Voice and piano (classical)-A program of entertaining and highly varied pieces for Voice written to correspond with the Trinity College London examinations. The songs are carefully graded and intended to fully explore the reange of techniques and abilities required for singing at the level of grades 2 to 4. Voice Part Only.

Du Gamle Måne by Kai Normann Andersen expertly arranged for SAB Choir by Lone Grau Andersen Du Gamle Måne by Kai Normann Andersen expertly arranged for SAB Choir by Lone Grau Andersen

Composed for Christian Martinez. Per Norgard' s Arabesques for Percussion Solo (2011) was composed for Christian Martinez.

Programme Note During the composition of my tenth string quartet a flower-name høst-tidløs came to my mind - and it would not me leave again. [høsttidløs is actually autumn crocus in English but the composer prefers harvest-timeless to maintain some of the associations of the Danish flower-name red.] The paradoxical union of a seasonal time (harvest) and no-time-at-all was a good fit to the sections of the work that I had composed at that time and I decided to tentatively stick to that title for the work-in-progress and now having finished the piece I can say that is is still a fitting title - and it stands. Enough about the title I will go on to describe themusic a somewhat more precarious project. My tenth string quartet is probably the most basic string quartet that I have composed: melodically - and in sound - it employs the naturally based overtones and undertones (perceived at major and minor respectively) and rhythmically it is based on growth on the principles of the Golden Section and the structure itself contrasts abundance and exuberance with sections of immobility and contemplation. However Melos melody is definitely the dominating aspect of my STRING QUARTET NO. 10: behind even the most rhythmically complex or pure sonoric sections lies a firm - if hidden - basis of melodic or polyphonic ideas. The work was composed in 2004-2005 for the Kroger Quartet. Programme Note During the composition of my tenth string quartet a flower-name høst-tidløs came to my mind - and it would not me leave again. [høsttidløs is actually autumn crocus in English but the composer prefers harvest-timeless to maintain some of the associations of the Danish flower-name red.] The paradoxical union of a seasonal time (harvest) and no-time-at-all was a good fit to the sections of the work that I had composed at that time and I decided to tentatively stick to that title for the work-in-progress and now having finished the piece I can say that is is still a fitting title - and it stands. Enough about the title I will go onto describe the music a somewhat more precarious project. My tenth string quartet is probably the most basic string quartet that I have composed; melodically - and in sound - it employs the naturally based overtones and undertones* (perceived at major and minor respectively) and rhythmically it is based on growth on the principles of the Golden Section and the structure itself contrasts abundance and exuberance with sections of immobility and contemplation. However Melos melody is definitely the dominating aspect of my STRING QUARTET NO. 10; behind even the most rhythmically complex or pure sonoric sections lies a firm - if hidden - basis of melodic or polyphonic ideas. The work was composed in 2004-2005 for the Kroger Quartet.

This work is intended for performance on Good Friday during the Adoration of the Cross ceremony of the Roman (Catholic) rite. The pitch of the sung parts is given by a member of the choir who after discreetly obtaining a tone with the aid of a tuning fork (or other such device) intones Popule meus (and later Hagios) clearly on the notes indicated in each case. The recited Hagios choruses should be performed as speech on diverse tones but in the natural speaking registers and in compliance with the rhythms and expression marks indicated. When reciting the word Sanctus the consonant nc should dominate. The two speech choruses develop into a Miserere nobis sung onchance (random) tones with fixed time values (durations) the second time however culminating in completely free improvisation. At this point each singer sings Miserere nobis independently of the others. The sentence may be repeated (ad lib.) with new variations until at a sign from the leader each initiated phrase is terminated in a diminuendo. These improvised sections should allow for considerable freedom of expression. They should be a result of spontaneous inspiration but should at all times be characterised by sacral dignity and should conform to the character of the work as a whole. All sections to be performed quasi attacca - keep the intensity. The reproaches are to be recited by a male chorister in his normal speaking register but quasi cantabile . It is left at the discretion of the performers to decide how many of the recited verses in the last section of the work are to be performed. When Popule is sung for the last time the word mihi should be uttered as a sigh. Bernhard Lewkovitch This work is intended for performance on Good Friday during the 'Adoration of the Cross' ceremony of the Roman (Catholic) rite. The pitch of the sung parts is given by a member of the choir who after discreetly obtaining a tone with the aid of a tuning fork (or other such device) intones 'Popule meus' (and later 'Hagios') clearly on the notes indicated in each case. The recited 'Hagios' choruses should be performed as speech on diverse tones but in the natural speaking registers and in compliance with the rhythms and expression marks indicated. When reciting the word 'Sanctus' the consonant 'nc' should dominate. The two speech choruses develop into a 'Miserere nobis' sungon chance (random) tones with fixed time values (durations) the second time however culminating in completely free improvisation. At this point each singer sings 'Miserere nobis' independently of the others. The sentence may be repeated (ad lib.) with new variations until at a sign from the leader each initiated phrase is terminated in a diminuendo. These improvised sections should allow for considerable freedom of expression. They should be a result of spontaneous inspiration but should at all times be characterised by sacral dignity and should conform to the character

Animal Saxophone is a series of themed compositions for the beginner. The pieces are all beautifully arranged with CD accompaniment capturing the character of the animals within the music. Each piece focuses on a different musical aspect such as slurring staccato rests ties dynamics triplets trills and grace notes. Pete Regan co-wrote some of the tunes in the book. Thanks also go to Eleanor Boalch for writing the melodies to The Elephant and The Bird. CD produced and engineered by PD Productions Keyboards: Diana Sanders Electric and acoustic guitars: Pete Regan Bass Guitar: Pete Regan Alto Saxophone: Judy Nicol

Arranged by Jan van der Goot. Grade: 5 - 6.

Poul Ruders: Occam’s Razor contains 8 short pieces for Oboe and Guitar expertly composed by Poul Ruders . The title Occam’s Razor dose not pay any direct correlation to the music itself but to the term used by many physicists that describes the use of the simple solution over a more complex alternative. The Danish composer Poul Ruders has created a large body of music ranging from opera and orchestral works through chamber vocal and solo music. Poul Ruders: Occam's Razor contains 8 short pieces for Oboe and Guitar expertly composed by Poul Ruders. The title Occam's Razor dose not pay any direct correlation to the music itself but to the term used by many physicists that describes the use of the simple solution over a more complex alternative. The Danish composer Poul Ruders has created a large body of music ranging from opera and orchestral works through chamber vocal and solo music.

This is the Chours score for Sounds Like You by Bent Sorensen - scored for 2 actors Choir SATB and Orchestra (2007-08). Text by Peter Asmussen. Commissioned by Bergen International Festival 2009 and DR - Danish Broadcasting Corporation.

One Done Trikanilje by Bent Lorentzen. For three voice choir.

Four of Debussy's most playable Preludes for Piano. Including 'Danseuses De Delphes' 'Des Pas Sur La Neige' 'La Fille Aux Cheveux De Lin' and 'Minstrels'. Grade: 7 - 8 Four of Debussy's most playable Preludes for Piano. Including 'Danseuses De Delphes' 'Des Pas Sur La Neige' 'La Fille Aux Cheveux De Lin' and 'Minstrels'. Grade: 7 - 8

All the tunes in the book are written in the 'Chalumeau Register' for the Clarinet In Bb and are suitable for students in their first year. Includes chord symbols for optional Guitar and/or Keyboard accompaniment.

Holmboe's Quartet from Opus 90 is a wonderful work for Flute Violin Viola and Cello. A set of parts is also available under item code WH49167. Holmboe's Quartet from Opus 90 is a wonderful work for Flute Violin Viola and Cello. A set of parts is also available under item code WH49167.

Bent Lorentzen 's Carnaval - Version A for Actor Mezzo-Soprano Baritone and Tape (1976). Version B for low voice Flute Cello Guitar and Perc: KP1034 Orig.idea by Carla Henius and Michael Leinert.

Julens Glaede - Himmelfalden by Per Norgard for Mixed Choir SATB (1985). Text by Johannes Mollehave. From Korbogen : WH30161

PF-QRT SET. Kahn R

Six pieces-Piano 4 Hands. Faure G.

From the Song Of Solomon Composed 1993-94 Over tekster fra Hºjsangen. Svend Hvidfelt Nielsen 's Shulamit Danser (1993-94) for Mezzo-Soprano Flute Bassoon and Organ. Over tekster fra Hojsangen / From the Song Of Solomon.

Learn to Play Brass the Bollywood Way- Kay Charlton 's Bollywood Blast -Trumpet is produced by the Bollywood Brass Band (BBB) and is designed to get you playing Trumpet or Cornet in a Bollywood style. As you work your way through this book you will learn how to play like the BBB and also find out about Brass Bands in India and the UK Indian weddings and of course about Bollywood films the music and the stars.

Ensemble1 Flute1 Clarinet1 BassoonHarpPianoViolinViolaVioloncelloThe score is written in C Bridges And Paths for Chamber Ensemble was composed by Soren Nils Eichberg in 2012. Commissioned by the Danish Chamber Players (Storstroms Kammerensemble). Parts are for hire: hire@ewh.dk