
13.95 £
Spartan Press
Symphony No.5-First movement of Beethoven's 5th carefully and imaginatively arranged. Individual parts for all Spartan Press ensembles are available separately quickly and inexpensively. DO NOT PHOTOCOPY.

3.50 £
Warner Bros
Single sheet music. Leroy Anderson was a light-classical pop composer and notably composed the famous christmas song sleigh ride .

30.95 £
Edition Wilhelm Hansen
Set of parts for String Quartet No.18 Op.153 'Giornata' by Vagn Holmboe (1982). Set of parts for String Quartet No.18 Op.153 'Giornata' by Vagn Holmboe (1982).

8.18 £
Edition Wilhelm Hansen
Bo Holten's Rota Veneris - 3 Gothic Love Songs for mixed choir based on late medieval motets. I: Quia sub umbraculum II: Aprili tempore III: Plangit nonna Bo Holten's Rota Veneris - 3 Gothic Love Songs for mixed choir based on late medieval motets. I: Quia sub umbraculum II: Aprili tempore III: Plangit nonna

2.50 £
Thames Publishing
John Ireland’s terrific version of the Missa Brevis St. Stephen’s Mass for unaccompanied mixed voices is deceptively simple with a plainer setting than his other compositions. Probably started in 1932 there is no record of this piece and in fact it was an unfinished work. It has been effectively and authentically completed and edited by Geoffrey Bush. John Ireland’s terrific version of the Missa Brevis St. Stephen’s Mass for unaccompanied mixed voices is deceptively simple with a plainer setting than his other compositions. Probably started in 1932 there is no record of this piece and in fact it was an unfinished work. It has been effectively and authentically completed and edited by Geoffrey Bush.

4.14 £
Edition Wilhelm Hansen
Transposed score for ensemble. Liebeslied is written for and with love dedicated to ensemble recherche and performed at their 25th Anniversary Concert Saturday 12th June 2010 in Freiburg. Bass Flute Oboe d'amore Bass Clarinet Percussion (1 player - Vibraphone Bass Drum (large) Piano (with Marimba Mallet) Violin Viola Cello Hans Abrahamsen 's Liebeslied for Ensemble. Liebeslied is written for and with love dedicated to Ensemble Recherche and performed at their 25th Anniversary Concert Saturday 12th June 2010 in Freiburg. Instr.: Bass Flute Oboe d'amore Bass Clarinet Percussion Piano (with Marimba Mallet) Violin Viola Cello. Parts are available on hire: hire@ewh.dk

6.95 £
Spartan Press
These short melodic pieces for violin with piano accompaniment were inspired by Lewis Carroll's story. The violin part is Grade 4 in 1st position with a few notes in 3rd position and uses varied bowings and keys. Grade: 4

6.25 £
Ernst Eulenburg u. Co.
Mit über 1.200 Titeln aus Orchester- und Chorliteratur Kammermusik und Musiktheater ist die Edition Eulenburg die größte Partiturreihe der Welt. Sie deckt einen große Teil der Musikgeschichte vom Barock bis zur klassischen Moderne ab und blickt auf eine lange Tradition zurück.

14.50 £
Zen-On
Flute Ensemble. Ikebe S

19.99 £
Schott Music
Baldassare Galuppi (1706-1785) received his first music lessons from his father and later became a pupil of the famous Antonio Lotti. His oeuvre first and foremost includes operas and oratorios but he also wrote chamber music works cantatas and works for piano. Although well-known in his days and highly acclaimed by his contemporaries such as Christian Friedrich Daniel Schubart and Charles Burney for his compositional skills he rather has to be classed among the forgotten composers today. This new edition with 9 of his harpsichord sonatas published in Nuremberg and London during Galuppi's lifetime aims to put things right.

22.07 £
Edition Wilhelm Hansen
New Ground String Quartet N0. 10 (Parts) Set of parts for Pelle Gudmundsen-Holmgreen's String Quartet No. 10 'New Ground' (2011). Score: WH31462

22.50 £
Universal Edition
Duo Op.7 for Violin and Cello by Zoltán Kodály.

45.95 £
Edition Wilhelm Hansen
The title The Deserted Churchyards refers to several churchyards along the western coast of Northern Jutland which long ago were safely inland but which now are being eaten up by the threatening sea. Though The Deserted Churchyards is an independent work it can also be played as a Prelude to Funeral Procession . The Deserted Churchyards was commissioned by Lerchenborg Music Days and is dedicated to Louise Lerche-Lerchenborg. The title The Deserted Churchyards refers to several churchyards along the western coast of Northern Jutland which long ago were safely inland but which now are being eaten up by the threatening sea. Though The Deserted Churchyards is an independent work it can also be played as a Prelude to Funeral Procession . The Deserted Churchyards was commissioned by Lerchenborg Music Days and is dedicated to Louise Lerche-Lerchenborg.

7.95 £
Spartan Press
Jazz Hands is a series of original jazz pieces for Piano by Mark Tanner which covers all standards from grade one through to red hot. Although the player may feel free to indulge in a spot of improvisation in response to the printed music there is no expectation to do so in any of the books. Nor are there any chord symbols or other bespoke abbreviations the like of which presuppose a degree of familiarity with the genre which may not actually be the case. Rather the idea is that the player will become gradually more confident and adept at playing in a jazz style as he/she works through the books. It may well be that a classically-trainedpianist has reached say grade 5 but feels currently at a more modest stage when tackling jazz. This is absolutely not a problem and indeed is all the more reason for the 'straight' player to extend their jazz skills to match. The title of this series 'Jazz Hands' derives from the familiar exuberant gesturing seen in music theatre – fingers spread and extended with palms facing upwards an effect frequently amplified by a convulsive shivering of the hands. Cheerleaders have tended to make widespread use of jazz hands while the concept has also found its way into revues Broadway shows and films as well as contemporary dance. In the current context I am of course referring to the jazz pianist's hands which in only the most ambitiously spaced Art Tatum chord would require the player to stretch the digits to such an extent as in the aforementioned theatrical sense. The term 'jazz' has been adopted and adapted in a multiplicity of ways (not unlike 'classical' indeed) so that it no longer tells us very much about the music itself. Aficionados immediately recognise the better-known subgenres such as 'bebop' or 'New Orleans' styles and may even be able to distinguish 'smooth' from 'groove' or 'fusion/crossover' from 'postmodern'. And yet these are just labels not music. In an understandable bid to define all that we hear

17.99 £
Schott Music
Also suitable for Violin Flute or Oboe

12.99 £
Schott Music
Godfrey Finger 's Four Sonatas for two Treble Recorders Op 2.

66.76 £
Edition Wilhelm Hansen
Opera in two acts- The Vocal Score for Franz Schubert 's Sakontala - an Opera in 2 Acts. Reconstruction by Karl Aage Rasmussen . Libretto by Johann Phillip Neumann based on a drama by 'the Homer of India' the most famous Oriental poet Kalidasa.

12.50 £
Yorke Edition
Violin viola and bass. Anamazing piece of musical research enabled this work to be assembled from autographs surviving in Prague Bologna Vienna and Paris. Vintage Vanhal published here for the first time; five short movements in best late 18th century style. Score and parts. Grade: Moderate

12.50 £
Editions Salabert
Reduction Pour Alto Et Piano- Jean Rivier's Concertino for Viola and Orchestra . This title is featured on the Trinity College London Viola Grade 8 syllabus.

10.95 £
Edition Wilhelm Hansen
Throughout the years there have been many misprints minor and major found in Carl Nielsen's work. They range from missing staccato dots accents tempo markings and dynamic markings to missing notes and wrong notes. It has been the editor's desire to collect as many of these misprints as possible in these excerpts for trombone and tuba. Editorial corrections have been referred to in the text as well as having been written out or corrected in brackets. Throughout the years there have been many misprints minor and major found in Carl Nielsen's work. They range from missing staccato dots accents tempo markings and dynamic markings to missing notes and wrong notes. It has been the editor's desire to collect as many of these misprints as possible in these excerpts for trombone and tuba. Editorial corrections have been referred to in the text as well as having been written out or corrected in brackets.