This is not your grandfather's lip slur book! It is an innovative method incorporating an entirely new vocabulary of harmonically rich and rhythmically varied exercises; challenging fun and interesting to practice.­As a professional trumpeter lead player jazz artist soloist chamber player educator and composer Belck combines a unique writing style challenging musicians to think and practice creatively. A must-have for players of all levels! This is not your grandfather's lip slur book! It is an innovative method incorporating an entirely new vocabulary of harmonically rich and rhythmically varied exercises; challenging fun and interesting to practice.­As a professional trumpeter lead player jazz artist soloist chamber player educator and composer Belck combines a unique writing style challenging musicians to think and practice creatively. A must-have for players of all levels!

A beautiful cycle of six loosely interwoven movements for solo Harp or Piano and Upper Voices by Howard Goodall. Although the story of the Nativity lies at the core of this work- celebrating Motherhood and the different moods that might be embraced by a lullaby- it also explores associated secular issues of homelessness displacement and flight showing the relevance that this timeless story continues to have for our modern lives.

Eight classic Status Quo tracks including Rockin' all over the world with full guitar tabs.

(The Best of Glee Season 4)-The cast of Glee features the next generation of New Directions singers in Season 4 while continuing to follow some of the alumni in their post high school experiences. The music continues as an important dramatic element in the show with a hit parade of classic songs and the latest hits. This 10-minute medley includes: Holding Out for a Hero Homeward Bound/Home It's Time Live While We're Young New York State of Mind The Scientist Some Nights.

50 Favorite Hits with Lyrics and Chords-Play 50 of your favorite pop tunes on your instrument of choice! This collection features arrangements written in accessible keys and ranges with lyrics and chord symbols. Songs include: All My Loving · Blowin' in the Wind · Clocks · Don't Stop Believin' · Every Breath You Take · Fireflies · Hey Soul Sister · In My Life · Love Story · My Girl · Nights in White Satin · Sweet Caroline · Unchained Melody · Viva La Vida · What a Wonderful World · You've Got a Friend · and more. Play 50 of your favourite tunes on the Tenor Saxophone with this varied collection of popular songs. Easy Pop Melodies For Tenor Saxophone features arrangements written in accessible keys with lyrics and chord symbols. This songbook includes the hits Clocks Don't Stop Believin' Fireflies Viva La Vida You've Got A Friend and more.

from The Wild Swans Suite- Eliza’s Aria is a classical aria from the ballet Wild Swans composed by Uzbekistan composer Elena Kats-Chernin. The piece was first recorded by soprano Jane Sheldon and the Tasmanian Symphony Orchestra and released on the ABC Classics label. This recording was subsequently used in the 2007 Lloyds TSB “For the Journey” television and cinema advertisements and also received extensive radio airplay in December 2007. It was also used as the basis for “The Journey Continues” a dance track by DJ Mark Brown featuring Sarah Cracknell of Saint Etienne which was released in February 2008.

You're the One that I Love-George Hernandez has become the recognized expert in a cappella choral arrangements of Filipino folk music. This delightful Tagalog tune is a playful love song. The bouncy vocal accompaniment figures are simply fun to sing and thesong makes a great multicultural concert piece or a smashing encore.

Simply Film presents a wonderful selection of favourite movie themes superbly arranged for piano at Grades 4-5 by Barrie Carson Turner. The pieces are expertly graded and fingered and come complete with informative comments. Simply put this collection is the perfect introduction to some of the best film music ever written! Includes Greased Lightnin' (Grease) Trinity R&P recommended song Keys Grade 4.

This sheet music features an arrangement for piano and voice with guitar chord frames with the melody presented in the right hand of the piano part as well as in the vocal line. This sheet music features an arrangement for piano and voice with guitar chord frames with the melody presented in the right hand of the piano part as well as in the vocal line.

Blessed is he that comes in the name of the Lord. Set in an expressive 3/4 meter the Latin text and carefully crafted vocal textures create a wonderful harmonic work. Ideal concert/festival use it may be performedwith keyboard only or with the optional strings and brass of the chamber orchestration. Available separately: SATB 3-Part Mixed SSA. Instrument parts available as a digital download (tpt 1 tpt 2 euph tbn 1 tbn 2 vln 1 vln2 vla vc db). Duration: ca. 2:15.

The Faber Early Organ Series is among the most comprehensive anthologies of early organ music ever published. In 18 volumes it spans two centuries and six geographical regions presenting a broad and balanced view of the main forms styles and composers. Within each geographical region the pieces most of which are for manuals only are arranged by date of composition or publication. The presentation is both scholarly and practical; all of the music has been newly edited from the earliest surviving sources according to a systematic editorial method that preserves as many features of the original notation as possible while making it fully accessible to modern players. In everyvolume an informative introduction sets the music in historical context. There are also helpful sections on Ornamentation and Registration and a Critical Commentary giving detailed information on the sources.

Eriks Esenvalds ' O Salutaris Hostia for SS Soli and SSAATTBB Choir.

Carl Vine’s Concerto for Orchestra was premiered to critical acclaim by the West Australian Symphony Orchestra in October 2014. Its composer describes the way the 20-minute work (like his recent Piano Trio The Village) ‘evolves organically through a chain of episodes to create a web of melodies and harmonies that are related but not identical. This network of ideas is tied together by strong lateral bonds but remains fluid and flexible creating a series of fleeting glimpses – what Prokofiev called visions fugitives – abstract patterns glimpsed in the half-light or imagined behind clouds.’ Carl Vine’s Concerto for Orchestra was premiered to critical acclaim by the West Australian Symphony Orchestra in October 2014. Its composer describes the way the 20-minute work (like his recent Piano Trio The Village) ‘evolves organically through a chain of episodes to create a web of melodies and harmonies that are related but not identical. This network of ideas is tied together by strong lateral bonds but remains fluid and flexible creating a series of fleeting glimpses – what Prokofiev called visions fugitives – abstract patterns glimpsed in the half-light or imagined behind clouds.’

Shalom Chaverim is an ancient Hebrew (farewell)song which was originally sung at the end of a celebration or meeting. It was and is mostly sung as a round. Freely translated the words mean “Goodbye friends goodbye and see you again!”. The varying moods at a parting have been captured very well by Andreas Schulte in his arrangement ‘Variations on Shalom Chaverim’. The composer himself says about the song ‘Although the melody is in a minor key the overall atmosphere in the song is positive. one wishes each other all the best. Saying goodbye however also hurts. When you slow down the pace of the melody and add ‘blue notes’ in the harmonies this can be sensed immediately.’Schulte refers here to the first variation. The second variation is very intense with possibly even deeper-felt emotions. ‘Variations on Shalom Chaverim’ ends on a cheerful and positive note in fast tempo and with oriental elements in the melody: ‘L'hitra'ot Shalom’ (See you again and farewell!).

Effortlessly combining the magic of the early-nineties baggy scene with the work of contemporary producers such as DJ Shadow Kasabian's 2004 debut album is filled with tunes that are as much at home on the dance floor as they are in the mosh. Every song from the album has been carefully transcribed here in Guitar tab including the singles Processed Beats and Reason Is Treason .

Clarion Alarum: Fanfare No.1 for Brass Band is a short fanfare for brass band contrasting the brilliance of the sound of cornets and trombones with the warmer tones of horns euphoniums and tubas. Brass Band Grade 5: 1st Section Duration: 2.5 minutes

Matching folio to the the eponymous debut album by British pop group Scouting For Girls. All tracks arranged for Piano Vocal and Guitar.

The songs in this collection are playable by any combination of ukuleles (soprano concert tenor or baritone). Each arrangement features the melody a harmony part and a ?bass? line. Chord symbols are also provided if you wish to add a rhythm part. For groups with more than three or four ukuleles the parts may be doubled. This volume includes 15 favorite themes from movies and TV including: Batman Theme • Hawaii Five-O Theme • He's a Pirate • Linus and Lucy • Mission: Impossible Theme • Peter Gunn • The Pink Panther • Raiders March • Theme from Spider Man • and more! The songs in this collection are playable by any combination of ukuleles (soprano concert tenor or baritone). Each arrangement features the melody a harmony part and a “bass” line. Chord symbols are also provided if you wish to add a rhythm part. For groups with more than three or four ukuleles the parts may be doubled. This volume includes 15 favorite themes from movies and TV including: Batman Theme • Hawaii Five-O Theme • He's a Pirate • Linus and Lucy • Mission: Impossible Theme • Peter Gunn • The Pink Panther • Raiders March • Theme from Spider Man • and more!

Bassoon and Piano- Sunset Song op.42 for bassoon and piano was written and premiered in 1994 at the Los Angeles Museum of Art Bing Theatre. It is the composer´s second large work featuring the bassoon as soloist (after Hexen ) and like Hexen it isalso dedicated to bassoonist Judith Farmer who premiered it with the composer at the piano. Sunset Song is technically a tour de force for both the bassoon and the piano. It is happy sensuous obsessive and at times mocking - often reflecting the time in which it was written and the events of a Mexico tour that followed the firstperformance during which the piece underwent revisions. The piece starts with an introduction played by the bassoon almost entirely. This introduction uses elements of 1950s pop music. A middle section follows where a static -almost MiddleEastern- ostinato rhythmic pattern beats with increasing tension. This pattern is then transformed to a Latin beat which finally returns the piece to the opening mood. The bassoon ends the piece in an irreverent tone with a pitch written two octavesabove the official limit of the instrument’s register. The title Sunset Song was inspired by California’s sunsets and the sun setting on the Pacific Ocean. Sunset Song op.42 for bassoon and piano was written and premiered in 1994 at the Los Angeles Museum of Art Bing Theatre. It is the composer´s second large work featuring the bassoon as soloist (after Hexen ) and like Hexen it isalso dedicated to bassoonist Judith Farmer who premiered it with the composer at the piano. Sunset Song is technically a tour de force for both the bassoon and the piano. It is happy sensuous obsessive and at times mocking - often reflecting the time in which it was written and the events of a Mexico tour that followed the firstperformance during which the piece underwent revisions. The piece starts with anintroduction played by the bassoon almost entirely. This introduction uses elements of 1950s pop music. A middle section follows where a static -almost MiddleEastern- ostinato rhythmic pattern beats with increasing tension. This pattern is then transformed to a Latin beat which finally returns the piece to the opening mood. The bassoon ends the piece in an irreverent tone with a pitch written two octavesabove the official limit of the instrument’s register. The title Sunset Song was inspired by California’s sunsets and the sun setting on the Pacific Ocean.

Un hommage au sculpture Frédéric Auguste Bartholdi- Le Lion de Belfort was composed for the official inauguration of the sculpture Le Lion de Belfort : an enormous red sandstone lion that dominates the landscape of the French city of Belfort. This 22 metre long and 11 metre high lion symbolises the heroic French resistance during the Prussian siege of Belfort in 1870-1871. The composer added a narrator and three-part choir to the concert band instrumentation who utilise texts written specially for the occasion by Jean Ehret.The work’s première took place at the inauguration of Le Lion de Belfort on 28 November 2010 130 years after sculptor Frédéric Auguste Bartholdi (1834-1904) completed the statue.