Great Organ Mass Hob. XXII:4- Mass in E-flat major (Great Organ Mass) Hob.XXII:4 In honorem Beatissimae Virginis Mariae Following his Jugendmesse from 1749 church music played only a secondary role in Haydn's creative output. It was not until 1766 with the Cäcilienmesse and again in 1768-69 with the Great Organ Mass that Haydn returned to this genre of composition. This Mass in E-flat major belongs to the same period as the Sturm-und- Drang symphonies. Some of the remarkable features of this period are reflected here in the expansion of expression combinedwith a new very original musical language. The score also contains the traditional Viennese trumpet and timpani parts although it is extremely unlikely that they stem from Haydn . As Haydn at least tolerated these parts the performance material contains both the original as well as the expanded versions. - Hadyn's 'Sturm-und-Drang' Mass - Performable in both versions - Clear and straightforward vocal score - Urtext from Joseph Haydn Werke - Full score parts (BA4646) and vocal score (BA4646-90) available for sale

Solos for Beginning through Early Intermediate lev-The 1st Recital Series presents high quality solo/recital literature appropriate for performers from beginner to early intermediate standard. A professionally recorded CD is included with each book providing a demonstration of each piece followed by an accompaniment track which can be used for performance or rehearsal. A separate piano accompaniment book is also available.

Music through the Ages-A three-volume graded anthology presenting attractive and lively repertoire for cello and piano from the sixteenth century to the present day. The pieces are presented chronologically within each volume and all include the year in which they were written so you can map your journey through time. The second book in a three-volume anthology providing a graded selection of well-crafted and idiomatic arrangements as well as some original pieces for cello and piano. For Grade 2-3 standard.

Trois Esquisses Symphoniques- Claude Debussy 's La Mer is an impressionistic work through and through. The three symphonic sketches that make up the work were composed between 1903-1905 however Debussy refined this work up until at least 1913. These corrections are found in a score which the composer gave to his wife as a present for her private library in 1913. The new scholarly-critical edition draws on several important sources previously unavailable to musicologists resulting in an array of new readings and corrections. In addition there are many changes especially in terms of articulation and dynamics. This new edition includes the famous “fanfare” inMovement III clearly marked in small print and brackets. This fanfare was excised in the 1910 reissue of the work but was reinstated by a number of great conductors who knew Debussy i.e. Monteux Münch Mitropoulos and Ansermet. They felt that the excision was a misunderstanding and that the fanfare was necessary for the structure of the movement. And so the Bärenreiter edition presents the revival of a performing tradition which is committed to the fanfare. New Urtext edition with numerous corrections in comparison to other editions. Important sources which were previously inaccessible have been taken into account. Score and orchestral parts in large format (25.5 x 32.5cm). Score and orchestral parts with an impeccable generous layout. Includes an informative introduction (Eng/Fr/Ger) facsimiles source descriptions and a Critical Commentary (Eng).

Quarter Military Band QMB 565-Symphonic Band (score & parts). Copland A

Violin/Piano reduction of the work for Violin and String Orchestra.

Ludwig Van Beethoven's Piano sonatas comprise a wealth of musical expression ranging from subdued and unpretentious to magnificently impassioned. Sonata quasi una Fantasi or Moonlight Sonata Op.27 No.2 is one of the most popular and most-often performed pieces ever written. Like many of Beethoven's works this sonata reflects the depth of his musical power. From its quiet yet moving beginning to its passionate finale it is easy to see why this piece is so popular. This complete version of the sonata has been edited by Willard A. Palmer and also contains a background to the piece and Beethoven's conventions and writing.

Bands Alive! QMB 445-Symphonic Band (score & parts). Conley L

This energetic overture with delightful natural contrasts is sure to find its way into your repertoire. Opening with a wonderful F Horn melody (cued in Alto Saxophone) the classic overture style piece sparkles with interesting twists and turns. There are many style dynamic and articulation contrasts in the piece so there are plenty of things to teach and learn.

Baritone TC-Twelve outstanding arrangements for the beginning jazz ensemble written by experienced educational arrangers and composers. A variety of styles and tempos are included: swing ballads rock pop holiday Latin and a great warm-up chart titles Loosen Up.

Frederic Chopin’s Nocturne is a fabulous example of the genre mysterious and melancholic. It has been expertly and effectively arranged for Viola with Piano Accompaniment by Alan H. Arnold and edited by William Lincer. The rounded sound of the Viola is perfect for the late evening and evoking dusk and nightfall. The solo viola part is also included on a separate insert. Frederic Chopin’s Nocturne is a fabulous example of the genre mysterious and melancholic. It has been expertly and effectively arranged for Viola with Piano Accompaniment by Alan H. Arnold and edited by William Lincer. The rounded sound of the Viola is perfect for the late evening and evoking dusk and nightfall. The solo viola part is also included on a separate insert.

Rachel Stott's Serendipity And Household for Piano Quintet. Serendipity And Household Objects grew out of various sound experiments I made together with violin and viola pupils I was teaching at the time. The idea was to find some extended timbral possibilities of the children’s instruments using only such objects as one might reasonably expect to find around the house – a comb or ruler empty yoghurt pot cutlery pieces of paper chopsticks – rather along the lines of the television programme ‘the great egg race’ which I used to enjoy as a child. The word ‘serendipty’ (‘the happy knack of making unexpected and delightful discoveries by accident’ –Cassell Concise Dictionary) describes the way the finding of the sounds led to musical ideas. A curious point – some of the sounds actually work better on basic level children’s instruments than professional quality ones. Don’t waste this piece on a strad…or vice versa. - Rachel Stott Commissioned by Jean Horsfall

Partitura Da Studio-Study Score - Hawkes Pocket Score 1168. Reich S.

St Oswalds-For Unison Voices Congregation and Organ.

Arias with 1 or 2 flutes obbligato (with the complete vocal part)-Selected movements from secular cantatas from St John Passion Magnificat in D major Christmas Oratorio and Easter Oratorio Arias with 1 or 2 Flutes obbligato (with the complete vocal part). Selected movements from secular cantatas from St John Passion Magnificat in D major Christmas Oratorio and Easter Oratorio. Contents: Magnificat D-dur. Nr. 9 Alt: Esurientes (2 Floten) Johannes-Passion. Nr. 9 Sopran-Arie: Ich folge dir gleichfalls mit freudigen Schritten Weihnachtsoratorium. Nr. 15 Tenor-Arie: Frohe Hirten eilt ach eilet Osteroratorium. Kommt eilet und laufet. Nr. 5 Sopran-Arie: Seele deine Spezereien Kantate 201. Geschwinde ihr wirbelnden Winde. Nr. 13 Alt-Arie: Aufgeblasne Hitze (2 Floten) Kantate 204. Ich bin in mirvergnugt. Nr. 6 Sopran-Arie: Meine Seele sei vergnugt Kantate 210. O holder Tag erwunschte Zeit. Sopran-Arie: Schweigt ihr Floten schweigt ihr Tone Kantate 211. Schweigt stille plaudert nicht. Nr. 4 Sopran-Arie: Ei! wie schmeckt der Coffee suBe Kantate 214. Tonet ihr Pauken! Erschallet Trompeten! Nr. 3 Sopran-Arie: Blast die wohlgegriffnen Floten (2 Floten)

The oratorio “ Esther ” is the first English language oratorio and also the first oratorio by Handel based on a theatre tragedy - Jean Racine’s “Esther”. For the first time Handel drew on his knowledge gathered from stays in Germany Italy and England. He created his own particular style of oratorio writing which differs from the later integrative works. Many sections of this composition harken back to the previously composed “Brockes-Passion”. The first performance took place in 1720. For the first public performance of the work in London in 1732 Handel arranged and enlarged “ Esther ”. The Urtext of the HalleHandel Complete Edition presents the original version from 1720. - Reliable vocal score from the Urtext of the Halle Handel Edition BA4047-90 - Performance material available for hire BA4047-72

Moon of Saturn-A bold and powerful work for young bands! The aggressive theme sets the stage for this forceful original piece. In the spirit of The Planets by Holst Titan-Moon of Saturn celebrates the multi-national Cassini-Huygens spacecraft that landed on Saturn’s moon Titan on January 14 2005. There are many questions about Titan that this daring space exploration mission will seek to answer some of them. In addition to being a great piece for your own band it is the perfect expression for a massed band performance. This is also a wonderful opportunity for some cross-curricular work with the science department. Mighty!

Ann-Marie by the Danish composer Edvard Brink scored for Voice and Piano. This piece from 'Under Dansk Flag eller Sommerrejsen 1921' incorporates text by Karl Ewert. Ann-Marie by the Danish composer Edvard Brink scored for Voice and Piano. This piece from 'Under Dansk Flag eller Sommerrejsen 1921' incorporates text by Karl Ewert.

Commissioned by Fine Arts Brass Ensemble. Premiered at Harrogate International Festival 1993.

pour violoncelle et guitare- Après un rêve transcription pour violoncelle et Guitaree. Par Faure aux éditions Leduc. Partition / Livre de chansons pour violoncelle