2006for Overtone Singer and String QuartetEnsembleOvertone Singer (Chanter)(this part may be performed by the Viola Player from the String Quartetor by a Singer alone ad lib.)Violin 1Violin 2Viola(the Viola player also performing the Overtone singing part ad lib.)Violoncello Only The Wind (2006) for Overtone Singer and String Quartet by Soren Nils Eichberg . The Ovetone Singer part part may be performed by the Viola Player from the String Quartet or by a singer alone ad lib. Parts are available: WH31535A

This piece has become extremely popular within the past few years as it has been used extensively as incidental music on television and in commercials. Originally written for two voices in Delibes opera Lakme it is arranged here for piano solo. This is a popular piece to play at weddings. Lakme and her serving girl Mallika sing the flower duet as they prepare to bathe in the sacred stream that runs in front of their house. This is a version arranged for piano by Jane Fenton.

This piece was originally written for the trombonist Michael Skitt as the final 'prank' movement of a concerto for trombone and orchestra. By popular request the piece has been given a separate piano part and has since been proved equally entertaining for trombone bassoon or cello! Grade: 8

Parts for Sonatine for Wind Quintet by Anders Koppel . Dedicated to the Danish Wind Quintet. Programme note: My Sonatina for wind quintet was written in January 2002. The three movements of the work (Moderato Andante Sostenuto and Allegro con brio) are very much based in both structure and idiom on the classical tradition and gesture - the transformations in the first movement everything kept in place in a tight classical form. The wind quintet’s many commedia dell’arte masks are presented with humour and the work recalls works from musical history where composers have been inspired by spontaneous popular gaiety. Anders Koppel 2003Parts for Sonatine for Wind Quintet by Anders Koppel . Dedicated to the Danish Wind Quintet. Programme note: My Sonatina for wind quintet was written in January 2002. The three movements of the work (Moderato Andante Sostenuto and Allegro con brio) are very much based in both structure and idiom on the classical tradition and gesture - the transformations in the first movement everything kept in place in a tight classical form. The wind quintet’s many commedia dell’arte masks are presented with humour and the work recalls works from musical history where composers have been inspired by spontaneous popular gaiety. AndersKoppel 2003

Stadier / Stadia / Stages - Three small inventions for Piano by Per Nørgård dating from 2002. Dedicated to Ane Dorthe Roel. Stadier / Stadia / Stages - Three small inventions for Piano by Per Norgard dating from 2002. Dedicated to Ane Dorthe Roel.

Das Promenadenkonzert-Die Reihe 'Das Promenadenkonzert' von Peermusic besteht aus den schönsten klassischen Meisterwerken reizvoll arrangiert für kleines Orchester in der Besetzung: 1./2. Klarinette in Bb Alt-Saxophon in Eb Klavier Percussion 1./2. Violine Cello Bass Hier Edvard Griegs Anitras Tanz (aus Peer Gynt) - arrangiert für kleines Orchester. Stimmensatz.

Flute Cello Piano (Score). Steffen W

Part of the Modern Recorder Series.

Joseph Kosma 's Autumn Leaves arranged for SATB choir by Leo Arnaud .

Satie: Gymnopedie No. 1 Tchaikovsky: Dance of the Cygnets (from Swan Lake) and Rossini: William Tell Overture (Allegro Vivace). Score with parts for Piccolo Flutes 1 (div.) Flutes 2 (div.) Alto Flute and Bass Flute.

Eleven tunes with CD backing tracks created by Alexej Romanov.

Eulenberg's celebrated and highly authoritative miniature score is the definitive reference source for study performance preparation or simply for those with a love of the great orchestral works.

Flute Oboe Violin Viola Cello (parts). Blacher B

Arranged for SSA Choir and Piano by Wallingford Riegger.

SATB vocal arrangement with optional Piano accompaniment part on the score.

Pelle Gudmundsen-Holmgreen's Symphony for Orchestra.

1999-For mezzo clarinet harp percussion and cello. Text by William Heinesen Score: WH31383 Set of parts for Sunleif Rasmussen 's Arktis (1999) for Mezzo-Soprano Clarinet Harp Percussion and Cello. Text by William Heinesen . Score: WH31383

The Old Chevalier (2005) - A Gothic Tale for Bass Trombone and Ensemble . Piano reduction: WH30854 Version for Tenor Trombone available: WH30941 Programme note The Old Chevalier for Trombone and Ensemble is the second of a series of seven compositions named after Karen Blixen 's collection of short stories Seven Gothic Tales. My musical gothic tales are written for very different ensembles - THE SUPPER AT ELSINORE is a saxophone quartet - but they all share musical material in a criss-cross of contextual references reminiscent of Blixen's narrative complexity: Themesand motivs from one piece appears in others in new and surprising shapes and combinations. Karen Blixens The Old Chevalier begins with an old man talking to a youth about obl igation and passion. The old man tells a story about a beautiful woman who wanted tomake her husband jealous and cheated on him with a young man who admired him. After discovering the truth the young man meets a prostitute on her very first job. The girl is an innocent trading favors for shelter. The young man falls in love but she remains oblivious to his passion. She leaves after their encounter without emotional involvement. Many years later the young man - the old man telling the tale - recognizes the girl in a beautifulskull he's holding in his hand. The Old Chevalier isn't 'about' anything. The music is inspired by the artistic content of Blixen's short story - it's emotionalism dramatic construction atmosphere period and setting - but unfolds in time and musical space in ways that are completely independent of the story's narrative progression... except one might say that the trombone makes love to the piano and at the very end - just like the old man in the story is left contemplating its remains. The piece is written for the trombonist Jens Vind.

Pocket or Study Score.

Dem Licht Entgegen for Saxophone and Orchestra was composed by Sunleif Rasmussen in 2001. Programnote: Mit samarbejde med Jeanette Ballands straekker sig helt tilbage til begyndelsen af halvfemserne. Hun havde dengang en duo med slagvaerkspilleren Christian Utke. De bestilte et vaerk for Saxofon og slagtoj kaldet 'From the Sea's Garden'. Dette vaerk havde de meget succes med at spille og det blev godt modtaget af publikum. Sa da jeg blev hovednavn pa Musikhost i Odense i 2001 besluttede jeg at skrive en Saxofonkoncert til Jeanette. Jeg havde erfaret at hun i ensjaelden grad var i stand til at mestre Baryton Tenor Alt og Sopran saxofonerne med lige stor virtuositet og dette er en sjaeldenhed for en saxofonspiller. Hun saetter ogsa meget hoje krav til sig selv som musiker og er derfor altid i stand til at lose en musikalsk opgave pa hojeste plan. (Sunleif Rasmussen) Vaerkbeskrivelse: Koncerten begynder som et vulkansk udbrud. Orkester og solist buldrer frem som fra en mork og stenet undergrund og bevaeger sig i en naesten konstant bevaegelse frem mod lyset. Gennem de fire satser far solisten muligheden for at udfolde alle sider af sit instrument - eller rettere: sine instrumenter: et sted folder en laengselsfuldt naervaerende melodi sig langsomt ud et andet hamrer musikken lynende virtuost afsted og alt fra de store saxofoners tyngde til de mindre instrumenters lethed og fleksibilitet far lov at fremtraede engagerende og vedkommende. Det er musik der med farverige klange og stor diversitet og livlighed er bade imodekommende og intens.