Matthew 5:8-Movement 6 from Beatitudes that uses text from Matthew 5:8 Blessed are the pure in heart for they shall see God. Excellent for both concerts and church services.

Arditi's waltz Il Bacio (The Kiss) has been skillfully arranged in this version for piano.

An invaluable new monument of organ literature The Complete Organ Music of Charles Ives is crowned by two critical editions of the celebrated variations on America shedding light on both the familiar 1949 edition and the original draft from 1892. Over a dozen more unfamiliar works are presented along with historical and critical notes. An invaluable new monument of Organ literature the Complete Organ Music of Charles Ives is crowned by two critical editions of the celebrated Variations on 'America' shedding light on the familiar 1949 edition and the original draft from 1892. Over a dozen more unfamiliar works are presented along with historical and critical notes.

Flute teaching material-Twelve arrangements for Flute with Piano accompaniment of Traditional Baroque and Classical pieces. This selection has been edited with regard to current concepts of performance practice by Michelle Lee. Some additional editorial comments and suggestions have been made to assist performers students and examination candidates in developing their own interpretations. Four of the twelve pieces are unaccompanied.

Beethoven’s famous theme from his Choral Symphony the Ninth is used in many modern hymnals with the hymn text Joyful Joyful We Adore Thee penned by Henry van Dyke (1852-1933). This version makes an ideal short concert item.

A collection of songs for 3 voices piano and guitar with notes on performance and ideas for the choir leader. A collection of songs for 3 voices piano and guitar with notes on performance and ideas for the choir leader.

The single-movement String Quartet No.2 by Josef Suk (1874–1935) was written at the height of his compositional powers. Completed in K e ovice in May 1911 this demanding work with its complex harmonies and motivic structure seemed avant-garde for its day: the Berlin premiere of November 1912 was accompanied by protests from the audience. Now Zden k Nouza has edited the first scholarly-critical edition of this piece. The principal source is the first edition in full score published by Simrock in Berlin. But Nouza has also consulted the printed parts (containing additions of great interest to performers) as well as the engraver’s copyused for the printed score (with autograph corrections from the composer) and additional sources such as sketches. - First Urtext edition. - Foreword (Cz/Ger/Eng) and Critical Commentary (Eng) by the editor. - Parts (BA9536) and study score (TP536) available for sale.

Animal-inspired pieces for flute & piano. CD performances by Gillian Poznansky (flute) & Mark Tanner (piano). Recorded and Edited in Bristol by Nathan Roberts 2010. Promotional price during 2011!

La Cetra-Mit über 1.200 Titeln aus Orchester- und Chorliteratur Kammermusik und Musiktheater ist die Edition Eulenburg die größte Partiturreihe der Welt. Sie deckt einen große Teil der Musikgeschichte vom Barock bis zur klassischen Moderne ab und blickt auf eine lange Tradition zurück.

Jack Brymer premièred this work originally called 'Sopsonare' in 1973 at the American School at St. John's Wood playing on Michael Krein's Selmer soprano saxophone. This Sonata the first composition for saxophone by Colin Cowles was inspired by the acquisition of a soprano saxophone whilst teaching in Hemel Hempstead in the early 1970s. Although having played on a simple system soprano as a boy (an instrument borrowed from and taught him by his father) this re-introduction to the instrument was to kindle a life-long love of the complete saxophone family and the composition of an almost endless 'library' of works for it at all levels. It was also at a time whenthe composers had made recent acquaintance with the eminent saxophonist Peter Ripper and had been introduced to the saxophone quartet by the recently formed London Saxophone Quartet whose leader Paul Harvey was to play this Sonata and the Elegy for Soprano Saxophone and String Orchestra. He in fact premiered the latter work which Jack Brymer then played in public on a number of occasions. It was recorded by Peter Ripper with the composer at the piano at the BBC Maida Vale Studios. It is a totally non-esoteric work but like so much of the composer's music it is fun and approachable bearing repetition without becoming tedious. The composer has always favoured the Bb saxophones (soprano and tenor) which is reflected by his output. Of particular note are: • Concerto for Tenor Saxophone and Orchestra • In Memoriam for Tenor Saxophone and String Orchestra • Sonata for Tenor Saxophone and Piano • Three Bala Sketches for Tenor Saxophone and Piano. This Sonata for Soprano Saxophone and Piano and the Elegy for Soprano Saxophone and Strings are particular favourites of the composer. Jack Brymer premièred this work originally called 'Sopsonare' in 1973 at the American School at St. John's Wood playing on Michael Krein's Selmer soprano saxophone. This Sonata the first composition for saxophone by Colin Cowles was inspired by the acquisition of a soprano saxophone whilst teaching in Hemel Hempstead in the early 1970s. Although having played on a simple system soprano as a boy (an instrument borrowed from and taught him by his father) this re-introduction to the instrument was to kindle a life-long love of the complete saxophone family and the composition of an almost endless 'library' of works for it at all levels. It was also at a time whenthe composers had made recent acquaintance with the eminent saxophonist Peter Ripper and had been introduced to the saxophone quartet by the recently formed London Saxophone Quartet whose leader Paul Harvey was to play this Sonata and the Elegy for Soprano Saxophone and String Orchestra. He in fact premiered the latter work which Jack Brymer then played in public on a number of occasions. It was recorded by Peter Ripper with the composer at the piano at the BBC Maida Va

For 'Flatpicking Guitar'. Includes TAB notation. An exciting and varied collection of 35 traditional tunes from around the world arranged for easy flatpicking guitar. All tunes are written clearly in standard notation as well as guitar tablature. An accompanying CD contains all the tunes played at a manageable speed accompanied by a backing band of guitars bass mandolin fiddle and percussion. The tunes come from Africa North and South America Europe The Middle East Asia and Australia and are specially arranged by the author with the beginning/intermediate guitarist in mind. On the CD the tunes are played 2 or 3 times so you can really get into thefeel of the tune when playing along. The speed of the tunes is quite slow but not so slow as to take away from the essential feel of the music. There is a mine of great music to be discovered from around the world a sample of which can be found in this unusual and stimulating selection which may well prove to be a springboard to further studies of traditional styles. For 'Flatpicking Guitar'. Includes TAB notation. An exciting and varied collection of 35 traditional tunes from around the world arranged for easy flatpicking guitar. All tunes are written clearly in standard notation as well as guitar tablature. An accompanying CD contains all the tunes played at a manageable speed accompanied by a backing band of guitars bass mandolin fiddle and percussion. The tunes come from Africa North and South America Europe The Middle East Asia and Australia and are specially arranged by the author with the beginning/intermediate guitarist in mind. On the CD the tunes are played 2 or 3 times so you can really get into thefeel of the tune when playing along. The speed of the tunes is quite slow but not so slow as to take away from the essential feel of the music. There is a mine of great music to be discovered from around the world a sample of which can be found in this unusual and stimulating selection which may well prove to be a springboard to further studies of traditional styles.

Bent Lorentzen's Hunting Concerto - Version B for Horn and Piano (1996). Score and part/Piano Reduction. Version A for for Solo Horn Gun Shot Oboe and Strings: KP01627

Guitar. Abe Guitar. Abe

A sinister and expressive work for Solo Guitar dating from 1985. A sinister and expressive work for Solo Guitar dating from 1985.

Tchaikovsky Symphony No.6- An abridged and simplified version that tries to give something of the flavour of all four movements of the original. The opening Adagio works well the second movement lies happily under the fingers with an effective sharing of material between the hands. The lively third movement is carefully scored with its staccato writing. Music Teacher Magazine

The trumpet tunes and voluntaries were written not for the brass instrument the trumpet but for the trumpet” set of pipes on the organ. These brassy reed pipes were used for joyful rhythmic tunes. Purcell considered to be one of the greatest of all English composers was himself an organist at Westminster Abbey in London. This version for Trumpet and piano is ideal for use in wedding services.

Work for Organ dating from 1977. Work for Organ dating from 1977.

This is the 2013 version (reduced strings) of Per Nørgård's Remembering Child - Viola concerto No. 1 (1986) - Two Movements for Viola Solo (or Cello solo) and Chamber Orchestra. Programme Note: The title refers to the original meaning of the word remembering: Making whole. The work should not be considered as a sort of requiem for Samantha Smith - the late 13 years old fighter for nuclear disarmament - but as an evocation of the childish creative forces in all people young and old. Therefore the work applies thematic material of a certain dawning quality including two Gregorian chants appearing intertwined in the beginning of the 2. movement. And therefore the workalso may be considered as a tribute to the still living child-heretics fighting against the global lunacy of grown-up such as Eamon Burke the Australian boy continuing independently the work of Samantha. REMBERING CHILD was commissioned by St. Paul Chamber Ochestra and dedicated to Pincas Zuckerman soloist at the premiere performance (Sept. 12 1986). Per Nørgård This is the 2013 version (reduced strings) of Per Norgard 's Remembering Child - Viola concerto No. 1 (1986) - Two Movements for Viola Solo (or Cello solo) and Chamber Orchestra. Programme Note: The title refers to the original meaning of the word 'remembering': Making whole. The work should not be considered as a sort of requiem for Samantha Smith - the late 13 years old fighter for nuclear disarmament - but as an evocation of the childish creative forces in all people young and old. Therefore the work applies thematic material of a certain 'dawning' quality includingtwo Gregorian chants appearing intertwined in the beginning of the 2. movement. And therefore the work also may be considered as a tribute to the still living child-heretics fighting against the global lunacy of grown-up such as Eamon Burke the Australian boy continuing independently the work of Samantha. REMBERING CHILD was commissioned by St. Paul Chamber Ochestra and dedicated to Pincas Zuckerman soloist at the premiere performance (Sept. 12 1986). Per Norgard

Brass Pack-'Brahms Three Sock it to Me'....has clearly set out to cut the boaring bits and only show the goals ... The arrangement itself is tastefully done and may well inspire young players to listen to the original'. Music Teacher Magazine. Grade: 3 - 6

Niels Viggo Bentzon: Alleluja for Sopran Og Orgel is a piece for Soprano Voice and accompanying Organ. This piece has been expertly composed by Niels Viggo Bentzon . Alleluja for Sopran Og Orgel Op. 135 is a piece for Soprano Voice and accompanying Organ. This piece has been expertly composed by Niels Viggo Bentzon . Manuscript copy.