Scripture becomes song in this hushed anthem of depth and beauty. Musically there is opportunity for many expressive moments that capture the serenity of the text. A few harmonic surprises add special tonal ambience by making use of sanctuary acoustics with sensitivity. Tasteful and restrained piano writing provides the perfect amount of texture for the character of this sacred tone poem. Score and Parts (fl vn) available as a digital download. Scripture becomes song in this hushed anthem of depth and beauty. Musically there is opportunity for many expressive moments that capture the serenity of the text. A few harmonic surprises add special tonal ambience by making use of sanctuary acoustics with sensitivity. Tasteful and restrained piano writing provides the perfect amount of texture for the character of this sacred tone poem. Score and Parts (fl vn) available as a digital download.

Das Versteht Doch Kein Schaf

Tantum Ergo In G Flat Major

Premiered in October 2018 by the Toledo Symphony Orchestra principal tubist David Saltzman as soloist the Concerto features three movements with a cadenza between the second and third. Adler likens the solo passages in the first movement and cadenza to a singing cantor an obvious homage to his own father's work in that role. Listen as Toledo Symphony Lab discusses the Concerto with Adler and tubist David Saltzman before the premiere. A perusal score is available at our Issuu library.Premiered in October 2018 by the Toledo Symphony Orchestra principal tubist David Saltzman as soloist the Concerto features three movements with a cadenza between the second and third. Adler likens the solo passages in the first movement and cadenza to a singing cantor an obvious homage to his own father's work in that role. Listen as Toledo Symphony Lab discusses the Concerto with Adler and tubist David Saltzman before the premiere. A perusal score is available at our Issuu library.

When Stacy Garrop first heard the Appalachian folk song Silver Dagger at a folk festival the simplicity of the melody and its cautionary love tale enthralled her leading to several years researching the song. She discovered dozens of variants of the song’s text melody and title. Garrop’s trio is inspired by two versions of the folk song as well as motives from a third version — her exquisite setting of the folk tunes creates a fascinating 5-minute work. Silver Dagger is also available for Clarinet Cello and Piano (114-41798) and for Violin Cello and Piano (114-41406).When Stacy Garrop first heard the Appalachian folk song Silver Dagger at a folk festival the simplicity of the melody and its cautionary love tale enthralled her leading to several years researching the song. She discovered dozens of variants of the song’s text melody and title. Garrop’s trio is inspired by two versions of the folk song as well as motives from a third version — her exquisite setting of the folk tunes creates a fascinating 5-minute work. Silver Dagger is also available for Clarinet Cello and Piano (114-41798) and for Violin Cello and Piano (114-41406).

From the first notes of the piano you know you are in for a fun time. This is a gospel-rock setting of the great carol that won't stand still as will anyone else. An ad lib break brings even more joy to the piece that choirs will love. The ending is everything you hoped for. From the first notes of the piano you know you are in for a fun time. This is a gospel-rock setting of the great carol that won't stand still as will anyone else. An ad lib break brings even more joy to the piece that choirs will love. The ending is everything you hoped for.

This famous Mendelssohn choral piece has been carefully edited by Michelle Jenson and includes an excellent new translation by Joyce Warman. Mendelssohn's choral writing is truly classic. Based on Psalm 78 it works as a church motet for an advanced ensemble but is most often performed as a concert piece. This famous Mendelssohn choral piece has been carefully edited by Michelle Jenson and includes an excellent new translation by Joyce Warman. Mendelssohn's choral writing is truly classic. Based on Psalm 78 it works as a church motet for an advanced ensemble but is most often performed as a concert piece.

The title says it all: Acension. It is the fulfilling of scripture when Jesus ascends to be on the right of the throne of God. The a cappella music is powerful and majestic moving to a triumphant ending. The title says it all: Acension. It is the fulfilling of scripture when Jesus ascends to be on the right of the throne of God. The a cappella music is powerful and majestic moving to a triumphant ending.

Six Pieces In Various Styles Book 1

Eric Thiman: Panis Angelicus For Organ is a work for Organ dating from 1959. This arrangement starts in the key of Bb then modulates into Db and returns to Bb before finishing. Please note this isarranged for Organ only and contains no Voice part.

Perfect for time-outs or any occasion in the stands here are four of the hottest themes from the video game world. Includes the main themes from Angry Birds Megalovania (Undertale) Elder Scrolls: Oblivion and Assassin's Creed III. Perfect for time-outs or any occasion in the stands here are four of the hottest themes from the video game world. Includes the main themes from Angry Birds Megalovania (Undertale) Elder Scrolls: Oblivion and Assassin's Creed III.

The vocal score for White Summer Rose by Gustav Holst. From a set of 12 Welsh folksongs set by the composer between 1930 and 1931.

He That Endure End

For SATB Choir A Cappella.

Laurence H. Davies' Three Spanish Carols for Unison Voices.

Lullay My Liking was written for Soprano solo and a cappella Mixed Chorus by Gustav Holst in 1916. It was the second of four short Christmas carols that were published as his opus 34. It was latertranscribed for TTBB Male Voice Chorus and Tenor solo by Herbert Pierce . Gustav Holst (1874-1934) was an English composer and teacher. Having studied under Stanford and Parry he became a close friend ofVaughan Williams – they would often critique each other’s work – and influenced composers such as Tippet and Britten. He is best remembered for his Planets suite.

For Unison Voice and Piano.

A serious clarinetist probably plays at some point in their career the famous Debussy Rhapsodie. More often than not they will play with the piano accompaniment as Debussy first wrote it. The fortunate few will perform with an orchestra. Drapkin now makes the Rhapsodie accessible for a soloist with string quartet. The solo line is faithful to the original while the strings handle the accompaniment. A serious clarinetist probably plays at some point in their career the famous Debussy Rhapsodie. More often than not they will play with the piano accompaniment as Debussy first wrote it. The fortunate few will perform with an orchestra. Drapkin now makes the Rhapsodie accessible for a soloist with string quartet. The solo line is faithful to the original while the strings handle the accompaniment.

This movement from Make We Merry sets the words of the seventeenth-century Christmas text 'Sweet was the song' to a straightforward and lyrical solo line in the first soprano part with an imitative second soprano part joining towards the end. This movement from Make We Merry sets the words of the seventeenth-century Christmas text 'Sweet was the song' to a straightforward and lyrical solo line in the first soprano part with an imitative second soprano part joining towards the end.

Sing my Child sets a joyful text celebrating the beauty found all around us in everyday life. Characterized by tight harmonies and a dynamic percussion line the buoyant 7/8 metre of the opening drives the piece forward. Sing my Child sets a joyful text celebrating the beauty found all around us in everyday life. Characterized by tight harmonies and a dynamic percussion line the buoyant 7/8 metre of the opening drives the piece forward.