Edited by James Brown. Includes music by Danzi Saint-Saens Fargues and Cherubini.

Suite For Skip And Sadie was inspired by the antics of the composer's cats who lived with him in his New York apartment. These four attractive and accessible pieces are for piano duettists of equal abilitiy Grade VI and above. Duration 8 minutes

Seventeen hits including Father And Son and Can't Keep It In as well as favourites such as Hard Headed Woman Peace Train and Wild World . Specially transcribed & arranged for guitar tab &standard notation.

25 of his greatest songs transcribed from the original recordings for guitar and voice in standard and tab notation complete with chord boxes & symbols and lyrics.25 of his greatest songs transcribed from the original recordings for guitar and voice in standard and tab notation complete with chord boxes & symbols and lyrics.

For the first time in one volume here are 27 of Bach's most famous works specially selected and arranged for piano complete with fingering. Suitable for grades 2-4. Includes a special biographical section on Bach and hismusic.

Electronic bass method suitable for individual or group study. Other instrument parts available for group study or performance. SEE ALSO> GTR KBD PERC. Electronic bass method suitable for individual or group study. Other instrument parts available for group study or performance. SEE ALSO> GTR KBD PERC.

Oboe and Piano Reduction. Commissioned by the BBC for the 1973 Promenade Concerts to celebrate the 70th Birthday of the composer.

Richard Reed Parry 'S Heart And Breath Sextet For Piano Six-Hands Violin Viola And Violoncello. Heart And Breath Sextet Was Commissioned By The 2011 Musicnow Festival For Ymusic. ' This Piece Is Based Around The Idea Of Using The Widely Varying Internal Rhythms Of The Performers’ Bodies As Performance Parameters. There Is No Actual Tempo Or Meter Built Into The Piece. The Breathing Rates Of The Players Are Used In Alternation With The Individualperformers’ Heart Rates To Determine The Pace At Which All Of The Musical Material Is Played. This Requires That The Performers Generally Play Quietly And Delicately So As To Be Able To Hear Their Heartbeats Adequately.This In Combination With The Natural Variance Between The Different Heart Rates Results In A Kind Of Delicate Musical “Pointillism”: Starts And Stops Which Are Somewhat Staggered Parts Which Repeatedly Line Up And Fall Out Of Synch With Each Other Different Individuals’ Pulses Rising And Falling. The Piece Is Never Performed Exactly The Same Way Twice. In This Piece The Pianists Wear Stethoscopes Positioned Over Their Hearts So That Each Can Follow His Or Her Own Heart Rate. Two Eighth Notes (Quavers) Correspond To The Two Sounds Of A Single Normal Heartbeat And Performers Should Match As Closely As Possible The Staccato And Irregular Rhythm They Hear. The Strings Are Instructed To ‘Play To Breath’; The Natural Cycle Of One Inhalation And One Exhalation Or Vice Versa Will Determine The Length Of The Bar (Two Quarter Notes/Crotchets) Without Any Attempt To Make It Metronomic. When One Instrument Is Designated The Leader Their Breath Will Determine The Starts Of Phrases And The Procession From One Bar To The Next Cuing Other Parts If Necessary. ' - Richard Reed Parry Richard Reed Parry 's Heart And Breath Sextet for Piano Six-hands Violin Viola and Violoncello. Heart And Breath Sextet was commissioned by the 2011 MusicNOW Festival foryMusic. ' This piece is based around the idea of using the widely varying internal rhythms of the performers’ bodies as performance parameters. There is no actual tempo or meter built into the piece. The breathing ratesof the players are used in alternation with the individualperformers’ heart rates to determine the pace at which all of the musical material is played. This requires that the performers generally play quietly and delicately so asto be able to hear their heartbeats adequately. This in combination with the natural variance between the different heart rates results in a kind of delicate musical “pointillism”: starts and stops which are somewhat staggered parts which repeatedly line up and fall out of synch with each other different individuals’ pulses rising and falling. The piece is never performed exactly the same way twice. In this piece the pianists wear stethoscopespositioned over their hearts so that each can follow his or her own heart rate. Two eigh

Work for Chorus and Orchestra.

Ten current stage hits in melody line arrangements. Includes numbers from Wicked Hairspray Rent and Mamma Mia! . Step into the spotlight & play along with the backing tracks on thespecially recorded CD.

The Chorus Part only of the original vocal setting which rather than SATB was for the unusual combination of STTB.

For Voices in Unison. For Voices in Unison.

The songs selected for this book cover the broad spectrum of both folksong in general and the Dubliners' repertoire in particular. Includes 'Matt Hyland' 'The Spanish Lady' and 'Ploughboy Lads'.

Nineteen famous Country and Western tunes. Simplified arrangements of 'Jolene' 'King Of The Road' 'There Goes My Everything' and 16 more favourites with lyrics and chord symbols.

Commissioned by the National School Band Association the first performance of this work took place at the Snape Maltings Concert Hall in Suffolk 1988 conducted by the composer.

Over 20 of the best known Christmas carols arranged for recorder with lyrics and guitar boxes. Includes 'Away In A Manger' 'Jingle Bell Rock' and 'We Wish You A Merry Christmas'.

For SA soli strings and organ. This book contains voice parts and a organ accompaniment historical and documentary introduction by Watkins Shaw and a preface and liturgical introduction by editor Graham Dixon. For SA soli strings and organ. This book contains voice parts and a organ accompaniment historical and documentary introduction by Watkins Shaw and a preface and liturgical introduction by editor Graham Dixon.

Three Intermezzi for Clarinet and Piano- Edited by Colin Bradbury. Two works for the clarinet by Charles Villiers Stanford (1852-1924) are well known; the concerto Op. 80 of 1902 and the sonata Op. 129 of 1918. By the time he wrote the first of thesethree Intermezzi Stanford was an established composer with over seventy works to his credit.

The choir (as narrator) tells the story of the downfall of a couple and their farm at the hands of the Poltergoose when they ignore advice and fell their wood. Scored for voices (unison or easy two-part) and instrumentalists with dialogue in rhyming couplets dance and drama. Easy piano part supports the vocal line. Instrument parts suitable for recorders violins guitars and pitched percussion. Score & Parts (15 x Voices and Instruments 5 xUnpitched Percussion)

A charming and entertaining choral song for Unison voices by Elizabeth Poston includes full Piano accompaniment.