Nakedness by James Weeks was first performed by Juliet Fraser Darmstadt Ferienkurse July 2012. Nakedness by James Weeks was first performed by Juliet Fraser Darmstadt Ferienkurse July 2012.

Tomás Luis de Victoria (1548-1611) was one of the last representatives of the ‘prima prattica’ the polyphonic style which was dominant in the period music history has labelled the ‘renaissance’. Vol. 3 of these 52 motets for mixed voice choirs.

Handel’s opera Scipio was produced in 1726 and remains one of his less frequently performed works. The original production was beset by the problems of the withdrawal of a solo singer and an extremely short time span for composition. Handel made changes in later productions but the most famous element of the opera remains this stirring March.The March was arranged for Organ by William Thomas Best a masterful Organist of the 19th century whose recitals covered the whole field of Organ music. He was solo Organist for all the Handel festivals held at the Crystal Palace for which one may reasonably assume that this arrangement was composed.Handel’s opera Scipio was produced in 1726 and remains one of his less frequently performed works. The original production was beset by the problems of the withdrawal of a solo singer and an extremely short time span for composition. Handel made changes in later productions but the most famous element of the opera remains this stirring March.The March was arranged for Organ by William Thomas Best a masterful Organist of the 19th century whose recitals covered the whole field of Organ music. He was solo Organist for all the Handel festivals held at the Crystal Palace for which one may reasonably assume that this arrangement was composed.

for SSA piano and optional bass and drumkit ad lib. A highly original and effective concert setting of the Latin Missa brevis in which the various movements embrace a variety of jazz styles. The characterful piano accompaniment can be played as written or serve as a guide and bass and drums can join in ad lib. The bass part is available on sale (ISBN 978-0-19-335655-9). Also available in an SATB version. A highly original and effective concert setting of the Latin Missa brevis in which the various movements embrace a variety of jazz styles. The characterful piano accompaniment can be played as written or serve as a guide and bass and drums can join in ad lib.

Work for Flute Clarinet Piano Violin and Cello.

Venetian Sky was commissioned by Sage Gateshead. It was written for the second CoMA Festival of Contemporary Music for All and first performed by all-comer workshop participants alongside members of Royal Northern Sinfonia and Chorus and the New Tyneside Orchestra at Sage Gateshead on 3rd and 4th March 2018. (Pack of 10 available - M570368242) Venetian Sky was commissioned by Sage Gateshead. It was written for the second CoMA Festival of Contemporary Music for All and first performed by all-comer workshop participants alongside members of Royal Northern Sinfonia and Chorus and the New Tyneside Orchestra at Sage Gateshead on 3rd and 4th March 2018. (Pack of 10 available - M570368242)

This atmospheric anthem by Cecilia McDowall commemorates the First World War. It sets a stark English text by Dr Joseph Spence alongside Latin text from Psalm 130 with the words 'In memoriam' added. The lower parts sing Spence's English text conveying the relentless hardship of life in the trenches with declamatory and constantly developing vocal lines. The sopranos meanwhile repeat the Latin words from Psalm 130 providing a striking contrast in their constancy and otherworldliness.

The A Dozen A Day Songbook series contains wonderful easy hits that may be used as companion pieces to the memorable technique exercises in the A Dozen A Day series. They are also suitable as supplements for use with any Piano method. This first book features 10 Christmas favourites including Ding Dong! Merrily On High I Saw Three Ships Winter Wonderland and Stop The Cavalry in arrangements for easy Piano. The included CD provides fully-orchestrated demonstration and backing tracks for a fun play-along experience.

For Unison Voices and Piano accompaniment. Music adapted from an old English melody by Thomas Dunhill. Text: Rose Fyleman. For Unison Voices and Piano accompaniment. Music adapted from an old English melody by Thomas Dunhill. Text: Rose Fyleman.

Soundtrack Highlights from-From the blockbuster movie Star Wars: The Last Jedi John Williams continues to display his mastery of music for film. This dynamic medley includes poignant new themes along with familiar older melodies as some of our favorite characters return for this episode. From the blockbuster movie Star Wars: The Last Jedi John Williams continues to display his mastery of music for film. This dynamic medley includes poignant new themes along with familiar older melodies as some of our favorite characters return for this episode.

Three Odes For St. Cecilia's Day (Full Score)-Full Score. Purcell Society Volume 10. Edited under the supervision of the Purcell Society by Bruce Wood. Vocal scores and instrumental parts of each of the three works in this volume are available on hire from the publishers. Full Score. Purcell Society Volume 10. Edited under the supervision of the Purcell Society by Bruce Wood. Vocal scores and instrumental parts of each of the three works in this volume are available on hire from the publishers.

A Thomas Hardy suite for Pipes or Recorders by Betty Roe. This set of pieces takes its inspiration from Hardy's Novel Under The Greenwood Tree and incorporates three dance-tunes current and popular in Hardy's time

The Nose for solo Piano. Composed and published 2015. Duration: 11' A score in five movements to Alexandre Alexeieff and Claire Parker's film The Nose (1963) written for Clare Hammond. Premiere: Clare Hammond The Cornerstone Festival Liverpool 23rd November 2015. The Nose for solo Piano. Composed and published 2015. Duration: 11' A score in five movements to Alexandre Alexeieff and Claire Parker's film The Nose (1963) written for Clare Hammond. Premiere: Clare Hammond The Cornerstone Festival Liverpool 23rd November 2015.

for four guitars-An atmospheric and evocative portrayal of summer by the renowned composer Timothy Bowers who is well known for his interest in the guitar. We are delighted to add this to our growing catalogue of guitar music.

Wake up your music room! Reinforce your lessons with exciting ideas for your bulletin board. Book includes: Bulletin boards for every month seasonal events and musical concepts. Each page features a focus for the generalcurriculum area and an objective highlighting the desired outcome. This is a valuable resource for any music specialist one thathelps you reinforce the concepts you are teaching while bringing new life to the walls of yourclassroom! Available: Book and Reproducible Pak. All AgesWake up your music room! Reinforce your lessons with exciting ideas for your bulletin board. Book includes: Bulletin boards for every month seasonal events and musical concepts. Each page features a focus for the generalcurriculum area and an objective highlighting the desired outcome. This is a valuable resource for any music specialist one thathelps you reinforce the concepts you are teaching while bringing new life to the walls of yourclassroom! Available: Book and Reproducible Pak. All Ages

POD-The Lamb is a work by Julian Marshall for Unaccompanied SATB Choir. A setting of a William Blake poem from 'Songs of Innocence' this work lasts around 3 minutes. The Lamb is a work by Julian Marshall for Unaccompanied SATB Choir. A setting of a William Blake poem from 'Songs of Innocence' this work lasts around 3 minutes.

Four short movements for two Bassoons. Composer's Note. Take Two Bassoons is planned as one of a series of light-hearted works for pairs of instruments written with advice from performers who are also experienced teachers. Many of these pieces explore some specific opportunities and challenges inherent in the technique of each instrument. There are four short movements: Jaunty Tenderly Angry and Running Wild. Note from Marc Goldberg. Thea Musgrave asked to meet with me in New York to discuss a set of duets she was writing and we got together over coffee near Carnegie Hall for an indepth discussionabout the bassoon. I confess to having had momentary misgivings when asked to list things that were difficult to do on the instrument envisioning for a moment an etude of unforgiving notes difficult dynamics uncomfortable articulations clumsy cross-fingerings and the like arranged back-to-back in an endurance test to challenge the best players on their best day. What she has in fact created is delightful – a charming set of pieces full of character wit colour and yes challenge perfectly suited for student and teacher alike and wonderful recital works to boot. I couldn’t be more pleased to have had some part however small in their roots and am looking forward to calling these pieces – and Thea Musgrave - lifelong friends. Four short movements for two Bassoons. Composer's Note. Take Two Bassoons is planned as one of a series of light-hearted works for pairs of instruments written with advice from performers who are also experienced teachers. Many of these pieces explore some specific opportunities and challenges inherent in the technique of each instrument. There are four short movements: Jaunty Tenderly Angry and Running Wild. Note from Marc Goldberg. Thea Musgrave asked to meet with me in New York to discuss a set of duets she was writing and we got together over coffee near Carnegie Hall for an indepth discussionabout the bassoon. I confess to having had momentary misgivings when asked to list things that were difficult to do on the instrument envisioning for a moment an etude of unforgiving notes difficult dynamics uncomfortable articulations clumsy cross-fingerings and the like arranged back-to-back in an endurance test to challenge the best players on their best day. What she has in fact created is delightful – a charming set of pieces full of character wit colour and yes challenge perfectly suited for student and teacher alike and wonderful recital works to boot. I couldn’t be more pleased to have had some part however small in their roots and am looking forward to calling these pieces – and Thea Musgrave - lifelong friends.

Elgar published the Chanson de Matin – and its partner Chanson de Nuit – at the time of his life when he was also creating the Enigma Variations and The Dream of Gerontius. This work was originally created as a Violin and Piano duet but Elgar then Orchestrated the work and it was presented at the Proms. Since then other arrangements have been created.Although published in 1897 scholars suggest that these two works may have been written in the 1880’s. The contrast of the two melodies which Elgar then intertwines yields a satisfying short work especially with the composer’s fine Orchestration.

Introducing New T3N Harmonic Chimes-The definitive text on playing harmonics (chimes) on the 5-string banjo in G tuning! In addition to traditional chiming methods the author's new T3N technique for creating banjo harmonics will add new dimensions to your playing. While particularly useful in the three-finger style T3N can be used in other banjo styles and on other stringed instruments. Most banjo players are familiar with playing open-string harmonics on the 5-string banjo over the 12th 7th and 5th frets or perhaps the 4th and 9th frets so that in typical G-tuning the open G-chord D-chord octave G-chord and B-chord notes are chimed. With the T3N technique presented in this book entire scales canbe chimed with other harmonic effects including choking and sliding possibilities! The first part of this book provides a review of traditional banjo harmonic chiming techniques while the second part explores the exciting new T3Napproach. Written in tablature only for 5-string banjo in GDGBD tuning. The definitive text on playing harmonics (chimes) on the 5-string banjo in G tuning! In addition to traditional chiming methods the author's new T3N technique for creating banjo harmonics will add new dimensions to yourplaying. While particularly useful in the three-finger style T3N can be used in other banjo styles and on other stringed instruments. Most banjo players are familiar with playing open-string harmonics on the 5-string banjoover the 12th 7th and 5th frets or perhaps the 4th and 9th frets so that in typical G-tuning the open G-chord D-chord octave G-chord and B-chord notes are chimed. With the T3N technique presented in this book entire scalescan be chimed with other harmonic effects including choking and sliding possibilities! The first part of this book provides a review of traditional banjo harmonic chiming techniques while the second part explores theexciting new T3Napproach. Written in tablature only for 5-string banjo in GDGBD tuning.

Six miniatures for guitar these instrumental 'songs' were a set work for the final of the London International Guitar Competition 2015. With lilting rhythms and simple lines these folk-like pieces encapsulate the composer's style and will appeal to guitarists of all backgrounds.