This delightful piece describes the robust nature of the many beautiful scenic lakes formed around the Cumberland River in Kentucky USA. An enchanting short concert work for beginner bands.

These pieces were originally improvisations and they must be played spontaneously as improvisations are played. Freedom clarity and fun should characterize performances of the music. These pieces were originally improvisations and they must be played spontaneously as improviations are played. Freedom clarity and fun should characterize performances of the music.

Jazz Paraphrase is a collection of pieces in the style of famous Jazz Clarinettists. Jeffery Wilson 's Jazz Paraphrase is a collection of pieces in the style of famous Jazz Clarinettists.

Later Elementary Level-Playful and charming to the very last measure the piece is an excellent introduction to grace notes! Key: C Major. Playful and charming the piece is an excellent introduction to grace notes! Key: C Major.

The title SILVER RIBBON CHANTEYS comes from the fascinating history of Ohio and the collections of great old folk songs that came into existence because of the Ohio-Erie Canal. There are three distinctly different movements each featuring one historic canal folk song. The diverse folksongs call for a wide range of playing styles and make a well-balanced and interesting combination.SILVER RIBBON CHANTEYS is yet another exciting adventure in music for you and your band. These hearty old canal folk songs are real diamonds in the rough! You are sure to enjoy this delightful arrangement!LOW BRIDGE! EVERYBODY DOWN!

Exceptionally useful! This collection of 24 etudes is specifically designed to help develop good individual and ensemble tone production and intonation. Citing tone production as one of the most important facets of good playing Jim Curnow starts beginning players with material they have learned in their beginning method books and then moves on to new and more advanced concepts. A great aid for your program!

L'automne vals a composition for the piano by I. Albeniz L'automne vals a composition for the piano by I. Albeniz

An old English song arranged by Harry Geehl for SA chorus and piano. Duration approximately 3 minutes.

D'Est En Quest

Second collection of carefully graded material to give a wide scope of musical interest and knowledge in the form of pieces of great appeal. The material is planned as a follow-on to the First Harp book.

Written for Unison with Piano accompaniment (optional).

Izumi Shibata commissioned the Ballad for Bass Trombone as a unique and thoughtful birthday present for her husband who happens to play this very instrument. Thanks to her gift bass trombone players around the world received a stunning addition to their repertoire. The ballad will be a welcomed challenge for every soloist and an interesting though not particularly demanding job for the accompanying pianist.

Variations on a Theme in Ancient Style- Homage comprises six variations on an original theme in Renaissance style. Written as a test piece for the renowned contest ‘Gouden Spiker Festival’ in Friesland (The Netherlands) it is a challenging concert or contest piece presentingattractive and demanding parts for all sections.

For SATB Choir. For SATB Choir.

Francis Jackson's Sing A New Song To The Lord arranged for SATB and Organ.

20 Short Recital and Study Pieces for the Intermediate Player-Based on the cinematic idea of a curious child climbing up to the attic and discovering a jumble of boxes trunks old clothes and a long neglected instrument this collection of short recital and study pieces evokes the spirit of musical discovery. Composed by John Walker these new pieces are specially designed for the intermediate-level musician. Available for Violin Flute Clarinet Alto Saxophone Trumpet and Trombone. A curious child climbs up to the attic and discovers a jumble of boxes trunks old clothes and dusty junk. There a black leather case catches her eye. She pries it open and finds inside an old Violin - her grandmother's from high school. Sitting on the floor she tunes the strings and tightens the bow. As she draws the bow across the strings the Violin becomes alive with music. To her delight she discovers more and more treasures in the attic. Staccato rain plays on the roof just above where she looks through her trove of riches playing a new melody with each discovery... John Walker has composed a new series of short recital and study pieces set in amagical world. Specially designed for the intermediate-level musician these 20 works evoke the spirit of musical discovery while helping students learn new phrasing fingerings and articulations. A welcome addition to every student's library this musical adventure will both teach and entertain.

Mezzo-Soprano-Recorded by Phyllis Bryn-Julson (soprano) George Walker (piano) The Music of George Walker CRI CD 719.

Chorus & piano.

Régis Campo: Les Villes-Lumières pour trompette trombone et cor.

Born in Havana Cuba in 1895 Ernesto Lecuona is arguably Cuba's greatest serious composer. He was a gifted pianist who wrote hundreds of songs and piano works before he died in 1963. Most of his music is composed in a rich authentic Cuban style. The most famous of his works is Malagueña the sixth movement of his Suite Andalucia for solo piano which was first published in 1928. Malagueña has been recorded as a popular song (with added lyrics) as a serious piano work (even by Lecuona himself in the 1950's) and also as a jazz standard (Bill Holman's arrangement for the Stan Kenton Orchestra in the early 1960's.) Over the years it has been arranged many times for variousother mediums ranging from symphony orchestra to field arrangements for drum and bugle corps.In 1976 James Barnes arranged Malagueña for the University of Kansas Marching Band. A few years later with permission from the publisher he expanded this original arrangement into a full work for symphonic band called Prelude Fantasy and Fandango on Lecuona's Malagueña. After several performances in the spring of 1978 (most notably at the MENC Convention in Colorado Springs) this work along with over 200 other Barnes manuscripts lay fallow in the KU Band Library. While packing up his office belongings when he retired from The University of Kansas in 2015 Barnes came across this long languishing Prelude Fantasy and Fandango which remained in condensed score. In the fall of 2016 he completely re-composed the opening portion of the work reduced the number of required percussion and disposed of the two harps in his 1978 version. This new setting features evocative thinly scored extended solo passages for clarinet bassoon and flute before the full wind band concludes the work with a powerful dramatic setting of the main themes of Lecuona's masterful Malagueña.