Peace in the world is the expressive middle movement from Images of Peace which is a cycle of five songs that encourage peace and understanding. Although composed for secular use this beautifully simple and homophonic movement could be equally suited to use as an ecumenical church anthem.

Konzert für zwei Klaviere und Orchester op. 88a

An immortal carol shines with fresh luster in this elegant new arrangement. Perfect for both concert and worship settings the part writing is masterful and filled with deeply satisfying harmonies. Whether presented with chamber orchestra or the Chopin-esque piano accompaniment this setting will become a favorite of both singers and listeners. Splendid! Score and Parts (fl 1-2 ob cl 1-2 bn perc 1-2 hp vn 1-2 va vc db) available as a digital download.An immortal carol shines with fresh luster in this elegant new arrangement. Perfect for both concert and worship settings the part writing is masterful and filled with deeply satisfying harmonies. Whether presented with chamber orchestra or the Chopin-esque piano accompaniment this setting will become a favorite of both singers and listeners. Splendid! Score and Parts (fl 1-2 ob cl 1-2 bn perc 1-2 hp vn 1-2 va vc db) available as a digital download.An immortal carol shines with fresh luster in this elegant new arrangement. Perfect for both concert and worship settings the part writing is masterful and filled with deeply satisfying harmonies. Whether presented withchamber orchestra or the Chopin-esque piano accompaniment this setting will become a favorite of both singers and listeners. Splendid! Score and Parts (fl 1-2 ob cl 1-2 bn perc 1-2 hp vn 1-2 va vc db) available as a digital download.

3 Pieces From Bogenstrich

Campana In Aria

Duo Concertante contains five brief movements of contrasting character. The first movement functions as a short prelude with the viola and bass combining to form alternating high and low harmonies and trading off solo lines. The second movement is a playful scherzo played pizzicato by both instruments while the third movement is the central lyrical movement of the work with undulating natural harmonic tremolos and a rhythmically driving interruptive middle section. The fourth movement consists almost entirely of quickly bowed natural harmonics with fleeting rhythmic tremolos on both instruments. The final movement contains rapidly driving music in constantmotion interrupted twice by cadenza-like free sections which are non-synchronized. The two instruments then come together for the final push to the end. Duo Concertante was written for James and Deborah Dunham on the occasion of their 35th anniversary with support from the Shepherd School of Music Rice University. Pierre Jalbert.

Nikolai Kapustin born in 1937 is regarded as pioneer of the Soviet jazz scene. In his music he combines typical jazz idioms with classical forms. The Sonata Op. 125 for flute and piano was written in 2004 at the request of Immanuel Davis flute professor at the University of Minnesota.

Daniel McDavitt has composed an exquisite trilogy using texts from three American greats: Ralph Waldo Emerson Abraham Lincoln and William Wordsworth. Although they can be performed individually they are most powerful as a set each with flute obbligato. The first memory from Emerson is about music and is joyful and buoyant. The second memory is from Lincoln and is more reflective about childhood. The final memory by Wordsworth combines the thoughts of the previous two in a mature understanding. A delightful trilogy for high school choirs.Daniel McDavitt has composed an exquisite trilogy using texts from three American greats: Ralph Waldo Emerson Abraham Lincoln and William Wordsworth. Although they can be performed individually they are most powerful as a set each with flute obbligato. The first memory from Emerson is about music and is joyful and buoyant. The second memory is from Lincoln and is more reflective about childhood. The final memory by Wordsworth combines the thoughts of the previous two in a mature understanding. A delightful trilogy for high school choirs.Daniel McDavitt has composed an exquisite trilogy using texts from three American greats: Ralph Waldo Emerson Abraham Lincoln and WilliamWordsworth. Although they can be performed individually they are most powerful as a set each with flute obbligato. The first memory from Emerson is about music and is joyful and buoyant. The second memory is from Lincoln and is more reflective about childhood. The final memory by Wordsworth combines the thoughts of the previous two in a mature understanding. A delightful trilogy for high school choirs.

This is a winner! The Latin words of praise enable this motet to be sung in concert and worship. The counterpoint is playful and canonic making it easy to learn and a pleasure to sing. Small choirs and young voices will enjoy the classical-style lines and the joyful spirit of the piece. This is a winner! The Latin words of praise enable this motet to be sung in concert and worship. The counterpoint is playful and canonic making it easy to learn and a pleasure to sing. Small choirs and young voices will enjoy the classical-style lines and the joyful spirit of the piece. This is a winner! The Latin words of praise enable this motet to be sung in concert and worship. The counterpoint is playful and canonic making it easy to learn and a pleasure to sing. Small choirs and young voices will enjoy the classical-style lines and the joyful spirit of the piece.

The arranger stays true to the tune with the harmonies you expected to hear. The pleasure is in the variety with each verse sometimes 4-part ment sometimes staggered entrances and so on. Excellent for the madrigal dinner feast or in a Christmas concert or service of worship. The arranger stays true to the tune with the harmonies you expected to hear. The pleasure is in the variety with each verse sometimes 4-part ment sometimes staggered entrances and so on. Excellent for the madrigal dinner feast or in a Christmas concert or service of worship. The arranger stays true to the tune with the harmonies you expected to hear. The pleasure is in the variety with each verse sometimes 4-part ment sometimes staggered entrances and so on. Excellent for the madrigal dinner feast or in a Christmas concert or service of worship.

African-American poet Countee Cullen is the text source Rosephanye has chosen to set to music and one understands why when the words are read. The title is used as a litany response Christ is born today to other words that lift up the downtrodden in stark words without apology. Christ must and will come to his own is how it ends. Rosephanye's music captures a flavor that respects the difficulties of her ethnic heritage. It is a wonderful and powerful statement in so many ways.African-American poet Countee Cullen is the text source Rosephanye has chosen to set to music and one understands why when the words are read. The title is used as a litany response Christ is born today to other words that lift up the downtrodden in stark words without apology. Christ must and will come to his own is how it ends. Rosephanye's music captures a flavor that respects the difficulties of her ethnic heritage. It is a wonderful and powerful statement in so many ways.African-American poet Countee Cullen is the text source Rosephanye has chosen to set to music and one understands why when the words are read. The title is used as a litany response Christ is born todayto other words that lift up the downtrodden in stark words without apology. Christ must and will come to his own is how it ends. Rosephanye's music captures a flavor that respects the difficulties of her ethnic heritage. It is a wonderful and powerful statement in so many ways.

Classic sacred poetry speaks to the heart of Christmas in this a cappella gem. Enriched with the depth of its harmonic vocabulary the anthem is a throwback to a sonic past that showcases the choral ensemble's full expressive potential. The traditional Nativity message includes a Glory unto God moment that brings a praiseworthy arc to the anthem's impact before returning to a quiet conclusion. Winsome! Classic sacred poetry speaks to the heart of Christmas in this a cappella gem. Enriched with the depth of its harmonic vocabulary the anthem is a throwback to a sonic past that showcases the choral ensemble's full expressive potential. The traditional Nativity message includes a Glory unto God moment that brings a praiseworthy arc to the anthem's impact before returning to a quiet conclusion. Winsome! Classic sacred poetry speaks to the heart of Christmas in this a cappella gem. Enriched with the depth of its harmonic vocabulary the anthem is a throwback to a sonic past that showcases the choral ensemble's full expressive potential. The traditional Nativity messageincludes a Glory unto God moment that brings a praiseworthy arc to the anthem's impact before returning to a quiet conclusion. Winsome!

Two immortal melodies SLANE and THAXTED embrace in this graceful composition. Approachable choral writing delivers the inspiring message with warm rich harmonies while well-crafted instrumentals create a tapestry of color. This is a stunning anthem for worship services or sacred concert use. Unforgettable! Score and Parts for Orchestra (fl 1-2 ob cl 1-2 bn perc 1-2 C tpt 1-2 tbn 1-2 hp vn 1-2 va vc db) available as a digital download. Score and Parts for Brass/Percussion (C tpt 1-2 tbn 1-2 perc 1-2 pno) also available as a digital download.Two immortal melodies SLANE and THAXTED embrace in this graceful composition. Approachable choral writing delivers the inspiring message with warm rich harmonies while well-crafted instrumentals create a tapestry of color. This is a stunning anthem for worship services or sacred concert use. Unforgettable! Score and Parts for Orchestra (fl 1-2 ob cl 1-2 bn perc 1-2 C tpt 1-2 tbn 1-2 hp vn 1-2 va vc db) available as a digital download. Score and Parts for Brass/Percussion (C tpt 1-2 tbn 1-2 perc 1-2 pno) also available as a digital download.Two immortal melodies SLANE and THAXTED embrace in this graceful composition. Approachable choral writing delivers theinspiring message with warm rich harmonies while well-crafted instrumentals create a tapestry of color. This is a stunning anthem for worship services or sacred concert use. Unforgettable! Score and Parts for Orchestra (fl 1-2 ob cl 1-2 bn perc 1-2 C tpt 1-2 tbn 1-2 hp vn 1-2 va vc db) available as a digital download. Score and Parts for Brass/Percussion (C tpt 1-2 tbn 1-2 perc 1-2 pno) also available as a digital download.

Commissioned by the Nash Ensemble with funds provided by the Nash Concert Society and Amelia Freedman. 2fl(I=picc II=bfl).cl(=Ebcl)-perc(1):vib/glsp/2 conga dr-cel-2vln.vla.vlc

Featuring a distinctive ostinato – or ‘riff’ to use a more apt pop-infused term – Riffs on Seven employs piano four-hands to offer a wide array of tuneful figurations all based on the various metrical properties unique to 7/8. Listen to the premiere on Youtube.

Sheet music from the original soundtrack to the second installment of the epic Tolkien movie adaptations. Arranged for piano and voice with chord boxes. Includes original stills from the film.

6 miniatures in a tonal style These six miniatures were written to be played from the top of a tower on Christmas day: They range in mood from melancholic to triumphant. Rhythmically straightforward horn 1 reaches the top of the range and horn 4 needs to be secure at the bottom of the range in bass clef.

A collection of trios aimed at Grade 2-3 standard players.

Two contrasting movements in a modern style Allegro – The first of two movements for wind quintet composed for a concert in London in 2017 and given its premiere by the award-winning London Myriad Ensemble. The mood is lively dance-like bucolic with regular shifts in tonality and frequent harmonic twists. Short motifs dart cheekily from instrument to instrument and are occasionally interrupted by more sedate passages before hurrying to a brusque conclusion. Adagio – In contrast to the first bustling movement this is calm reflective and touched with a certain melancholy exploiting the darker fuller colours of the cor anglais and alto flute to evoke a distant landscape. After an initial climax a flute solobegins a faster section underpinned by a strong rhythmic figure in the other instruments. With more instruments adding their voices a sharp upward surge brings the section to a sudden close ushering in a return to the opening theme this time given to the clarinet. Echoes of the earlier flute solo add further layers rising to a full-throated climax of the main theme and thence to a peaceful close.

Glory Glory Hallelujah