April Sonatina is a work composed by John McCabe for Solo Violoncello in 2011/2. The piece lasts around 3 minutes and was dedicated to David Matthews on the occasion of his 70th birthday. April Sonatina is a work composed by John McCabe for Solo Violoncello in 2011/2. The piece lasts around 3 minutes and was dedicated to David Matthews on the occasion of his 70th birthday.

Cesar Franck Sonata in D Major arranged for Viola and Piano by Alan Arnold. Edited by Paul Arnold. Cesar Franck Sonata in D Major arranged for Viola and Piano by Alan Arnold. Edited by Paul Arnold.

Evocacion is a short but harmonically rich and expressive work for Cello and Piano by Xavier Montsalvatge. Evocacion is a short but harmonically rich and expressive work for Cello and Piano by Xavier Montsalvatge.

For Flute Clarinet Violin Cello and Piano. Composed and published 2015. Duration: 14' Written for The New Music Players and Orchestra of Sound and Light for concerts in London and Sussex with funding support from the RVW Trust and Arts Council England. Voyage To The Moon is a continuous score with outer fast sections and a slower inner section of a dream-like character. The work is inspired by a film entitled 'Le Voyage dans la Lune' (1902) written and directed by Georges Méliès. There is also a version of this piece for Orchestra entitled Le Voyage dans La Lune. For Flute Clarinet Violin Cello and Piano. Composed and published 2015. Duration: 14' Written for The New Music Players and Orchestra of Sound and Light for concerts in London and Sussex with funding support from the RVW Trust and Arts Council England. Voyage To The Moon is a continuous score with outer fast sections and a slower inner section of a dream-like character. The work is inspired by a film entitled 'Le Voyage dans la Lune' (1902) written and directed by Georges Méliès. There is also a version of this piece for Orchestra entitled Le Voyage dans La Lune.

Whispered And Revealed is a setting of H. W. Longfellow's 'Snow-Flakes' by composer Nico Muhly . It is arranged for SATB Choir and Harp and this is the full score. The piece lasts approximately 3 and a half minutes. Nico Muhly himself states that the music of Whispered And Revealed reflects the delicacy of winter weather while the text and music hint at a certain anxiety. The piece was commissioned by Essential Voices USA and is dedicated to their conductor Judy Clurman and was composed in 2014. Whispered And Revealed is a setting of H. W. Longfellow's 'Snow-Flakes' by composer Nico Muhly . It is arranged for SATB Choir and Harp and this is the full score. The piece lasts approximately 3 and a half minutes. Nico Muhly himself states that the music of Whispered And Revealed reflects the delicacy of winter weather while the text and music hint at a certain anxiety. The piece was commissioned by Essential Voices USA and is dedicated to their conductor Judy Clurman and was composed in 2014.

The Somerset folksong Dashing Away With The Smoothing Iron arranged by Keith Roberts for SATB choir. Piano accompaniment is included for rehearsal purposes only. The Somerset folksong Dashing Away With The Smoothing Iron arranged by Keith Roberts for SATB choir. Piano accompaniment is included for rehearsal purposes only.

Three songs for high voice and Piano.

A selection of studies and etudes arranged for Bassoon.

James Weeks ' Looping Busker Music for Violin Clarinet in A Accordion Acoustic Guitar (all amplified) and tape. This work was commissioned by Plus-Minus Ensemble and first performed by them at King's Place London on the 18th March 2013. Duration: 13 minutes. James Weeks ' Looping Busker Music for Violin Clarinet in A Accordion Acoustic Guitar (all amplified) and tape. This work was commissioned by Plus-Minus Ensemble and first performed by them at King's Place London on the 18th March 2013. Duration: 13 minutes.

This book was a delight and a challenge to put together. Stefan wanted to highlight the playing of six blues players that have greatly influenced him: Big Bill Broonzy Lonnie Johnson Rev. Gary Davis Blind Blake Scrapper Blackwell and Tampa Red. Each has recorded wonderful instrumental solos that have been transcribed from the first note played to the last. These are complete transcriptions. Hopefully they will bring insight into the playing ideas and techniques of these legendary players. Titles and artists included are: BIG BILL BROONZY Slow Blues St. Louis Blues: SCRAPPER BLACKWELL A Blues D Blues: BLIND BLAKE Guitar Chimes Blind Arthur's Breakdown: REV. GARY DAVISBill Bailey Walkin' Dog Blues: LONNIE JOHNSON Blues for the West End Blues in G Woke Up With the Blues in My Fingers: TAMPA RED Things 'Bout Coming My Way. HOW TO USE THIS BOOK: 1) Listen over and over to the recordings available via download for this collection. 2) Get a program that can control audio files. Use this with the transcriptions and the recordings. 3) Be patient!! Practice and practice!! These are blues masterpieces and can take weeks or month or years to get under your fingers. But what fun it will be once you can play one of these instrumental. This book was a delight and a challenge to put together. Stefan Grossman wanted to highlight the playing of six blues players that have greatly influenced him: Big Bill Broonzy Lonnie Johnson Rev. Gary Davis Blind Blake Scrapper Blackwell and Tampa Red. Each has recorded wonderful instrumental solos that have been transcribed from the first note played to the last. These are complete transcriptions. Hopefully they will bring insight into theplaying ideas and techniques of these legendary players. Titles and artists included are: Big Bill Broonzy - Slow Blues St. Louis Blues; Scrapper Blackwell - A Blues D Blues; Blind Blake - Guitar Chimes BlindArthur's Breakdown; Rev. Gary Davis - Bill Bailey Walkin' Dog Blues; Lonnie Johnson - Blues for the West End Blues in G Woke Up With the Blues in My Fingers; Tampa Red Things 'Bout Coming MyWay. How to use this book: 1) Listen over and over to the recordings available via download for this collection. 2) Get a program that can control audio files. Use this with the transcriptions and therecordings. 3) Be patient!! Practice and practice!! These are blues masterpieces and can take weeks or month or years to get under your fingers. But what fun it will be once you can play one of these instrumental.

The 1st Violin part for Sir Edward Elgar's setting of The Snow Op.26 No.1 for Chorus Violins and Piano.

Peter Copley's three movement guitar masterpiece. Prelude Serenade and Finale is fabulous work for Solo Guitar with some virtuoso moments but predominantly is driven by melody.

Contents: Bourré (Bach) Grave (Abaco) Concerto (Vivaldi) Prelude and Allegro (d'Andrieu) Sonata in C Minor (Handel) Sonatina and Minuet (Beethoven) Elegy and Andante (Bottesini) Aria from Rigoletto (Verdi) Adagio (Geissel) Vocalise (Rachmaninoff) Romance (Prokofiev) Introduction and Tarentelle (Franchi) Serenade (Beveridge) Chaconne (Russell). A range of solos specially selected and arranged for double bass with piano accompaniment by Oscar Zimmerman. Includes works by Beethoven Bottesini Verdi Vivaldi and Rachmaninov.

A collection of over 100 Celtic tunes from Scotland and Ireland arranged for the 5-string banjo. This book contains reels jigs marches stathspeys hornpipes and waltzes which are played for traditional dances throughout Scotland. All the tunes are played out of standard G tuning without the use of a capo. They will expand your repertoire and challenge your playing using a mixture of single string melodic and Scruggs style that will give both of your hands a good workout.This collection takes the banjo back to the music where Bluegrass and Old Time music has its roots. Although many tunes in this collection are going to be challenging to the beginner all levels of playerwill gain from studying these tunes and adding them to their collection will enhance their ability and knowledge of the 5-string banjo. In tablature.- A collection of over 100 Celtic tunes- All tunes tabbed in standard G tuning but in various keys without the use of a capo.- Includes reels jigs marches strathspeys hornpipes and waltzes.- Expand your repertoire and knowledge of the banjo fingerboard. A collection of over 100 Celtic tunes from Scotland and Ireland arranged for the 5-string banjo. This book contains reels jigs marches stathspeys hornpipes and waltzes which are played for traditional dances throughoutScotland. All the tunes are played out of standard G tuning without the use of a capo. They will expand your repertoire and challenge your playing using a mixture of single string melodic and Scruggs style that will give both ofyour hands a good workout. This collection takes the banjo back to the music where Bluegrass and Old Time music has its roots. Although many tunes in this collection are going to be challenging to the beginner all levels ofplayer will gain from studying these tunes and adding them to their collection will enhance their ability and knowledge of the 5-string banjo. In tablature. •

Five works for Organ without pedals by Tilo Medek completed in 1978. Five works for Organ without pedals by Tilo Medek completed in 1978.

John Thompson: Easiest Piano Course - First Chart Songs is a collection of fun repertoire for beginner pianists. This songbook has been specially created and graded to be used with John Thompson's Easiest Piano Course . The pieces in this book are ideal for pupils reaching part two part three or part four of the Easiest Piano Course . As well as reinforcing basic technique the pieces included also help to develop musicality and increase the enjoyment of learning. John Thompson: Easiest Piano Course - First Chart Songs is a collection of fun repertoire for beginner pianists. This songbook has been specially created and graded to be used with John Thompson's Easiest Piano Course . The pieces in this book are ideal for pupils reaching part two part three or part four of the Easiest Piano Course . As well as reinforcing basic technique the pieces included also help to develop musicality and increase the enjoyment of learning.

“I would like to sing myself to death like a nightingale” – 1840 Schumann’s most prolific “song year” was marked by great private upheaval. He was only able to finally marry Clara in September after he had fought her father in a court case. “The Eichendorff cycle is probably my most romantic” he informed her of his latest opus “and there is a great deal of you in it.” The song cycle opus 39 that was first published in 1842 is today one of Schumann’s most important song cycles – not least because of the famous “Moon night”. He revised his work for a new edition eight years later. Our Urtext edition offers both versions in their entirety.Original keys for high voice.

Paperback-A haunting atmospheric song for SS and piano It evokes a mysterious icy landscape with a simple quiet tune and slowly rocking chords. It is No. 2 of a suite of three songs 'At the Turn of the Year' depicting scenes of winter. A haunting atmospheric song for SS chorus and Piano. It evokes a mysterious icy landscape with a simple quiet tune and slowly rocking chords. It is No. 2 of a suite of three songs 'At the Turn of the Year' depicting scenes of winter.

SATB. Reger M

Numerous revisions and adaptations are entangled in the complex history of the work 'Tannhäuser'. After the world premiere in Dresden in 1845 had failed to be well received by the audience Wagner revised large parts of the opera several times in the following decades. The most comprehensive changes were made for the Paris performance in March 1861 but even after that he made further revisions which superseded some of the previous changes and were performed in Vienna in 1875 among others.The study score is based on the version of 1875 which has misleadingly been published as the 'Paris version' until today and has actually to be referred to as 'Viennese version'. Themusical text is identical to that of the critical edition within the Wagner Complete Edition with the errata discovered since then having been corrected. Numerous revisions and adaptations are entangled in the complex history of the work 'Tannhäuser'. After the world premiere in Dresden in 1845 had failed to be well received by the audience Wagner revised large parts of the opera several times in the following decades. The most comprehensive changes were made for the Paris performance in March 1861 but even after that he made further revisions which superseded some of the previous changes and were performed in Vienna in 1875 among others.The study score is based on the version of 1875 which has misleadingly been published as the 'Paris version' until today and has actually to be referred to as 'Viennese version'. Themusical text is identical to that of the critical edition within the Wagner Complete Edition with the errata discovered since then having been corrected.