The iconic minuet from Mozart’s Eine Kleine Nachtmusik is among the best known and most frequently performed works of classical musical. Originally composed for two Violins Viola Cello and Bass the work is most frequently performed in Orchestral arrangement though many other adaptations and arrangements have been created including this simplified version for an unusual combination of instruments.

A Prayer Of St Columba by Cecilia McDowall for SA and Men. Offprinted from The Oxford Book of Easy Flexible Anthems A Prayer Of St Columba is an expressive and emotive anthem with appealing arching melodies underpinned by a sparkling Organ part.

Violin-More String Time Joggers is a welcome addition to the ensemble repertoire for beginner strings from the authors of the award-winning Fiddle Time series. This exciting collection provides inventive and enjoyable ensemble material for all string groups whatever their size. More String Time Joggers is a welcome addition to the ensemble repertoire for beginner strings from the authors of the award-winning Fiddle Time series. This exciting collection provides enjoyable and inventive ensemble material for all string groups whatever their size.

Tick Tock Tick Tock ... time seems to go so slowly when we're waiting for Christmas to come! But what if the Christmas clock didn't chime and Santa missed his big night? Join in the fun as the Old Clockmaker and the citizens ofNorth Pole Village come to Santa's rescue and save Christmas for all. With 5 unison songs and clever rhyming dialog this 20-minute musical for Grades K-4 is easily adapted to small or large casts and while secular in nature shares a heartwarming holiday message for everyone. The Teacher's Edition includes staging and costume ideas along with the full script and accompanied songs while the Singer's Edition features the script and vocal lines only.Enjoy the professionally orchestrated CD recording for extra seasonal sparkle. Available: Teacher's Manual Singer's Edition 5-Pak Preview CD (full performance only) and Performance/Accompaniment CD. Performance Time: 20 minutes.For gr. K-4.Tick Tock Tick Tock ... time seems to go so slowly when we're waiting for Christmas to come! But what if the Christmas clock didn't chime and Santa missed his big night? Join in the fun as the Old Clockmaker and the citizens ofNorth Pole Village come to Santa's rescue and save Christmas for all. With 5 unison songs and clever rhyming dialog this 20-minute musical for Grades K-4 is easily adapted to small or large casts and while secular in nature shares a heartwarming holiday message for everyone. The Teacher's Edition includes staging and costume ideas along with the full script and accompanied songs while the Singer's Edition features the script and vocal linesonly.Enjoy the professionally orchestrated CD recording for extra seasonal sparkle. Available: Teacher's Manual Singer's Edition 5-Pak Preview CD (full performance only) and Performance/Accompaniment CD. Performance Time: 20 minutes.For gr. K-4.

Epilog-Female Choir Ensemble (Choral Score) . Yun I

From The Wondrous Story-Uses: Christmas Epiphany This Epiphany anthem has been a bestseller in both SATB and SAB voices. Give this winner a place in your holiday and post-holiday programming.

Ian Venables' Through These Pale Cold Days was composed in 2016 and is arranged for Tenor Viola and Piano with an approximate duration of 23 minutes.

Remember Bethlehem was conceived after a conversation on the works of the late story-telling songsmith Jake Thackray. Thackray's sometimes bawdy sometimes satirical and often hilarious lyrics are delivered in a lugubrious baritone and underpinned by a strong Yorkshire accent that led him to be dubbed the North Country Noel Coward. In his Remember Bethlehem heshows a more tender side and tells a story devoid of expletives and cutting social commentary of a shabby little country girl completely broken by the ardours of her journey arriving in Bethlehem as a distrusted foreigner to give birth to baby boy called Jesus. Whatstruck and moved me most about Thackray's telling of the Nativity Narrative is the way he normalizes Mary. Rather than retrospectively beatifying her - telling her story full in the knowledge of the extraordinary thing she did (as most nativity stories do) - Thackray's portrayal of her as young afraid and cold makes her achievement all the more astonishing. Indeed so out-of-the-ordinary is the gift given by this apparently ordinary girl that no one and no thing can ever forget it: Even the stony old hills […] your shaggy old trees […] the sulky old sun Remembers Bethlehem. My carol of the same name adapts a similar approach to telling Mary's story. Musically I have only thinly veiled my affection for Peter Warlock's miniature masterpiece Bethlehem Down and evidence of this can be seen not only in the choice of key triple metre and strophic setting but also in the resemblance of some of the cadential figures. A final strand of influence comes once more from Yorkshire and specifically Charlotte Brontë's novel Jane Eyre. My wife is a literature scholar and pointed out to me the parallels between Mary's plight in Thackray's story and a scene from the novel in which Jane is lost up on the moors. Through her distrust of man she feels outcast and

This book and companion audio provide essential lessons for the diatonic harmonica. The harmonica is simple to play and easy to transport. People have enjoyed playing this instrument since the early nineteenth century for these reasons among others. If you are challenged by other musical instruments the harmonica is for you. This book can be extremely helpful even for non-beginners. The music and instruction presented require little or no previous musical experience. What do you need?A 10-hole diatonic harmonica in the key of C. To be able to breathe that is exhale and inhale. To be able to pucker your lips. It's Dirt Simple!While playing the instrument will train yourear to hear what is being played helping you develop listening skills.The harmonica is the only instrument that is played by breathing both in and out through the instrument. It is a simple fun breathing machine and may even improve the health of your lungs.Some of the best harmonica music is Americana music which is sometimes referred to as American folk music. This is the style of music presented throughout the book which highlights this original form of American music. Enjoy these wonderful tunes and become part of this great American tradition. Playing these tunes and timeless melodies is a way to own a piece of American folk lore. Tablature is used to simplify learning. Includes access to online audio. This book and companion audio provide essential lessons for the diatonic harmonica. The harmonica is simple to play and easy to transport. People have enjoyed playing this instrument since the early nineteenth century for thesereasons among others. If you are challenged by other musical instruments the harmonica is for you. This book can be extremely helpful even for non-beginners. The music and instruction presented require little or no previousmusical experience. What do you need? A 10-hole diatonic harmonica in the key of C. To be able to breathe that is exhale and inhale. To be able to pucker your lips. It's DirtSimple! While playing the instrument will train your ear to hear what is being played helping you develop listening skills. The harmonica is the only instrument that is played by breathing both in and out through theinstrument. It is a simple fun breathing machine and may even improve the health of your lungs. Some of the best harmonica music is Americana music which is sometimes referred to as American folk music. This is the styleof music presented throughout the book which highlights this original form of American music. Enjoy these wonderful tunes and become part of this great American tradition. Playing these tunes and timeless melodies is a way to owna piece of American folk lore. Tablature is used to simplify learning. Includes access to online audio.

Lessons for Lent-Once again the writers of Song of the Shadows and The Winter Rose give churches a work rich with musical and spiritual potential. Utilizing simple symbols of worship with sensitive and expressive music the Martinshave crafted an unforgettable experience for Holy Week. This short 30-minute work is easily learned and with the gentle yet dramatic orchestrations by Brant Adams Colors of Grace - Lessons for Lent will become atreasured part of your Holy Week commemoration. Includes: A Servant's Song; A Shadow Fell on Sharon's Rose; Take My Yoke to the Cross; and more.

Max Hehemann stated once “Reger just simply happens to be complicated”. This sums up the usual and for the main part accurate assessment that is prevalent in the music world of the works of one of the most important German composers at the turn of the twentieth century. The Piano Sonatinas op. 89 are a marked exception to the Reger rule. Reger whose writing for the piano was often virtuosic and dense greatly retracted this here favouring instead a wonderful airiness and transparency. Nevertheless unlike a sonatina by Clementi for instance these four Reger Sonatinas are not easy to play (according to our levels of difficulty the easiest the Sonatina in D major [No. 2] is considered 5/6 – that is medium level of difficulty.) Max Hehemann stated once “ Reger just simply happens to be complicated”. This sums up the usual and for the main part accurate assessment that is prevalent in the music world of the works of one of the most importantGerman composers at the turn of the twentieth century. The Piano Sonatinas op. 89 are a marked exception to the Reger rule. Reger whose writing for the Piano was often virtuosic and dense greatly retracted this here favouring instead a wonderful airiness and transparency. Nevertheless unlike a sonatina by Clementi for instance these four Reger Sonatinas are not easy to play (according to our levels ofdifficulty the easiest the Sonatina in D major [No. 2] is considered 5/6 – that is medium level of difficulty.)

The Funeral March Of A Marionette by Charles Gounod arranged for Viola and Piano by Alan Arnold.

The famous opera by George and Ira Gershwin from the novel Porgy by DuBose Heyward. George and Ira Gershwin joined DuBose Heyward in Charleston to write the opera which had been germinating in George's imagination for several years. Porgy and Bess was George Gershwin's longest and most ambitious creation but it was not truly successful during his lifetime. Some of the songs had achieved popularity before Gershwin's death in 1937 but the work earned real approval and favor only after the 1940 Theater Guild presentation of a slightly revised version. For years it was performed more frequently in Europe where it was considered a true American opera. Arranged for viola andpiano by Alan Arnold. The famous opera by George and Ira Gershwin from the novel 'Porgy' by DuBose Heyward. George and Ira Gershwin joined DuBose Heyward in Charleston to write the opera which had been germinating in George's imagination for several years. Porgy and Bess was George Gershwin's longest and most ambitious creation but it was not truly successful during his lifetime. Some of the songs had achieved popularity before Gershwin's death in 1937 but the work earned real approval and favor only after the 1940 Theater Guild presentation of a slightly revised version. For years it was performed more frequently in Europe where it was considered a true American opera. Arranged for viola andpiano by Alan Arnold.

Nicolò Paganini numbers among the few musicians who attained fame by playing and writing for only a single instrument. His works for violin solo are unique and his appearances as virtuoso fascinated audiences from the very beginning. Yet in addition to the violin Paganini also learned to play the guitar as a child. And before travelling throughout the world he must have got to know the Genoese song “Barucaba” in his hometown of Genoa writing his op. 14 Variations for violin and guitar upon this song in 1835. We were able to engage musicologist Alberto Cantù and violinist Renato De Barbieri as editors of our Urtext edition of this chamber music work. Barbieri’s helpfulfingerings in the violin part round off the edition.

Contents: Blessed Are Ye Faithful Deck Thyself My Soul Lo How a Rose E'er Bloom My Faithful Heart Rejoice My Heart Is Filled with Longing My Jesus Calls to Me O Blessed Jesu O GodThou Faithful God O World I Must Leave (O Welt Ich Muss Dich Lassen) O World I Must Leave No. 2 (O Welt Ich Muss Dich Lassen).These Eleven Chorale Preludes were composed by Brahms in 1896 the last year of his life and were the only compositions of his that were issued posthumously. The text appears in both the original German and the English translation.

Organ ad lib during Gloria and Credo. Written for Christ Church Cathedral Oxford.

for SAMen and piano An easy anthem with words and music by John Rutter. There are four different versions of the vocal parts: unison (or two-part) with keyboard upper voices with keyboard SA and Men with piano or SATB unaccompanied or with keyboard. John Rutter 's A Clare Benediction for SAMen and Piano. An easy anthem with words and music by John Rutter . There are four different versions of the vocal parts: unison (or two-part) with Keyboard upper voices with Keyboard SA and Men with Piano or SATB unaccompanied or with Keyboard.

for SATB and organ From The Passion of Christ. George Frideric Handel 's Lord I Trust Thee for SATB choir and Organ From The Passion of Christ.

Before the 1700s Celtic music enjoyed a long oral music tradition of learning and memorizing tunes without the aid of pen and paper. The pages of this anthology are filled with the rich heritage of Celtic music tucked away in historical collections from the late 1700s and 1800s. It is a treasure trove of fresh vibrant melodies that connect us to our ancestors' desire to capture the distinctive qualities of native traditional music. These collections are but a thread in a colorful tapestry that continues today weaved by the hearts of passionate music enthusiasts. The Celtic Harp Anthology: Music from Historical Collections is a compilation from twenty one collections thatwere the proud work of spirited countrymen and women. In this compilation you will touch the strains of music that filled gleaming white-thatched homes with joy and boundless energy. Connect with the heart and soul of a timeless culture and experience the music that eased the hardships of living. This book is designed for advanced beginners to intermediate harp players with lever folk harps (or pedal harps) that have thirty-three strings or less with G (one and a half octaves below middle C) as their lowest note in the keys of F C G D and A. The tunes are appropriate for nylon or wire-strung harps. Two songs require lever flips. Before the 1700s Celtic music was kept alive through the long oral tradition of learning and memorizing tunes without the aid of pen and paper. This collection by Star Edwards features pieces found inhistorical collections dating from the late 1700s and 1800s. These fresh vibrant melodies connect us to our ancestors' desire to capture the distinctive qualities of native traditional music. Suitable for advanced beginnersto intermediate level Harp players the Celtic Harp Anthology is a compilation from twenty-one collections that were the proud work of spirited countrymen and women. Within these pages you will find the strainsof music that filled gleaming white-thatched homes with joy and boundless energy. Connect with the heart and soul of a timeless culture and experience the music that eased the hardships of living. This book isdesigned for use with lever folk Harps (or pedal Harps) that have thirty-three strings or less with G (one and a half octaves below middle C) as their lowest note in the keys of F C G D and A. The tunes are appropriate fornylon or wire-strung Harps and two songs require lever flips.

A fabulous suite of six pieces written specially for the Galliard Brass Ensemble by Betty Roe. Set for a Brass Quintet these are interesting and rousing pieces encompassing sentimental slow waltz styles and brisk lively pieces. Each piece has been personally dedicated to an individual instrumentalist while the last is a bouncy and quirky number for the whole group! A fabulous suite of six pieces written specially for the Galliard Brass Ensemble by Betty Roe. Set for a Brass Quintet these are interesting and rousing pieces encompassing sentimental slow waltz styles and brisk lively pieces. Each piece has been personally dedicated to an individual instrumentalist while the last is a bouncy and quirky number for the whole group!