With the new Urtext Primo series the Wiener Urtext Edition wants to close the gap arising at the point of transition to additional lessons after having studied a piano method. Beginning with a performance level which is outlined by pieces such as Bach's Minuet in G (BWV Anh. 116) Mozart's Minuet in F (KV 5) or Schumann's Wilder Reiter (Op. 68/8) works by three different composers are selected for each volume of the Urtext Primo series with the aim of offering piano pupils (or even adults who want to resume piano playing) a wide range of repertoire pieces on the basis of which they can enhance their technical and musical skills. The pieces' range of levels of difficulty isrelatively narrow so that the volume can be used continuously over a period of about two years. This is what distinguishes the Urtext Primo approach from almost all common anthologies. The selected repertoire takes into account not only pieces of the classic canon of lessons but also lesser known works which are in no way of less importance for piano lessons. The Urtext Primo volumes are published in the internationally recognised standard of the Wiener Urtext editions. The explanations included in each volume shall help to deepen the knowledge of musical styles music history and piano playing. A repertoire chart at the end of each volume gives a rough overview of the levels of difficulty of the selected pieces.Volume 1 contains both frequently played educational works by Bach and lesser known pieces by Handel and Scarlatti Volume 2 compositions by Haydn and Mozart as well as musically and educationally attractive pieces by Cimarosa. Volume 3 (scheduled for publication in summer 2013) contains pieces by Beethoven Schubert and Hummel Volume 4 (scheduled for publication in early 2014) works by Schumann Brahms and Theodor Kirchner. Further volumes are being planned. With the new Urtext Primo series Wiener Urtext Edition intends to bridge the gap between studying a Piano method and taking additional lessons. Beginning with a performance level which is outlined by pieces such as Bach's Minuet in G (BWV Anh. 116) Mozart's Minuet in F (KV 5) or Schumann's Wilder Reiter (Op. 68/8) works by three different composers are selected for each volume in the series with the aim of offering Piano pupils (or even adults who want to resume Piano playing) a wide range of repertoire pieces on the basis of which they can enhance their technical and musical skills. The pieces' range of levels of difficulty is relativelynarrow so that the volume can be used continuously over a period of about two years. This is what distinguishes the Urtext Primo approach from almost all common anthologies. The selected repertoire takes into account not only pieces of the classic canon of lessons but also lesser known works which are in no way of less importance for Piano lessons. The Urtext Primo volumes are published in the internationally recognised standa

For Piano and String Quartet. Published in 2001. Parts. For Piano and String Quartet. Published in 2001. Parts.

A collection of songs jigs hornpipes airs polkas and arches from the Celtic lands of Scotland Ireland and England. The songs are arranged for mountain dulcimer primarily in 1-5-8 (Mixolydian) tuning along with a few tunes in 1-5-5 (Ionian) tuning. The arrangements make use of the capo as well as playing tunes in Em and Bm and include a Part II for a suggested harmony on selected songs. The book is accompanied by an audio recording of each tune. Song titles include: George Brabazon Off She Goes Irish Lamentation Keel Row Water Is Wide Loch Lomond Foggy Dew and many more. Intermediate playing level suggested. Includes access to online audio. A collection of songs jigs hornpipes airs polkas and arches from the Celtic lands of Scotland Ireland and England. The songs are arranged for mountain Dulcimer primarily in 1-5-8 (Mixolydian) tuning along with a fewtunes in 1-5-5 (Ionian) tuning. The arrangements make use of the capo as well as playing tunes in Em and Bm and include a Part II for a suggested harmony on selected songs. The book is accompanied by an audio recording ofeach tune. Song titles include: George Brabazon Off She Goes Irish Lamentation Keel Row Water Is Wide Loch Lomond Foggy Dew and many more. Intermediate playing level suggested. Audio download available online.

One of Stanford's larger choral works the oratorio Eden was written to the words of Bridges in 1891.

Novello Voices Show Singles (From Evita.) Arranged by Barrie Carson Turner. Fabulous SATB arrangements of popular modern songs from West End shows and the worlds of jazz and pop music.

Dressed In White-Thomas Simaku 's Albanian Wedding Song for SSA choir. This song is part of a set published as Three Albanian Folk Songs for Female Choir. Qenke veshur me të bardha (Dressed in White - Kosova) is the most popular wedding song which is sung not only in Kosova but in every Albanian wedding. As in most folk songs these tunes are remarkably short. The melodies themselves have not been altered but have been extended enriched in texture and presented in different ways. The melodic lines serve as a point of departure for the proliferation of a distinct harmonic vocabulary for each song. Within the overall folk idiom of the piece each song has its own flavour and character. Thomas Simaku 's Albanian Wedding Song for SSA choir. This song is part of a set published as Three Albanian Folk Songs for Female Choir. Qenke veshur me të bardha (Dressed in White - Kosova) is the most popular wedding song which is sung not only in Kosova but in every Albanian wedding. As in most folk songs these tunes are remarkably short. The melodies themselves have not been altered but have been extended enriched in texture and presented in different ways. The melodic lines serve as a point of departure for the proliferation of a distinct harmonic vocabulary for each song. Within the overall folk idiom of the piece each song hasits own flavour and character.

for SATB (with divisions) and organ This jubilant carol sets a fifteenth-century text that rejoices in the birth of the baby Jesus. An ideal opener for any Christmas Carol concert the work is featured on the Choir of Truro Cathedral's CD A Year at Truro (Regent Records). This jubilant carol sets a fifteenth-century text that rejoices in the birth of the baby Jesus. An ideal opener for any Christmas Carol concert the work is featured on the Choir of Truro Cathedral's CD A Year at Truro (Regent Records).

for SATB and organ Thomas Mudd 's Let Thy Merciful Ears O Lord for SATB choir and Organ.

Nr. 10 Requiem-TTBB (Choral Score). Reger M

for SATB (with divisions) unaccompanied This festive arrangement of a traditional German carol features an English text translated and adapted by John Rutter. The first two verses are sung by soloists (or alternatively by a semi-chorus) over a background of choral hums before all singers come together in the final verse. John Rutter 's Still Still Still for SATB choir (with divisions) unaccompanied. This festive arrangement of a traditional German carol features an English text translated and adapted by John Rutter . The first two verses are sung by soloists (or alternatively by a semi-chorus) over a background of choral hums before all singers come together in the final verse.

Dances-Turnbull's style envinces an unostentatious yet individual sense of lyricism textural balance clarity and technical mastery. During his lifetime only a handful of songs and Piano pieces were published; therefore the aim of this edition is to bring together the best of his published and unpublished works and gain a greater insight into Turnbull's far more varied output and compositional ability.

for SATBarB and optional organ William Byrd's Vigilate set here for SATBarB choir with organ reduction for rehearsal only. Edited by John Morehen.

'Cadiz' Serenata by I. Albeniz transcribed for the guitar by Miguel Llobet. 'Cadiz' Serenata by I. Albeniz transcribed for the guitar by Miguel Llobet.

With Piano reduction of Instrumental Parts.

A highly accessible and mellifluous arrangement for unaccompanied SATB. The delicate scoring smooth vocal lines and well-judged splashes of harmonic colour allow the simple beauty of the tune to be heard. A highly accessible and mellifluous arrangement for unaccompanied mixed voices. The delicate scoring smooth vocal lines and well-judged splashes of harmonic colour allow the simple beauty of the tune to be heard.

A bright well-crafted setting of the classic spiritual with a strong rhythmic feel. Easy countermelodies and excellent voice leading can't miss! Available: 2-Part.

for SATB congregation & organ Glory To Thee My God This Night arranged by John Rutter for SATB choir congregation and Organ.

Jo Kondo 's A Contemplation for solo Piano. This work was composed in 2013 for Hauke Harder and was first published in 2014. Jo Kondo 's A Contemplation for solo Piano. This work was composed in 2013 for Hauke Harder and was first published in 2014.

for SATB and organ In this arrangement of the hymn tune St Clement traditional verses alternate with those newly arranged by John Rutter. The piece is part of a wider collection of hymn arrangements which have been recorded by the Cambridge Singers on the Collegium CD Sing ye heavens (COLCD 126). The Day Thou Gavest arranged by John Rutter for SATB Choir and Organ. In this arrangement of the hymn tune St Clement traditional verses alternate with those newly arranged by John Rutter . The piece is part of a wider collection of hymn arrangements which have been recorded by the Cambridge Singers on the Collegium CD Sing Ye Heavens (COLCD 126).

When Christa Landon presented the first printed version of her edition of Joseph Haydn's piano sonatas Haydn's sonata oeuvre was still overshadowed by the works of Mozart and Beethoven. Since then Haydn's sonatas have progressed from the teaching rooms to the concert halls and Landon's edition has played a crucial role in that process. Since the Haydn anniversary in 2009 this 'legendary' edition has been thoroughly revised for over the course of more than forty years new sources have come to light and questions of authenticity have been resolved not least because the editorial principles for 18th-century music have changed considerably. The new edition is published in fourvolumes the content of each volume being compatible with the volumes of the previous edition. Volume 3 of the new edition comprises the 17 sonatas Hob. XVI:21–32 and Hob. XVI:35–39 contained in Vol. 2 of the previous Wiener Urtext edition including popular works for music lessons such as Hob. XVI:27 35 and 37. In the Notes on Interpretation Robert D. Levin explains important aspects of Haydn's performance practice and with the help of numerous examples shows possibilities to embellish the pauses frequently used by Haydn. When Christa Landon presented the first printed version of her edition of Joseph Haydn 's Piano sonatas Haydn 's sonata oeuvre was still overshadowed by the works of Mozart and Beethoven. Since then Haydn 's sonatas have progressed from the teaching rooms to the concert halls and Landon's edition has played a crucial role in that process. Since the Haydn anniversary in 2009 this 'legendary' edition has been thoroughly revised for over the course of more than forty years new sources have come to light. Questions of authenticity have also been resolved not least because the editorial principles for 18th-century music havechanged considerably. The new edition is published in four volumes the content of each volume being compatible with the volumes of the previous edition. Volume 3 of the new edition comprises the 17 sonatas Hob. XVI:21-32 and Hob. XVI:35-39 contained in Vol. 2 of the previous Wiener Urtext edition including popular works for music lessons such as Hob. XVI:27 35 and 37. In the Notes on Interpretation Robert D. Levin explains important aspects of Haydn 's performance practice and with the help of numerous examples shows possibilities to embellish the pauses frequently used by Haydn .