Sonate für Orgel und Kammerorchester Streicher ohne Viola- The 17 Church or 'Epistle' Sonatas were composed between 1772 and 1780. They are short single-movement pieces intended to be played during a celebration of the Mass. Three of the Sonatas are scored for small Orchestra including Oboes Horns Trumpets and Timpani and the rest are scored for Organ and Strings without Violas. The Sonata in this Volume 5 is the Sonata in C major K.263 (Organ Solo 2 Trumpets Strings).

These books of studies provide invaluable practice material for the building of technique. The Elementary Progressive Studies in three sets of 24 studies transcribed for viola comprehensively explore viola playing in the various positions indicated and a note at the head of each study shows further the technical skill to be developed. 24 studies in the third second and fifth positions composed by Herbert Kinsey.

11 Pieces in Swinging Styles-In All Jazz the composer has created a collection of 11 attractiverhythmic pieces that let musicians of an intermediate standard beginto develop familiarity with the techniques and interpretations ofvarious swinging jazz styles. The play-along CD featuring a live jazzband will ensure that all players are struck by the ‘jazz virus’ and willkeep coming back for more.

Piano score for mixed choir solo voice and piano. Soli: SSTB - Choir: SATB

Unison with piano

Oper in 7 Bildern. Erstes und Zweites Bild- Paul Hindemith's Mathis Der Maler Teil A . Oper in 7 Bildern. Erstes und Zweites Bild.

Brahms' Fantasies are published as part of ABRSM's 'Signature' Series - a series of authoritative performing editions of standard keyboard works prepared from original sources by leading scholars. Includes informative introductions and performance notes. Johannes Brahms was an accomplished pianist and composed many wonderful pieces. He remained rooted in tradition despite changing trends but is responsible for much of the development of variations whether used independently or layered to create complex and thematic cycles. This fabulous collection contains all Seven Fantasies each set for Piano solo. These are some of the latest of Brahms work and are typical of his use of mysterious melody call and response and rich textured sounds. With extensive editorial note footnotes and annotations this is a superb addition to any pianist's collection.

12 Courtes Pièces

Franz Liszt's Un Sospiro (Concert Etudes No.3) for solo Piano. Franz Liszt's Un Sospiro (Concert Etudes No.3) for solo Piano.

from Vol. II-Beethoven's Grand Sonata in A flat is published as part of ABRSM's 'Signature' Series. Edited by renowed Beethoven-specialist Professor Barry Cooper this edition includes informative introductions and performance notes. This piece features on the alternative list pieces in the Grade 8 ABRSM Piano syllabus 2011 & 2012. A truly magnificent piano work as you might expect from the Great Master! The Sonata in A Flat Op.26 is a challenging and impressive piece that carries his characteristic grandeur detail and expression all evident right from the start. Structurally this piece contains great interest what with the ‘theme and variation’ form of the first movement and the juxtaposition of a short Scherzo movement between the first movement and the slow third movement Maestoso Andante . Also interestingly the fourth movement Allegro ends with the same hushed dynamics with which it begins which contrasts strikingly with the usual fiery and rousing ending oneencounters in the 'finale' of a sonata. This edition of the work is taken from the renowned ABRSM 'Signature' series and has been edited by Barry Cooper with fingerings by David Ward.

Feature the section that “delivers the energy” in this great new arrangement by James Curnow. Based on a French folk song that tells a story about three young drummer boys the music uses imitation question and answer and stylistic rhythmic figures to challenge these proud musicians.While featuring the Percussion section there are also great parts for everyone else so the entire group will stay engaged and productive in rehearsal.Spirited!

Aejlies which means ‘Holy’ was originally composed as part of a commissioned work for the Sámi church festival in Norway in 2013. The theme for the festival was “Holy Ground! Holy World” referring to the understanding among our Sámi ancestors as well as other indigenous groups that the land we are living on - Mother Earth - is Holy and should be treated with respect and honour. The theme is also inspired by the biblical words “Take your sandals off your fee for the place where you are standing is holy ground!” (Exodus 3 5) which resonates with how indigenous traditions relate to nature. Only one word is sung in this work which takes inspiration from the Sámiyoik tradition where one often only uses very few words in combination with so called yoik syllables. These syllables have no linguistic meaning but are an important part of this ancient vocal tradition allowing the human voice to describe something without the limitations words and language sometimes have.

Cheryl Frances-Hoad's Invoke Now The Angels for Soprano Mezzo-Soprano Countertenor and Piano. Cheryl Frances-Hoad's Invoke Now The Angels for Soprano Mezzo-Soprano Countertenor and Piano.

Schumann's Kinderscenen is published as part of ABRSM's 'Signature' Series - a series of authoritative performing editions of standard keyboard works prepared from original sources by leading scholars. Includes informative introductions and performance notes. This edition of 'Scenes From Childhood' prepared and annotated for the ABRSM by Howard Ferguson.

Arranged by Ralph Vaughan Williams for unaccompanied SATB choir.

Cross-curricular connection at its best! Your music students can bring Don Quixote’s faithful but ramshackle horse Rozinante to life with this delightful new concert band piece by young band specialist Mike Hannickel. You will find lots of articulation and dynamic contrasts along with other important teaching considerations. Don Quixote is one of the world’s great comic heroes. Shouldn’t his horse get a little credit too?

Suite for Orchestra- In 1918 Gabriel Fauré then 73 years old received a commission from Prince Albert I of Monaco to write stage music invoking the atmosphere of the commedia dell’arte. The four-movement orchestral suite Op.112 consisting of Ouverture Menuet Gavotte and Pastorale combines previously unpublished parts of this stage music. The Pastorale of 1919 was Fauré’s last composition for orchestra the Ouverture originated in a piece of 1864 for piano duet and the original version of the Gavotte was written for piano as early as 1869. The Op.112 orchestral suite demonstrates how the composer now older and more experienced reworked and improved his earliermusic. This scholarly-critical edition of the four-movement Masques et Bergamasques Op.112 is based on Gabriel Fauré The Complete Works Volume IV/2. First Urtext edition Based on Gabriel Fauré The Complete Works Score and orchestral parts in a large format (25.5 x 32.5 cm) available for sale

The suite from the Opera Pohjalaisia (österbottner) Op.45 by Leevi Madetoja dating from 1924. The suite from the Opera Pohjalaisia (osterbottner) Op.45 by Leevi Madetoja dating from 1924.

John Ireland's The Hills for full mixed choir unaccompanied A wonderful setting of a text by James Kirkup.

Edited Oscar Beringer CONTENTS Prelude in A Op.28 No.7; Mazurka in G minor Op.24 No.1; Trio from the Scherzo of the Sonata Op.35; Mazurka in A minor Op.67 No.4 (posth.); Andantino from Ballade No.2 Op.38; Mazurka in A minor Op.7 No.2; Waltz in A minor Op.34 No.2; Mazurka in C Op.33 No.3; Nocturne in E flat Op.9 No.2; Waltz in E minor Op. posth.; Nocturne in B Op.32 No.1