Transcriptions of Bach seem suited to many combinations of instrument - the bassoon quartet is definitely one of them. (No contra required).

for SATB and orchestra or piano four hands The accompaniment sets the tone of the loss and longing associated with this popular folk song by imitating serene rolling waters underneath the choir's melody. There is also a version for SSA. Orchestral material is available on hire. This lovely arrangement of the popular American folk song perfectly captures the sense of loss and longing in the words. From the gentle unison opening the music builds up through a range of textures and harmonies to a rich climax before gently relaxing for a quietly evocative close. There is also a version for SATB. Orchestral material is available on hire.

Transcribed and Edited by Larry Clark- J. S. Bach 's Six Cello Suites are some of his most frequently performed and recognisable solo compositions. Here the six suites have been meticulously transcribed for the Trumpet adapting articulation double stops and octave shifts to mimic the Cello as much as possible.

One of Scott Joplin's most famous ragtime pieces arranged for 3 bassoons and contra.

Ten compositions for the piano by Jesus Guridi published in 1964. Ten compositions for the piano by Jesus Guridi published in 1964.

for voice and oboe This is a beautiful collection of ten settings of William Blake's poignant poetry by Ralph Vaughan Williams. Arranged for Meduim Voice and Oboe.

Crisp percussion and bold brass lines make this a standout for early beginners! The middle section offers interest where the brass woodwind and percussion sections are set in choirs that create a nice variety in timbre. Easy parts and solid scoring make this one a winner!

for string orchestra or string quartet Robert Washburn's Serenade For Strings for string orchestra or string quartet.

Written for organ solo.

Lied aus dem Vogelhändler - Eine Operette in 3 Akten als Orchesterausgabe.

Cole Porter was one of the great masters of Broadway musicals during the thirties forties and fifties with So in Love from the musical Kiss Me Kate being one of his best loved works. It has been recorded by many artists including Bing Crosby Lulu Shirley Bassey and Julie Andrews however it is the Ella Fitzgerald version that is best known. This jazzy musical classic can now be enjoyed by your brass band with this excellent new arrangement.

In this choral nocturne the composer has taken verses by three different poets which she felt to be linked very closely in the feeling as well as in subject. The phrase ‘‘Will you come?’’ links the first poem by William Barnes tothe Second by Edward Thomas. In the Shelley poem it becomes ‘‘Come soon’’. The approach of night which gives all three poems their nocturnal feeling is gradual; evening begins to approach at the end of the Barns poem; the EdwardThomas is a real twilight poem with flashes of sights and sounds half seen and heard and then night slowly falls in the Shelley poem. To quote the composer ‘‘I have treated these three poems like the three panels of atriptych-three contrasted pieces which are one at the same time linked by the subject matter and by technical means.’’ 'Nocturnal' was commissioned by W D and H O Wills for the Cork International Choral Festival and firstperformed by Morley College Choir conducted by Graham Treacher on 22 May 1966 at the Festival.

Ode For Saint Cecilia's Day (Violin 2) Violin 2 part only. Handel 's majestical setting of John Dryden in a cantata to honour the patron saint of music first performed in London in 1739. Ode For Saint Cecilia's Day (Violin 2) Violin 2 part only. Handel 's majestical setting of John Dryden in a cantata to honour the patron saint of music first performed in London in 1739.

13 variations sur l'hymne Veni Creator pour orguedate de composition

Hungarian Rhapsody by Rieding for violin and piano.

Hello is a famous pop song by the American singer Lionel Richie. The song which was one of the greatest hits of the eighties can now be considered an evergreen. Its title regularly appears in concert programs of amateur musicians. This arrangement now enables Hello to be played by accordion orchestra.

Aram Khachaturian's Trio In C Minor for Clarinet Violin and Piano.

Sergei Prokofiev's Cendrillon Ballet Op.87 for Piano.

Since most of the bands competing in the 4th Section of the Dutch National Championships have many young players this piece is stylistically youthful— especially in the opening and closing sections. An arpeggio pattern appears numerous times in all registers and is the basic musical element of the main melody alternating with a second theme that has a slightly different melodic character. The middle section is conceived like a chorale introduced and developed stepwise: firstly with short patterns and gradually in increasingly long snippets until it’s played in its glorious entirety at measure 216. No real solo passages are included but rather small chambercombinations thus offering the opportunity to various players to display their technical and performance skills. The finale recaptures musical material from the first section of the piece and provides a majestic conclusion.

Paperback-for two-part choir with organ or piano C.S. Lang 's Let All World Every Corner Sing for two-part choir with Organ or Piano.