Film suite composed in 1992.

A set of three traditional English folk songs arranged by John Duarte for the classical guitar.

The Bailiff's Daughter Of Islington (Sussex folksong) arranged by Harold Darke for unaccompanied SATB choir. The Bailiff's Daughter Of Islington (Sussex folksong) arranged by Harold Darke for unaccompanied SATB choir.

Volume 10-Contents: Chorale from Nocturne Op. 37 No. 1 Etude No. 2 from Three New Etudes Lento Religioso from Nocturne Op. 15 No. 3 Mazurka Op. 7 No. 1 Mazurka Op. 67 No. 2 Mazurka Op. 67 No. 4 Mazurka Op. 68 No. 2 Mazurka Op. 68 No. 3 4 Preludes Op. 28 (Nos. 6 7 15 20) Theme from Ballade Op. 38 Trio from Funeral March Op. 35 Waltz Op. 70 No. 2 Waltz inE.Each volume contains a collection of the technically easiest compositions of the composer represented. Carefully edited and fingered by Edwin Hughes.

Edward Gregson 'S String Quartet Was Commissioned By The Manchester Mid-Day Concerts Society In Celebration Of Its 100Th Year. The Premier Performance Took Place On The 14Th Of January 2015 Performed By The Navarra Quartet At The Bridgewater Hall In Manchester. The Piece Is Divided Into Three Distinct Movements Each Developing And Changing What Has Come Before. When Commenting On His Compositional Process For String Quartet Gregson Noted That He Desired To Return To The Classical Principles Of Beethoven And Bartok Deciding To Include Extended Sonata Variation And Rondo Forms. Edward Gregson 's String Quartet was commissioned by The Manchester Mid-day Concerts Society in celebration of its 100th year. The premier performance took place on the 14th of January 2015 performed by the Navarra Quartet at the Bridgewater Hall in Manchester. The piece is divided into three distinct movements each developing and changing what has come before. When commenting on his compositional process for String Quartet Gregson noted that he desired to return to the classical principles of Beethoven and Bartok deciding to include extended sonata variation and rondo forms.

Vocal score for Aulis Sallinen's Chamber Music IX composed for vocal soloist and String orchestra. Aulis Sallinen's Chamber Music IX is dedicated to the Kimito Island Music Festival in its twentieth anniversary year 2018. The first performance took place in the Kimito church on 20th July 2018 given by Johanna Rusanen-Kartano(soprano) and the Ostrobothnian Chamber Orchestra conducted by Ralf Gothoni. Duration: c.10 min

for unaccompanied SATTB A sacred setting by Thomas Tallis for SATTB voices with accompaniment for keyboard instrument.

For Acoustic Guitar-During the course of my teaching piano and guitar I have not come across another book that took these classic masterpieces and arranged them for the beginner guitar student. There is an amazing amount of literature like this for the piano but not for the guitar. My goal with this book is to fill this void in the guitar literature. I chose compositions that the young guitar student would most likely have heard before and thus used familiar melodies. I then made easy arrangements of them mostly using the top four strings simple chords and fingerings. The right hand fingering is not indicated because I used the general rule of thumb: a = 1st string m = 2nd string i = 3rdstring p = 4th 5th and 6th strings.GÇ¥ All 12 solos are scored in notation and tablature. During the course of my teaching piano and guitar I have not come across another book that took these classic masterpieces and arranged them for the beginner guitar student. There is an amazing amount of literature like this forthe piano but not for the guitar. My goal with this book is to fill this void in the guitar literature. I chose compositions that the young guitar student would most likely have heard before and thus used familiar melodies. Ithen made easy arrangements of them mostly using the top four strings simple chords and fingerings. The right hand fingering is not indicated because I used the general rule of thumb: a = 1st string m = 2nd string i = 3rdstring p = 4th 5th and 6th strings.” All 12 solos are scored in notation and tablature.

Geschichten Aus Dem Wienerwald

No. 4 Husarendurchmarsch-TTBB. Reger M

Work for Double Woodwind Quintet based on the sixteenth century French popular song A l’ombre d’un buissonet first printed in La Couronne et Fleur (1536).

The Mickey Mouse March goes back to the early 20’s but almost everybody knows it whether you’re 8 years old or 80 years old! This fresh arrangement was made by Philip Sparke and is a funny and joyful moment for your next concert!

Georg Philipp Telemann's Concerto No.1 In C arranged for 4 Violas by Alan Arnold. Score and parts. Georg Philipp Telemann's Concerto No.1 In C arranged for 4 Violas by Alan Arnold. Score and parts.

This affirming song of discipleship written for the Bethany Lutheran Church in West Hartford Connecticut invites the worshipper into a more committed walk of faith. The writing team of Nancy Price and Don Besig has created awarm and moving challenge from the words of the gospels. Come Now and Follow Me may be sung by any size group and the inclusion of the congregation on the final refrain makes for a worshipful as well as musical experience.The trumpet descant adds interest and scope while the flowing piano part beautifully supports the rich harmonic writing. This directive from Christ to come and follow will strengthen your personal resolve and thatof your faith community to walk together as friends and fellow disciples of the Lord.

Two inspiring works written by Edward Elgar and arranged for Viola by Alan Arnold with simple piano accompaniment.

This collection of well-known classical pieces can be used on its own or as supplementary material to the iconic A Dozen A Day techniques series by Edna Mae Burnam. The pieces have been arranged to progress gradually applying concepts and patterns from Burnam’s technical exercises whenever possible. Teacher accompaniments and suggested guidelines for use with the original series are also provided. These arrangements are excellent supplements for any method and may also be used for sight-reading practice for more advanced students. The difficulty titles of certain editions of the A Dozen A Day books may vary internationally. This repertoire bookcorresponds to the first difficulty level.

The polonaise was a fashionable dance form not only in Chopin and Liszt’s time for Johann Sebastian Bach’s son Wilhelm Friedemann had already brought this Polish national dance to a high-point. His twelve Polonaises were so popular in his time that they survive in numerous manuscripts meaning that today’s pianists can enjoy these most successful of W. F. Bach’s piano compositions. Colourful and effective they ascend stepwise through the keys with a polonaise in the major and one in the minor juxtaposed in each case. The pieces are sensitive and expressive and Bach is clearly setting off along the path to the character piece with these Polonaises. He probably played themon the clavichord the delicate and favoured instrument of this time of sensibility.

for SATB unaccompanied Like as the hart sets reflective yet fervent words from Psalm 42. The vocal writing is emotive and expressive and the fluctuating metres perfectly complement the rhythm adopted by the psalmist when penning this devotion. David Bednall 's Like As The Hart for SATB choir unaccompanied. Like As The Hart sets reflective yet fervent words from Psalm 42. The vocal writing is emotive and expressive and the fluctuating metres perfectly complement the rhythm adopted by the psalmist when penning this devotion.

The Novello Primary Chorals is a collection of seven Easy Hit songs that children will absolutely love to sing. With simple vocal arrangements and easy Piano accompaniment these top pop hits are guaranteed to get children enjoying singing. This fantastic collection of seven of the biggest hits of the past year or two will make any child excited at the prospect of being able to sing popular songs that they know and love. Gone are the days of the boring classical choral works in are the modern pop melodies and upbeat harmonies. With songs like Ho Hey by The Lumineers to Taylor Swift's Shake ItOff and Beyoncé's Halo these are some of the biggest tunes in the world right now and the easy vocal arrangements will get children singing them and having fun straight away. Not only this but to make it even easier for young singers the Novello Primary Chorals: Easy Hits comes with a download card featuring sound-alike backing tracks as well as vocal demonstrations so that you and your group will be able to hear exactly how each song should sound before taking the spotlight and singing along to professionally-recorded backing tracks. The download cards are remarkably easy to use simply input the code on the website we provide and download the tracks straight to your computer. With seven great contemporary pop tunes your choir is sure to love singing songs like Happy by Pharrell Williams Jessie J's Price Tag Katy Perry's Roar and of course What Makes You Beautiful by One Direction. With a Piano accompaniment and Guitar chord symbols included too a child that can play an instrument will be able to accompany and enjoy playing with a larger group. Featuring seven of the best contemporary pop tunes Easy Hits from Novello Primary Chorals will guarantee

Century Spain-Scholarly editions which serve different purposes than performance editions are not often designed with the modern guitarist in mind. For instance Renaissance vihuela tablatures are usually transcribed with the open first string as G not E. Most are presented in double-staff notation a medium that is superior for realizing counterpoint but unconventional as guitar notation. Furthermore these editions sometimes give idealized but not realistic solutions for voicing note duration and other matters that need to be considered within the limitations of our instrument. Guitarists who try to play from these editions essentially are faced with the task of transcribing thetranscription!This 188-page anthology is designed as a companion volume to The Baroque Guitar in Spain and the New World (MB21122). It includes representative selections edited for modern guitar from the seven books for vihuela that were published in Spain between 1536 and 1576.As well as being fun and entertaining music for all to enjoy these collections are intended to help bridge the gap between scholarly editions and performance editions by providing a hands-on introduction to tablature transcription and to issues concerning historically informed performance of early music on the guitar.* A 188-page anthology edited for modern guitar from the seven books for vihuela that were published in Spain between 1536 and 1576.* A companion volume to The Baroque Guitar in Spain and the New World (MB21122).* Intended to help bridge the gap between scholarly editions and performance editions.* An introduction to tablature transcription and to issues concerning historically informed performance of early music on the modern guitar. Scholarly editions which serve different purposes than performance editions are not often designed with the modern guitarist in mind. For instance Renaissance vihuela tablatures are usually transcribed with the open firststring as G not E. Most are presented in double-staff notation a medium that is superior for realizing counterpoint but unconventional as guitar notation. Furthermore these editions sometimes give idealized but not realistic solutions for voicing note duration and other matters that need to be considered within the limitations of our instrument. Guitarists who try to play from these editions essentially are faced with the task of transcribing thetranscription!This 188-page anthology is designed as a companion volume to The Baroque Guitar in Spain and the New World (MB21122). It includes representative selections edited for modern guitar from the seven books for vihuelathat were published in Spain between 1536 and 1576.As well as being fun and entertaining music for all to enjoy these collections are intended to help bridge the gap between scholarly editions and performance editions byproviding a hands-on introduction to tablature transcription and to issues concerning historically informed performance o