Lennox Berkeley 's Sonata No. 1 for Violin and Piano. Written when Berkeley was studying with Nadia Boulanger this sonata was premiered by Yvonne Astruc and Madeleine Grovlez for the Société musicale indépendante at the Ecole normale de musique in Paris on 4 May 1932. The work is dedicated to Gladys Sophia Bryans an elderly admirerof Berkeley who died in 1951. She lived at Rudge House Painswick Gloucestershire and her house parties included Berkeley and Britten when they were working on their joint orchestral suite Mont Juic in 1937. The first recording of this Sonata along with No. 2 Berkeley ’s official Op. 1 was made in 2013 by Edwin Paling and ArabellaTeniswood-Harvey on Move MD3361. Their performing score has been consulted for this first publication which has had the support of the Lennox Berkeley Society. The source is a manuscript in a copyist’s hand now at the British Library. Lennox Berkeley 's Sonata No. 1 for Violin and Piano. Written when Berkeley was studying with Nadia Boulanger this sonata was premiered by Yvonne Astruc and Madeleine Grovlez for theSociété musicale indépendante at the Ecole normale de musique in Paris on 4 May 1932. The work is dedicated to Gladys Sophia Bryans an elderly admirerof Berkeley who died in 1951. She lived at Rudge House Painswick Gloucestershire and her house parties included Berkeley and Britten when they were working on their joint orchestral suite Mont Juic in 1937. The first recording of this Sonata along with No. 2 Berkeley ’sofficial Op. 1 was made in 2013 by Edwin Paling and Arabella Teniswood-Harvey on Move MD3361. Their performing score has been consulted for this first publication which has had the support of the Lennox Berkeley Society. The source is a manuscript in a copyist’s hand now at the British Library.

The Merry Widow' 'The Blue Danube' 'Waltz Of The Flowers' - just three of the seventeen favourites contained in this book. Simplified arrangement plus chord symbols.

Short light-hearted and tuneful piece for a brass quintet consisting two trumpets horn trombone and tuba. This is a one-movement rag that is not difficult and employs many devices characteristic of this kind of music such as glissandi and strong dynamic contrasts.

... plus ten more hit songs ideal for auditions. A unique CD and music pack specially developed for male singers auditioning for shows revues and bands. Features sheet music for each song in piano/vocal/guitar arrangements plusa CD of professionally recorded demos and backing tracks.

for Trumpet- Arranged by: Colin Mawby Sea shanties are an important part of the naval tradition of many countries. Theses straightforward arrangements should be played with vitaliyy excitement and panache. Sea shanties are an important part of the naval tradition of many countries. Just as dancing helped keep sailors fit so the shanty was sung to lighten the physical strain of the back-breaking tasks of raising the anchors hoisting the sails and manning the capstan. Relieve the past with these straightforward arrangements for Trumpet which should be played with vitality excitement and panache.

The New Novello Choral Edition of Mozart's masterpiece edited by Michael Pilkington.

Sonatas IV-VI-The Work of Henry Purcell Sonatas IV-VI

Edited by James Brown. Includes music by Telemann Vanderhagen Brod and Haydn-Dietter.

Sixteen outstanding melodies by France's leading film composer arranged as piano solos. Numbers include 'The Windmills Of Your Mind' and 'The Summer Knows'. Piano arrangements with guitar chord symbols.

This is the full score and parts for Chromattic by Michael Nyman scored for Soprano Saxophone Alto Saxophone Accordion Marimba and Double Bass. The work was composed by the Chroma Ensemble and lasts around 13 minutes. This is the full score and parts for Chromattic by Michael Nyman scored for Soprano Saxophone Alto Saxophone Accordion Marimba and Double Bass. The work was composed by the Chroma Ensemble and lastsaround 13 minutes.

John Tavener 's Coplas composed in 1970 for SATB Choir. Score and performance CD. ' Coplas is a short anthem for voices and tape. It belongs to a much larger work called 'Last Rites' which I have been thinking about for about a year. It is based on the mystical idea of St. John of the Cross which obsesses me - the more I live the more I must die. Hence the deliberately static nature of Coplas. In once sense Coplas is a prolonged decoration of the 'et sepultus est' cadence from the Crucifixus in Bach's Mass in B minor. In another sense I think of it not so much as my music but a way of listening to Bach's music. ' - John Tavener John Tavener 's Coplas composed in 1970 for SATB Choir. Score and performance CD. ' Coplas is a short anthem for voices and tape. It belongs to a much larger work called 'Last Rites' which Ihave been thinking about for about a year. It is based on the mystical idea of St. John of the Cross which obsesses me - 'the more I live the more I must die.' Hence the deliberately static nature of Coplas. In once senseCoplas is a prolonged decoration of the 'et sepultus est' cadence from the Crucifixus in Bach's Mass in B minor. In another sense I think of it not so much as my music but a way of listening to Bach's music. ' - JohnTavener

This beautifully presented edition from Novello offers a full Mass setting alongside a Motet both for SATB chorus by Tomas Luis De Victoria. Regarded by many as one of the greatest composers of Spanish renaissance polyphony this Mass setting is rich in his characteristic tonalities and the textures of the sacred choral tradition. Alongside this is the original Motet upon which the Mass setting is based. Both are transcribed and edited by Andrew Parker. The pairing of the two works offers an exciting and fascinating performance opportunity with the devout grandeur of the Mass set against the modesty of the original Motet.

A short sweet setting for mixed voices of Christina Rossetti's 'Lord Jesus Thou art sweetness to my soul' written in 1949. A short sweet setting for mixed voices of Christina Rossetti's 'Lord Jesus Thou art sweetness to my soul' written in 1949.

Joseph Horovitz' Sonatina for Clarinet and Piano was composed between January and April 1981. A lighthearted Sonatina which follows the traditional pattern of the three movement division and is melodically and rhythmically much influenced by Jazz and other popular music.

Uses: Easter Easter Sunrise Scripture: Luke 24:1-12 Sunrise Resurrection has the spirit of an early American folk or square dance - a truly celebratory piece of music that is quitedifferent from the usual Easter proclamation. The contrasting slower legato solos are quickly overtaken by the unrestrained joy and exuberance of the choir. Ideal for use as an anthem or an introit for Easter.

Words and music commissioned by Cappella Novocastriensis to celebrate its fiftieth anniversary funded by a donation from the Estate of the late Mr and Mrs H.F.G. Andrews Friends of Cappella. First performance on 13 November 2010 at St George’s Church Jesmond Newcastle upon Tyne conducted by Eric Cross. Includes a Piano accompaniment on the score to aid with rehearsal. John Joubert - Pilgrimage Song by musicroom

This funeral anthem for SATB and orchestra was composed for and performed at the funeral of Queen Caroline consort of George II in Westminster Abbey on 17 December 1737. This vocal score is edited by Watkins Shaw and includes a piano reduction of the orchestral score. Duration approximately 50 mins.

Davies discovers aspects of himself in examining one of his most troubled predecessors. That discovery can take place either on his home ground (in the mezzo-soprano version writen for The Fires of London) or with chorus singingGesualdo's O Vos Omnes and repeatedly falling silent so that the musical argument may continue on a different plane that of Davies's four meditations for sextet murmuring darkly about Gesualdo's ideas. The viola doublesthe violin and the glockenspiel doubles the marimba. The harpsichord is doubled by the celeste chamber organ or harmonium. Duration c. 20mins.

Helen Grime wrote this Christmas carol for the Hallé Youth Choir to sing at the close of 2013. The words are from an anonymous medieval cradle song. Grime said of the piece: “I haven’t written much choral music before so it’s really exciting for me. And I know they’re an absolutely fabulous choir. I wanted to write something quite simple in structure and clear in meaning.” Helen Grime wrote this Christmas carol for the Hallé Youth Choir to sing at the close of 2013. The words are from an anonymous medieval cradle song. Grime said of the piece: “I haven’t written muchchoral music before so it’s really exciting for me. And I know they’re an absolutely fabulous choir. I wanted to write something quite simple in structure and clear in meaning.”

A collection of classical works for Flute and Piano edited by Trevor Wye. These tunes have been taken almost entirely from the flute repertoire. Suitable for flautists with limited experience. (Grades 2-3). Volume One includesmusic by Blavet Vivaldi Franck Mozart Lichtenthal.