Written by Ross Parker and Hughie Charles. Written by Ross Parker and Hughie Charles.

In The Lowlands is a delightful pastoral suite for Tuba with Piano accompaniment by Alan Richardson. The solo Tuba part is also included on a separate insert. ABRSM Tuba Syllabus Grade 6.

Der swingende Titel aus dem Erfolgsalbum als Einzelausgabe. Arrangiert fur Männerchor von Carsten Gerlitz. Tenor Bariton Bass und Klavier. Chorpartitur.

Vals Del Emperador for solo Piano by Johann Strauss II. Vals Del Emperador for solo Piano by Johann Strauss II.

This work was written with a mix between computer technology and the more traditional orchestra the piece was composed in such a way that it would support it's own acoustics. Lindberg worked with amplification of instruments and electronically transformed sounds thus producing greater possibilities to abandon acoustic limits. In order for the piece to be supported by it's own acoustics the piece had to be written in terms of foreground and background harmony every foreground chord would always have it's background a shadow existing without it's main chord. Another theme to the piece is that of textural motion as rapid gestures and motions are a big part of the composer'sinterest. Static repitions seemed to limit the piece however so they were compensated for on another level so with a repetitive rhythmic pattern the harmonic material changes rapidly or when a chain of chords is static the rhythmic and timbral qualities vary frequently. Work for Orchestra commissioned by the Finnish Broadcasting Company. This work was written with a mix between computer technology and the more traditional orchestra the piece was composed in such a way that it would support it's own acoustics. Lindberg worked with amplification of instruments and electronically transformed sounds thus producing greater possibilities to abandon acoustic limits. In order for the piece to be supported by it's own acoustics the piece had to be written in terms of foreground and background harmony every foreground chord would always have it's background a shadow existing without it's main chord. Another theme to the piece is that of textural motion as rapid gestures and motions are a big part ofthe composer's interest. Static repitions seemed to limit the piece however so they were compensated for on another level so with a repetitive rhythmic pattern the harmonic material changes rapidly or when a chain of chords is static the rhythmic and timbral qualities vary frequently. Work for Orchestra commissioned by the Finnish Broadcasting Company.

A Method for the Young Beginner-Here's a delightful approach to recorder study for children. Easily learned exercises plus fully illustrated hand positions and photographs take the younger player through all the steps necessary to learn this extraordinary instrument. Includes a high-quality printed music score and a compact disc containing a complete performance in split-channel stereo with the soloist on the right channel for easy removal. Performed by Berald Burakoff recorder Sonya Burakoff recorder Accompaniment: Sam Brown guitar George Duvivier bass David Spinozza guitarHere's a delightful approach to recorder study for children. Easily learned exercises plus fully illustrated hand positions and photographs take the younger player through all the steps necessary to learn this extraordinary instrument. Includes a high-quality printed music score and a compact disc containing a complete performance in split-channel stereo with the soloist on the right channel for easy removal. Performed by Berald Burakoff recorder Sonya Burakoff recorder Accompaniment: Sam Brown guitar George Duvivier bass David Spinozza guitar

This was composed in 1962. The first movement is classically structured with a gracefully contoured first subject a forceful ensuing idea and a murmurously lyrical second subject; the secondmovement generates an intensity of feeling which is the greater for the very restraint of its language; and the finale effectively introduces calm moments to offset the prevailing syncopated ebullience.

An original work for any unaccompanied saxophone; composed for and dedicated to Eugene Rousseau. Grade V. An original work for any unaccompanied saxophone; composed for and dedicated to Eugene Rousseau. Grade V.

Peter Anglea sets the liturgical text from Psalm 100 for mixed chorus and piano. The energetic rhythmic texture makes the piece quite appealing to high school voices and puts the audience on their feet works well in worship or concert settings.

For SATB Choir (2 choirs or 12 solo voices). Text by William Blake For SATB Choir (2 choirs or 12 solo voices). Text by William Blake

Bachs Ave Maria- Die 'Wedding-Edition' aus der Reihe 'Power of Voice' besteht aus Chor-Titeln fur den schonsten Tag im Leben eines Paares. Hier das Ave Maria von J.S. Bach (Charles Gounod). Die Bearbeitung fur Chor SATB mit Orgelbegleitung ist von Thorsten Kuhn. Ebenso erhältlich mit Klavierbegleitung unter der Bestellnummer PMV16160G. Beispielcover (alle Cover dieser Serie sind bis auf den Titel identisch).

Easy Pieces-Easy pieces (about Grades 1-3 standard) A great book full of easy pieces exercises and studies for Piano. Suitable for Grades 1-3 standard.

Paperback-Vaughan Williams' hauntingly beautiful The Lark Ascending is one of his most enduringly popular works. A serene romance the work takes its title from a poem by George Meredith. The violin's magical evocation of the lark's 'chirrup whistle slur and shake' as it soars above delicate orchestral textures demonstates the composer's mastery of the pastoral idiom. This edition of the full score with the parts freshly engraved and edited and available on hire is produced in collaboration with RVW Ltd.Vaughan Williams' hauntingly beautiful The Lark Ascending is one of his most endearingly popular works. A serene romance the work takes its title from a poem by George Meredith. The violin's magical evocation of the lark's 'chirrup whistle slur and shake' as it soars above delicate orchestral textures demonstrates the composer's mastery of the pastoral idiom.This edition of the full score with the parts freshly engraved and edited and available on hire is produced in collaboration with RVW Ltd.

This exciting book with CD accompaniment featuring real musicians covering many styles of light music including swing country rumba slow rock disco mambo cha-cha and rock. This book can be used together with a keyboard or piano (book available separately) for a concert performance or as a short audition item.

Per Nørgård GEMINI RISING for harpsichord soloFirst there is a mountain then there is no mountain then there isThe title literally Ascending Twins - was borrowed from astrological terminology but refers purely musically to two essential circumnstances in the work: A constant duplicity in the melodic basis as well as an almost constantly ascending tendency. Even when - as is the case in the start - falling figures appear the combination of several such figures produces an ascending impression. GEMINI RISING was composed for Elisabeth Chojnacka and premiered at a concert in Copenhagen in November 1990.Per Nørgård

This piece is basically a hymn anthem that utilizes the tune sale. With limited divisi the piece is scored for mixed voices with organ and optional congregational participation. It is a great piece when you are emphasizing evangelism and/or missions. Powerful!

Cyril Scott was an English composer writer and poet. He was essentially a late romantic composer whose style was at the same time strongly influenced by impressionism. His harmony was notably exotic. Scott wrote around four hundred works which include two mature symphonies three operas three Piano concertos concertos for Violin Cello Oboe and Harpsichord several overtures four oratorios as well as a mass of chamber music. During the late 1920s and early 1930s Scott recorded several of his own pieces on Piano roll. Composed in 1908 for solo Piano DanseNegre was recorded on October 4 1928. Danse Negre is a lively little piece with a performance time of approximately 2 minutes – a perfect addition to any pianists repertoire!

Dieser Band unserer Play Along-Ausgabe teilt sich die Titelliste mit „Drum Along - 10 Classic Rock Songs Continued (BOE7862) und „Guitar Jam Along - 10 Classic Rock Songs Continued (BOE7868). Den Spielerinnen und Spielern wird damit sowohl individuelles als auch gemeinsames Spiel derselben Songs ermoglicht. Die 10 Classic Rock-Songs stammen unter anderem von Linkin Park Chris Daughtry oder Queens Of The Stone Age. Jeder Titel ist jeweils als Leadsheet mit den verschiedenen Songteilen und den entsprechenden Basslinien in Tabulatur notiert. Dadurch lässt sich der Ablauf wesentlich schnellererfassen und man kann sich ganz auf die Bassparts konzentrieren. Auf der beiligenden CD ist jeder Song als Vollversion mit Gesang und als Play Along-Version ohne Bass enthalten. Inhalt: Wherever You Will Go (The Calling); The Reason (Hoobastank); Dancing In The Dark (Bruce Springsteen); Hollywood Hills (Sunrise Avenue); The Lost Art Of Keeping A Secret (Queens Of The Stone Age); Feels Like Tonight (Chris Daughtry); Can't Stop This Thing We've Started (Bryan Adams) What I've Done (Linkin Park) Talk (Coldplay) All You Zombies (The Hooters)

2 Pianos 4 Hands/Mid-Intermediate Level- Muzio Clementi 's Sonatina Op.36 No.6 for two Pianos 4-hands. Mid-intermediate level.

KV 626- Hardback facsimile; Half-leather binding; 235 pages - 24 4 x 33 0 cm. Mozart ’s Requiem : Truth and Legend. Facsimile of the autograph score held in the Austrian National Library with a foreword/introduction by Christoph Wolf. Mozart ’s “ Requiem ” is fraught with questions and emotions: the expressive depth of its music sorrow at the great composer’s early death truth and legend fragments and attempts to complete the work. The surviving manuscript reflects its dramatic history: Mozart ’s handwriting often appears on the same page as inscriptions by Süssmayr and others. One corner of a pagewith Mozart ’s final musical thoughts was later stolen but an old photograph bears witness to it. This high-quality new facsimile presents each page individually trimmed to convey a vivid impression of the original. Besides a detailed description of the manuscript by Günter Brosche the volume contains a Foreword by Christoph Wolff depicting the work’s genesis. Barenreiter Facsimilie: The seal is used exclusively for facsimile editions published by Bärenreiter which meet the highest demands in both scholarly and technical terms. The distinguishing features include: A facsimile in high-quality colour printing Scholarly commentary Attractive cover design