Classiques No.113- from 'Thésée'

Standard US Set (without european suppl. parts)- Perfect Trip derives its title from the horse racing term which refers to the flawless performance of a winning steed. It was written for the 20th anniversary concert of the Ridgewood Concert Band in New Jersey at therequest of the band's founding director Dr. C. Christian Wilhjelm. The piece itself lasts not much more than a typical one mile horse race and depicts the event from the observer's perspective: the initial burst of energy at thestarting gate and the ensuing excitement approaching the first turn the suspense as the race develops along the far stretch and the increasing drama as the pack rounds the final turn and heads down the stretch for the bigfinish. Recorded by the Ridgewood Concert Band Christian Wilhjelm conductor (Grade 4) Perfect Trip derives its title from the horse racing term which refers to the flawless performance of a winning steed. It was written for the 20th anniversary concert of the Ridgewood Concert Band in New Jerseyat the request of the band's founding director Dr. C. Christian Wilhjelm. The piece itself lasts not much more than a typical one mile horse race and depicts the event from the observer's perspective: the initial burst of energyat the starting gate and the ensuing excitement approaching the first turn the suspense as the race develops along the far stretch and the increasing drama as the pack rounds the final turn and heads down the stretch for the bigfinish. Recorded by the Ridgewood Concert Band Christian Wilhjelm conductor. (Grade 4)

Commissioned by the Quatuor Bozzini with the assistance of the Japan-Canada Fund a gift to the Canada Council for the Arts from the Government of Japan. Commissioned by the Quatuor Bozzini with the assistance of the Japan-Canada Fund a gift to the Canada Council for the Arts from the Government of Japan.

Fl clar bassoon English hrn French hrn vla cello crotales and celeste-VAAP Edition. Instrumentation: Flute clarinet bassoon English horn French horn viola cello crotales and celeste.

73 Traditional Pieces for Violin- Scandinavian Fiddle Tunes is a collection of 73 arrangements for Violin of traditional tunes from Sweden Finland and Norway. Scandinavian traditional music specialist and folk fiddler Vicki Swan provides notes on the history of the music as well as playing techniques and styles.The volume is accompanied by a CD with a recording of all tunes performed by Vicki Swan . German and French translations of all texts are available as pdf downloads from the Schott Music website. Suitable for players of grades 3-8.

The whole Glee cast pulls together in a climactic performance of Avril Lavigne's pop hit from 2006. Powerful vocal writing and an inspirational message! The whole Glee cast pulls together in a climactic performance of Avril Lavigne's pop hit from 2006. Powerful vocal writing and an inspirational message!

For Cor Anglais and five instruments (Clarinet Piano Violin Viola and Cello). Published in 2001. Commissioned by the Britten Sinfonia. First performed by the Britten Sinfonia St Edmund's Theatre Caterbury November 2001 and conducted by Nicholas Cleobury. Score. For Cor Anglais and five instruments (Clarinet Piano Violin Viola and Cello). Published in 2001. Commissioned by the Britten Sinfonia. First performed by the Britten Sinfonia St Edmund's Theatre Caterbury November 2001 and conducted by Nicholas Cleobury. Score.

The duets in this volume increase in difficulty: more advanced keys and rhythms are introduced and the musical demands are greater. The score format is used to encourage players to be aware of both parts. The duets cover a wide range of styles and introduce pupils to the music of different periods and countries. The two parts of are equal difficulty and the main melodies are shared between the players for equal interest.

From HBO's The Pacific-From the acclaimed TV miniseries with a production team that included Steven Spielberg and Tom Hanks comes this distinctive and poignant main theme. Apart from the series itself this powerful music stands on its own and is beautifully adapted forband by Ted Ricketts. This is sure to be a standout selection on any program.

With their iconic layered harmonies the music of The Beach Boys is ideal for choirs seeking vivid pop melodies and rich textures. This arrangement of In My Room for SATB chorus with piano accompaniment is a gentle lilting piece featuring an a cappella middle section that offers a key change and some pleasant dramatic contrast. A wonderful Choral Pop for choruses looking to add a tender calming new piece to their repertoire the soft piano backing and four vocal parts that move along in a parallel motion adds to the piece’s dreamy lullaby feel.

featured in Glee-The first season of Glee closed with a well-deserved tribute to Glee Club director Will Schuester - and indeed to music teachers everywhere - who often have to fight to fund their programs: the #1 pop song from 1967 featured in the Sidney Poitier classic film.

StudyScore- Morton Gould 's Home For Christmas for Orchestra. Score.

from Home Alone 2: Lost in New York-From the movie Home Alone 2: Lost in New York this beautifully distinctive melody by John Williams offers a wonderful holiday option for your winter concert. Very nicely scored for young players.

' Bastien Piano Basics: Theory ' is the theory workbook portion of the Bastien Piano Basics course. Each book contains written work and some short pieces to reinforce the concepts presented in 'Bastien Piano Basics: Piano' . Games puzzles and colorful illustrations make learning fun! Your students will gain a better understanding of the music they are playing and they will learn more easily whentheory instruction is a regular part of their Piano studies. Each page is carefully correlated with Piano Performance and Technique. The Primer Level includes drills games and short pieces to reinforce the conceptspresented in 'Bastien Piano Basics: Piano' . Level 1 presents theory materials correlated with 'Bastien Piano Basics: Piano' .

Contents: Bring a Torch Jeannette Isabella œ Ding Dong! Merrily on High! œ Go Tell It on the Mountain œ God Rest Ye Merry Gentlemen œ Here We Come A-Wassailing œ The Huron Carol œ I Saw Three Ships œ Sussex Carol.

Ferrer Ferran raconte en musique l’extraordinaire périple du navigateur portugais Fernando de Magallanes (Ferdinand Magellan). À la tête d’une flottille de cinq navires Magellan quitte l’Espagne en septembre 1519. Persuadé que l’on peut atteindre l’Asie en contournant les terres du Nouveau Monde Magellan missionné par Charles Quint doit ouvrir la voie vers la route des épices. Il accomplira admirablement sa mission mais ne reviendra jamais en Espagne car il meurt au cours de son périple. Un seul des cinq navires de l’expédition rentrera en Espagne trois ans plus tard bouclant ainsi le premier tour du monde.

For Horn and String Quartet (or Violin 2 Violas Cello). Published 1981. First performance: Locrain Quartet 9th October 1981. For Horn and String Quartet (or Violin 2 Violas Cello). Published 1981. First performance: Locrain Quartet 9th October 1981.

From the stunning movie blockbuster Oz the Great and Powerful comes this distinctive and varied soundtrack from Danny Elfman. Featuring some of the film’s lighter as well as darker moments here is a great sounding medley for band.

Written in a grand film score style this magnificent work opens with a dynamic fanfare featuring soaring brass and woodwind flourishes. Descriptive and evocative with every phrase including a beautiful slow lyricsection transport your audience on a thrilling musical adventure with this impressive overture! Dur: 5:50 (Grade 5)Written in a grand film score style this magnificent work opens with a dynamic fanfare featuring soaring Brass and Woodwind flourishes. Descriptive and evocative with every phrase including a beautiful slow lyric section transport your audience on a thrilling musical adventure with this impressive overture! Dur: 5:50 (Grade 5)

Luis Tinoco (Composer) and Stephen Plaice (Libretto) wrote 'Paint Me' and Opera for six singers and Chamber Orchestra. Rui Horta and Joana Carneiro are responsible for the stage direction and the musical direction. My idea in writing Paint Me was to bring together six characters all of whom have a prolific imaginative interior life and to explore what they would make of each other in the confines of a railway compartment. The model for my libretto is Geoffrey Chaucer’s The Canterbury Tales. The travellers in Paint Me are also on their way to Canterbury but they are strangers thrown together by the randomness of modern travel. Their tales are not told publicly but in theirown imaginations. Most journeys in the modern age are anonymous and conducted in silence. We have only a visual or perhaps manneristic impression of the people sitting opposite us. This introspection in public opens up a private fantasy space in which our fellow travellers can become the characters in instant psychological dramatisations.I wanted to formalize each character’s fantasy into a full narrative. The result is a kind of anthology of operatic short stories surrounded by the framework of an ordinary journey. - Stephen Plaice Luis Tinoco (Composer) and Stephen Plaice (Libretto) wrote 'Paint Me' and Opera for six singers and Chamber Orchestra. Rui Horta and Joana Carneiro are responsible for the stage direction and the musicaldirection. 'My idea in writing Paint Me was to bring together six characters all of whom have a prolific imaginative interior life and to explore what they would make of each other in the confines of a railwaycompartment. The model for my libretto is Geoffrey Chaucer’s The Canterbury Tales. The travellers in Paint Me are also on their way to Canterbury but they are strangers thrown together by the randomness of modern travel. Theirtales are not told publicly but in their own imaginations. Most journeys in the modern age are anonymous and conducted in silence. We have only a visual or perhaps manneristic impression of the people sitting opposite us. Thisintrospection in public opens up a private fantasy space in which our fellow travellers can become the characters in instant psychological dramatisations.I wanted to formalize each character’s fantasy into a full narrative. Theresult is a kind of anthology of operatic short stories surrounded by the framework of an ordinary journey. ' - Stephen Plaice