Piano trios. Vogt H

Piano pieces for 4 hands. Based on the 'revy-opera' 'Vores Hoffmann' Karl Aage Rasmussen's Hoffmann-Album - Piano pieces for 4 hands. Based on the 'revy-opera' 'Vores Hoffmann'. Manuscript score.

Here's a great chance to further your improvising skills. These five fun pieces in American jazz and rock style are suitable for both Alto and Tenor saxophone or even B-flat Clarinet with a Piano accompaniment. All the pieces incorporate solo sections each with chord symbols and suggested scales for improvising. There are also some basic tips to get you going and you can improvise at your own level. Here's a great chance to further your improvising skills. These five fun pieces in American jazz and rock style are suitable for both Alto and Tenor saxophone or even B-flat Clarinet with a Piano accompaniment. All the pieces incorporate solo sections each with chord symbols and suggested scales for improvising. There are also some basic tips to get you going and you can improvise at your own level.

35 Favorite Christmas Songs and Carols In Easy Arrangements-It's no wonder that Play a Song of Christmas has been everyone's favourite holiday collection for generations. Part-books for each instrument provide the melody line plus 'Part B C or D ' so anyone can play the tune and any combination of instruments can play in 2- 3- or 4-part harmony. This collection of 35 favourite sacred and secular Christmas songs is wonderfully practical for school church parties and professional gigs. It's no wonder that Play a Song of Christmas has been everyone's favourite holiday collection for generations. Part-books for each instrument provide the melody line plus 'Part B C or D ' so anyone can play the tune and any combination of instruments can play in 2- 3- or 4-part harmony. This collection of 35 favourite sacred and secular Christmas songs is wonderfully practical for school church parties and professional gigs.

Three etudes from op.36 arranged for Wind Quintet-Three solo Violin etudes from Op. 36 by French composer Jacques-Féréol Mazas arranged for Wind Quintet by John Cook.

Brodrene James og Adam Price har igennem en arraekke begavet det danske kulturliv med alt inden for teater musicals revy og tv-serier. I 1993 startede de med bragende succes en ny trend i Danmark: 'Musicals pa dansk' hvor James Price skrev musikken og Adam Price teksterne over forskellige klassikere som: Myten om Tordenskiold Livsens Ondskab (Gustav Wied) Trold kan taemmes (William Shakespeare) De tre Musketerer (Alexandre Dumas) Myten om Robin Hood og Naboerne (Leif Panduro og Bent Christensen) Savel tekster som musik spaender meget bredt fra melodrama laengsler og dromme over politisk satire tilmoderniserede klassikere om krig og kaerlighed bade pa den historiske verdensscene og i vores egen lille andedam. Alt sammen sat sammen med vid og bid glimt i ojet en overdadig humor samt en overlegen jongleren med genrer og stemninger sa publikum i de stopfyldte teatre har bade grinet og graedt.. Udsogte smagsprover pa de sakaldte 'Highlights' kunne meget vel tjene som inspiration til landets teaterdirektorer til at tage en eller flere af de naevnte musicals pa programmet. Og haeftet rummer mange muligheder for genhor med nogle af stykkernes orehaengere eller endnu bedre: for at synge med til eget akkompagnement. Musical Highlights er forsynet med tekster noder med becifring teaterfotos og handlingsresumeer. Og den tidligere direktor pa Gladsaxe Teater Flemming Enevold som satte lavinen i gang med Tordenskiold i 1993 har skrevet bogens sprudlende forord.

For A Cappella SATB Choir. For A Cappella SATB Choir.

The Small concerto for solo oboe and chamber orchestra was commissioned by The Royal Library of Copenhagen for the inauguration of a concert hall located at the new library annex the so-called Black Diamond September 1999. The work as such focuses more on the contemplative and sonorously introvert rather than more virtuosity it is in four movements what could be called four little tone-poems on (and inspired by) the names of the four moon craters known as: Lake of Dream - Ocean of Storms - Sea of Tranquillity - Lake of Death four enigmatic and deeply fascinating ancient conceptions of the landscape on this our closest but at the same time most legendary and myth-shroudedcelestial body. The work was composed in 1998 for Athelas-Sinfonietta Copenhagen and Swedish obo virtuoso Helen Jahren. The work was dedicated to Helen Jahren. The Small concerto for solo oboe and chamber orchestra was commissioned by The Royal Library of Copenhagen for the inauguration of a concert hall located at the new library annex the so-called Black Diamond September 1999. The work as such focuses more on the contemplative and sonorously introvert rather than more virtuosity; it is in four movements what could be called four little tone-poems on (and inspired by) the names of the four moon craters known as: Lake of Dream - Ocean of Storms - Sea of Tranquillity - Lake of Death four enigmatic and deeply fascinating ancient conceptions of the landscape on this our closest but at the same time most legendary and myth-shroudedcelestial body. The work was composed in 1998 for Athelas-Sinfonietta Copenhagen and Swedish obo virtuoso Helen Jahren. The work was dedicated to Helen Jahren.

With text by the Rev. Henry Van Dyke and the melody from Beethoven's Ode To Joy this is a superb arrangement by Harry Simeone for SATB Chorus and Organ or Piano Accompaniment.

Mit über 1.200 Titeln aus Orchester- und Chorliteratur Kammermusik und Musiktheater ist die Edition Eulenburg die größte Partiturreihe der Welt. Sie deckt einen große Teil der Musikgeschichte vom Barock bis zur klassischen Moderne ab und blickt auf eine lange Tradition zurück.

Sneglen Og Rosenhækken (The Snail And The Rosebush) - A Fairytale by Hans Christian Andersen for Narrator Violin solo Cello solo and Orchestra composed by Anders Koppel in 2005. Danish text translation in English and German. Sneglen Og Rosenhækken (The Snail And The Rosebush) - A Fairytale by Hans Christian Andersen for Narrator Violin solo Cello solo and Orchestra composed by Anders Koppel in 2005. Danish text translation in English and German.

Work for Piano dating from 1957. Work for Piano dating from 1957.

Thirty-one of the most popular hymn tunes arranged in the simplest format for the beginner pianist. Includes words and optional chord symbols. Grades: 1 - 3

Indischer Roosengaarten und Chineesischer Hexensee. Work for Orchestra dating from 1981. Per Norgard's Symphony No. 4 (1981) - Indischer Roosengaarten und Chineesischer Hexensee (Indian Rose Garden and Chinese Witch See). Programme Note : This symphony in two movements entitles Indischer Roosen-Gaarten und Chineesischer Hexensee was inspired by Adolf Wolfli's works - consisting of 20.000 pages of prose poetry and pictures -. An English translation of the title would read: Symphony no. 4 - Indian Rose Garden and Chinese Witch See; after an idea by Adolf Wolfli (1864-1930) and dedicated to him. Wolfli was from 1895 (31 yearsold) until his death in 1930 confined to the mental hospital at Waldau near Bern Switzerland. Although he had no technical knowledge of music he considered himself to be a great composer and his paintings were almost always covered with long festoons of six-lined (!) music staffs. In 1912 Wolfli ordered paints and paper for a planned Musikbuchlein which was to be published in 1920 under the title Indischer Roosen-Gaarten und Chineesischer Hexensee. (Wolfi uses his characteristic illustrative phonetic spellings with double vowels). The work was never completed and I took it upon myself to realize Wolfli's idea according to his vision but of course within my own preconditions. The double and suggestive title is typical of Wolflis polarized conception of the world which shifts between idyll and catastrophe. This polarization is of almost Chinese nature in that no idyll exists without catastrophic disturbances just as there is a black spot in the white fish and vice versa in the famous Yin/Yang symbol. One might explain this idea with a quote by the Norwegian author Knut Hamsun: A prisoner on his tumbrel is wheeled to the scaffold. A nail chafes at his behind; he moves over and feels more

The clarinet on the CD is played by Elspeth Cook.

Guitar. Campion F Guitar. Campion F

Stratifications was composed by Hans Abrahamsen in 1973-75 and was premiered in the summer 1977 by the Iceland Symphony Orchestra at the Young Nordic Music Festival in Reykjavik. Programme note: The stratifications referred to in the title unfold two different levels. There is the stratification of the time dimension produced by the opposition of contrasting parts at the same time the polyphony the presence of several simultaneously sounding layers is of great importance to the music. By garish colours and clear-cut outlines a polyrhythmic simultaneousness of simple melodies is produced with more gestic music and other material which give a peculiar “set piece-like” effect inthe sound picture. The “new simplicity” details are here woven together in a new kind of complex whole. “Stratifications” begins with a series of concretistic masklike “pictures of the music”. It is like seeing lantern slides. But this “fictive” form crackles and the music gets attentive and real. The music is in a night-mare condition where it is not getting anywhere in spite of a great dynamic display. But finally is liberating itself and rising “in triumph”. Stratifications was composed by Hans Abrahamsen in 1973-75 and was premiered in the summer 1977 by the Iceland Symphony Orchestra at the Young Nordic Music Festival in Reykjavik. Programme note: The stratifications referred to in the title unfold two different levels. There is the stratification of the time dimension produced by the opposition of contrasting parts; at the same time the polyphony the presence of several simultaneously sounding layers is of great importance to the music. By garish colours and clear-cut outlines a polyrhythmic simultaneousness of simple melodies is produced with more gestic music and othermaterial which give a peculiar “set piece-like” effect in the sound picture. The “new simplicity” details are here woven together in a new kind of complex whole. “Stratifications” begins with a series of concretistic masklike “pictures of the music”. It is like seeing lantern slides. But this “fictive” form crackles and the music gets attentive and real. The music is in a night-mare condition where it is not getting anywhere in spite of a great dynamic display. But finally is liberating itself and rising “in triumph”.

Work for Violin and Piano (or Organ). Work for Violin and Piano (or Organ).

The study score to Jean Sibelius' Symphony No.3 In C Op.52 .

Joplin was the undisputed master of ragtime and this is one of the best-known examples of the genre arranged in this edition for easy play piano solo.