It is unknown for what occasion W. A. Mozart composed the Kyrie in D minor KV 341 (368a) but its structure and instrumentation would suggest that he had a large-scale mass in mind which remained unfinished. It was probably written around the same time as the Idomeneo while Mozart was staying in Munich between November 1780 and March 1781. - Urtext of the New Mozart Edition - Full score parts (BA4702) and vocal score (BA4702-90) available for sale

For absolute beginners at their first lesson. This book includes a guide to the position of middle C and the notes in the treble and bass. In order to play the first few pieces in the which are confined to the five-finger group in each hand you only need to know how to find notes by position from middle C. Daily finger exercises are included at the beginning of the book containing the various time-signatures and note values used in the album.

Big-Note Piano- The Wizard of Oz: 70th Anniversary Deluxe Songbook features classic songs by E.Y. 'Yip' Harburg and Harold Arlen carefully arranged for easy-to-read big note Piano. Lyrics chord symbols and helpful fingerings are included. As a bonus the folio includes dozens of original production stills publicity photos a comprehensive essay on the story behind the songs and score and biographies of the composers. This is a must-have for those who love this film and its timeless score!

Authentic Big Band swing style music for the concert band! You know this one will be a crowd pleaser and SO much fun to play! Stephen Bulla works his magic with the great Jazz sounds of the 40s and 50s in such a way that your band will be able to put it together and make it happen. Lots of great jazz style articulation and harmonic considerations ensure that your students are doing more than just playing the piece. They are learning Big Band Jazz style interpretation in the bargain and loving it as they do. This is a great opportunity to study the historical American roots of Jazz!

A Romantic Sketchbook for Piano explores the wealth of piano music from the Romantic period in five carefully graded albums. Each volume presents a variety of keys time signatures and textures within a comprehensive range of tempi which will be invaluable to students in the development of their musical skills. A Romantic Sketchbook For Piano explores the wealth of piano music from the Romantic period in five carefully graded albums. Mostly composed between 1830 and 1930 the pieces in these albums have been selected to introduce players to a wide range of music from works by some of the leading Romantic composers (such as Schumann Mendelssohn and Tchaikovsky) to unfamiliar pieces by lesser-known figures. Each volume presents a variety of keys time signatures and textures within a comprehensive range of tempi which will be invaluable to students in the development of their musical skills. Players will also respond imaginatively to the varying styles and moods offeredin these colourful sketchbooks from the lively dances and mood pictures to the tender songs and gentle serenades. The five books in this series are graded in terms of difficulty Book 1 being relatively easy and Book 5 advanced.

Cuba is one of the word’s few remaining communist countries and has a turbulent history behind it in no small part due to the charismatic Fidel Castro who has steered a more Western course in the last few years. Willy Fransen wrote a musical travel piece about the real Havana with illustrations from the local scene enjoying a daiquiri while a live band plays in the Buena Vista Social Club.

paper cover-The Well-Tempered Clavier is published as part of ABRSM's 'Signature' Series - a series of authoritative performing editions of standard keyboard works prepared from original sources by leading scholars. Includes informative introductions and performance notes. Winner of the Music Retailers Association's Standard Publication Award for 1994. Edited by Richard Jones with commentaries by Donald Francis Tovey. The first part of Bach's 48 preludes and fugues. Set as part of the ABRSM Harpsichord grade 8 examination.

Soaring themes intertwine with compelling rhythms and inventive harmonies to render an unforgettable musical experience through acclaimed composer James L. Hosay’s impressive new overture. This one may well be the “signature” piece for your band this year. Every section will be challenging and rewarding as you prepare this magnificent offering. The expressive Andante Cantabile Trumpet solo acts as a perfect foil for the thrilling opening and the stirring finale. Exquisite counterpoint both melodic and rhythmic captivates the listener in a way that few compositions can. and rhythmic captivates the listener in a way that few compositions can.Breath-taking!

Today the Gloria RV 589 (BA 7674) is one of Vivaldi ’s best-known compositions and one of the most frequently performed sacred vocal works from the Baroque period. Vivaldi wrote the “ Gloria ” as a self-contained work in the style of a concertante mass. However it was probably also performed within church services. The scoring of the solo voices (SSA) suggests that the work was written during his period at the Ospedale della Pietà around 1716. In the twelve movements of the “Gloria” Vivaldi displays the whole range of his mastery from festive sublime outer movements to tender transparently scored solopassages. The same mastery has also been applied to the “ Kyrie” RV 587 (BA 8950) scored for two choirs and two groups of stringed instruments. The date of its composition remains unclear. It is a purely a choral work without solo passages. Both works can be performed independently but can also be combined as a kind of short mass. Although the authenticity of the autograph manuscript score is beyond doubt these new editions contain some re-evaluations in phrasing and performance practice which go beyond what other editions have to offer. The Piano reductions are straightforward clearly presented and preserve the character of the works. - Attractive choral pieces which can be combined to form a short mass. - Vocal score as well as choral score available for the “Gloria”. - Informative foreword (Ger/Eng).

Quarter Military Band QMB 582-Symphonic Band (full score). Hilliard Q

Back in town Lola The train Hey bitch Let me alone Blind Burning Life is going down The light Take me Back Discoball Sugar cane

Tenor sax with free CD.

A series of carefully crafted trios for use with or without the Look Listen and Learn method book. Playing in trios develops ensemble playing and listening skills and these books provide fresh and original material for young musicians. Book two is suitable for use alongside Volume 2 of the Method book.

Paloyoloyo Anonymous Cahuilla Indian Composer ca. 1600. Originating around four hundred years ago this song is an extract from the Birdsong cycle songs of celebration and commemoration which reminded people of their migration on this land. The earliest Cahuilla musicians played a rattle as accompaniment but by the time of the missions the drum had been imported from other Native American nations. Symphonic Band (score & parts). Swain J

Anthems for the Chapel Royal O sing unto the Lord a new song HWV 249a for Soloists (AB) Chorus (SATB) Flute 2 Oboes 2 Trumpets Strings Continuo BA 4263 I will magnify thee HWV 250b for Soloists (SATB) Chorus (SATB) Oboe Strings Continuo BA 4264 As pants the hart HWV 251e for Soloists (SAATBB) Chorus (SAATB) 2 Oboes Strings Continuo BA 4265 Let God Arise HWV 256b for Soloists (AB) Chorus (SATB) Oboe Strings Continuo BA 4266 Handel ’s four anthems were all composed during his London period in the Chapel Royal. “As pants the hart” his fifth setting of this Psalm text waswritten in March 1738 for performance at a benefit concert for the King’s Theatre in the Haymarket. Until just before Handel ’s first visit to England the only instrument permitted to accompany the service in the Chapel Royal was the organ. These four works with their orchestral accompaniments thus represent something akin to a new genre in English church music. The four anthems are presented in clearly laid out vocal scores with straightforward piano reductions based on the Urtext from the Halle Handel Edition. Their enticingly varied and self-sufficient orchestral writing provides a suitable framework for the festive chorus and equally festive solo numbers. Today they sound as splendid as ever! The full scores and vocal scores also contain a German translation along with the original English text.

Nine prose extracts from Janet Flanner's Paris Journal. (Choral Score). Rorem N

for 3 Violins Strings and Basso Continuo- Concerto in F major for 3 Violins Strings and Basso continuo TWV 53:F1 Tafelmusik II If Telemann was regarded by his contemporaries as one of the greatest of all composers his star faced with the overwhelming presence of Bach and Handel paled in the course of the 19th century to the verge of contempt. This assessment changed radically during the course of the last century. Through the systematic exploration of his music Telemann once considered purely an instrumental composer has emerged into a highly cultivated culturally well-connected and enormously versatile artistic personality who left an indelible mark on the musical life of his time. Again andagain we discover an individual approach in his works that seems to abandon the musical conventions of his day both large and small. The Tafelmusik (Musique de Table) is a collection of chamber pieces for various ensembles arranged into 3 parts and is perhaps Telemann's most celebrated collection of music. Composed in 1733 the Tafelmusik clearly demonstrates Telemann's skill in handling a diversity of musical genres and a variety of instruments. - Urtext of the Telemann Edition

Cantate Domino (Psalm 96:1–3) . Based on the well-known bible text “Sing unto the Lord a new song” this upbeat composition with strong dynamics and flowing block chords alternating with fast-paced polyphony brings across this joyful message and enthuses singers.

String Quartet No. 1-(Parts). Gorecki Hm

Cycle De Noel-Dominica 3 Post Epiphaniam-Orgue- 1.Introït; 2.Offertoire; 3.Elévation; 4.Communion; 5.Postlude et Fugue modale libre