concerns about the “extériorisation” of his musical thought in print.

Mistinguett (5 April 1875 - 5 January 1956) was a French actress and singer whose birth name was Jeanne Florentine Bourgeois. She made her debut at the Casino de Paris in 1895 and went on to appear in venues such as the Folies Bergère Moulin Rougeand Eldorado. Her risqué routines captivated Paris and she went on to become the most popular French entertainer of her time. She first recorded her signature song Mon Homme in 1916. It was popularised under its English title My Man by Fanny Brice and has become a standard in the repertoire of numerous pop and jazz singers.

Italienische Gesangstexte mit deutschen Übertragungen