The internationally acclaimed American flautist and teacher Mary Karen Clardy presents a cross-section of the duet repertoire from the 17th to 19th century. Her selection for this bumper collection includes works by Tele-mann Quantz W F Bach Devienne and Koehler. Background information on the composers and notes on interpretation are provided for each piece. This volume represents essential repertoire for all middle to advanced grade players.

Using rhyming narration this musical by Michael and Jill Gallina tells the story of Mozart’s life as seen by imaginary ancestors of the mice who lived in Mozart’s house. Best-loved Mozart melodies are used with original lyrics by the authors. A must for every classroom! 30 mins.

Britta Bystrom's Sera (2012) for Orchestra. Parts are available on hire: hire@ewh.dk

This is a Piano reduction of Danish avant garde composer Ole Schmidt's terrific 1975 work for Tuba and Orchestra. It is dedicated to Michael Lind and is a bustling and expressive work full of drama accentuated and emphasised by the deep tones of the Tuba. This is a Piano reduction of Danish avant garde composer Ole Schmidt's terrific 1975 work for Tuba and Orchestra. It is dedicated to Michael Lind and is a bustling and expressive work full of drama accentuated and emphasised by the deep tones of the Tuba.

The tradition of Quodlibet compositions means to conglomerate two often conflicting or unresolved pieces with the aim to produce a humorous mix of tunes to please an audience. This fantastic piece merges the famous Bach-Gounod Ave Maria with I Believe by Ervin Drake Irvin Graham Jimmy Shirl and Al Stillman. It has been arranged for SSAA upper voice choir and Piano accompaniment by Mikanna Taurman from the original Quodlibet by Stan Beard and Barry Tucker.

Poems From The Sanskrit for Mezzo-Soprano Double Bass and Piano (2010). Written for Annika Skoglund and Dan Styffe.

SATB accompanied-A flowing piano accompaniment and a melody that captures the mystery of this beautiful Rossetti text. From Ola Gjeilo's album Winter Songs. Can be performed with piano only or with piano and string quartet. A flowing piano accompaniment and a melody that captures the mystery of this beautiful Rossetti text. From Ola Gjeilo's album Winter Songs. Can be performed with piano only or with piano and string quartet.

An arrangement of this Chorale in equal opportunities style. 4 bassoons. Also available in the Bach Chorale Collection - SP183. Grade: 6

Eulenberg's celebrated and highly authoritative miniature score is the definitive reference source for study performance preparation or simply for those with a love of the great orchestral works.

Coronation I / Cadenzas by the composer-Mit über 1.200 Titeln aus Orchester- und Chorliteratur Kammermusik und Musiktheater ist die Edition Eulenburg die größte Partiturreihe der Welt. Sie deckt einen große Teil der Musikgeschichte vom Barock bis zur klassischen Moderne ab und blickt auf eine lange Tradition zurück.

For SATB Choir with divisi. Texts in Italian Latin and German. For SATB Choir with divisi. Texts in Italian Latin and German.

Fra For Cello Og Orkester For Cello Og Klaver For Marianne was composed by Pelle Gudmundsen-Holmgreen in 2002. For Cello and Piano. Fra For Cello Og Orkester For Cello Og Klaver For Marianne was composed by Pelle Gudmundsen-Holmgreen in 2002. For Cello and Piano.

Rockodile 1 teaches electric guitar to beginners with a step-by-step approach that firmly establishes the basics of good technique. The huge range of songs included can be played either as solos or by two or more students as melody accompaniment and chord symbols are all given. Downloadable backing tracks really encourage students to play along. Creativity is nurtured at every step — students can compose improvise and develop their own rhythmic patterns. Rockodile 1 teaches Electric Guitar to beginners with a step-by-step approach that firmly establishes the basics of good technique. The huge range of songs included can be played either as solos or by two or more students as melody accompaniment and chord symbols are all given. Downloadable backing tracks really encourage students to play along. Creativity is nurtured at every step — students can compose improvise and develop their own rhythmic patterns.

A Jazzy Ding Dong-Fabulous 'Big Band Feel':- a jazzy carol medley based on 'Ding Dong Merrily' but with many other Christmas tunes thrown in for good measure! How many can YOU hear? Individual parts for all Spartan Press ensembles are available separately quickly and inexpensively. DO NOT PHOTOCOPY.

Score to String Quintet (arr. anon).

Pelle Gudmundsen-HolmgreenNEW GROUND STRING QUARTET NO. 10 - Score Pelle Gudmundsen-Holmgreen's String Quartet No. 10 'New Ground' (2011). Set of parts: WH31462A Programme note: New Ground - No Ground - Green In 1986 I wrote Ground for the Kronos Quartet. I used the principle of the baroque ground and created a series of chords - going up and going down symmetrically. The material formed the basis for the quartet. In my next collaboration with Kronos I wrote the darker Last Ground - at the time supposed to be my last composition of the kind. After some years this seemed a bit pathetic and Idecided to write a new - lighter ground - New Ground . To disappoint my listeners as much as possible I based this piece on a very old and very well-known ground: Pachelbel's Canon. The piece is tonal and that suggested another -atonal - composition - No Ground (based on another string quartet - no. 7 Parted from 1984 first performed by Kronos). I am very fond of the elaborated constructivism of the medieval or early renaissance music so in my view the two new quartets needed to be connected and combined. The two quartets can be performed in combination with the four-part vocal piece Green . The text is from medieval England. The pieces are written for the Kronos Quartet and Theatre of Voices.

These four folksongs for String Quartet are ideal for school students at intermediate level: short easy and fun to play. Summers was born in 1973 and started composing aged eight going on to study at Cambridge University and the Royal Northern College of Music. The four songs are: Lady Maisry; Sheep shearing song; Did you see the dark-haired boy; Sej dinom-dánom .

Written for S/A/B1 and B2 but may also be performed by SATB Sunleif Rasmussen's Psalmus 8 for Mixed Choir 6 Soli and Organ Written for the Nordic choir festival Nordklang in Karlstad Sweden in 1995. It is written for SABB but may also be performed by SATB.

This book contains a compilation of the greatest zarzuela romanzas by some of the most significant composers and librettists of the second half of the 19th century.

Hans Abrahamsen's Concerto For Piano And Orchestra was composed in 1999 by commission for the BIT-20 Ensemble. A complex and multi-layered work opening with highly minimal material and very slowly building to an ecstatic frenzy across the four movements. As the piece progresses Abrahamsen has also included some significant nods towards composers Gyorgy Ligeti (a former teacher of the composer) and Gustav Mahler. The work was premiered at the Ultima Festival in Oslo in 2000 with Anne Marie Abildskov as soloist. I Allegro Volante e nervoso II Adagio innocente e semplice III Tempo de grandegioia IV Fluente ma tranquillo Programme note: ‘The piano concerto starts entirely as I usually start with this filigree in the piano and many simultaneous layers ’ Hans Abrahamsen has explained ‘The beginning is music that could continue almost minimalistically ad infinitum. But it doesn’t. Instead it has a seizure after just thirty seconds. It literally comes to a halt!’ There is no programmatic structure behind the four-movement course of the concerto but a romantically minded listener may be tempted to interpret the development from a quick stalling of the familiar through the introduction (by the lyrical second movement) of something much more ‘innocent and simple’ as it says - something feminine one feels like adding - to the third movement’s flashing firework display of a scherzo which draws the curtain aside for a liberating rush of joy as life after the advent of love. However the undersigned assumes full responsibility for this interpretation. The piano soloist is the undisputed main character in the concerto and plays almost constantly in the first three movements. It is only in the fourth movement that she takes a break and listens. ‘The piano stirs up an anthill’ is Hans Abrahamsen’s own description ‘and it becomes almost operatic! It is as if the music is about to fall right out over the edge of the abyss at the drastic general pause to which the second movement the key movement of the work builds up.’ Hans Abrahamsen's Concerto For Piano And Orchestra was composed in 1999 by commission for the BIT-20 Ensemble. A complex and multi-layered work opening with highly minimal material and very slowly building to an ecstatic frenzy across the four movements. As the piece progresses Abrahamsen has also included some significant nods towards composers Gyorgy Ligeti (a former teacher of the composer) and Gustav Mahler. The work was premiered at the Ultima Festival in Oslo in 2000 with Anne Marie Abildskov as soloist. I Allegro Volante e nervoso II Adagio innocente e semplice III Tempo de grandegioia IV Fluente ma tranquillo Programmenote: ‘The piano concerto starts entirely as I usually start with this filigree in the piano and many simultaneous layers ’ Hans Abrahamsen has explained ‘The beginning is music that could continue almost minimalistically ad infinitum. But it doe