Parts for Horn In F and Tenor Horn in E flat.

Martino Bitti wrote numerous sonatas for violin and basso continuo as well as pieces for flute and oboe and several compositions for harpsichord. This C minor oboe sonata in four movements appears to have been preserved solely in manuscript form and appears here in print for the first time.The edition is part of the ABRSM syllabus (grade 6)

Jan Van der Roost was commissioned to write this hymn by the “International Association for Human Rights” in Frankfurt. The commission specified that the instrumentation of this simple hymn should be so that it can be performed by a variety of combinations of players. The piece starts with an “intrada” for brass ensemble based on the first bars of the hymn but is “ad libitum” and can therefore be omitted. The coda can also be left out depending on the available instrumentation. The piece should be played “legato” to accentuate its hymn-like character.

Ten well-known songs in melody line arrangements with specially recorded backing tracks. On the CD: Hear full performance versions of the music on tracks 2 – 11. The flute part is then omitted from tracks12 – 21 so you can play along with the recorded accompaniments. In the Music Book are top line arrangements for all ten pieces plus a flute fingering guide.

Glenn Miller était un musicien arrangeur compositeur et chef de big band américain de la période du swing. En tête du classement des meilleures ventes entre 1939 et 1943 il était à la tête de l’un des big bands les plus connus. Naohiro Iwai a arrangé cinq de ses chansons pour orchestre d’harmonie : Little Brown Jug In the Mood Tuxedo Junction American Patrol et Moonlight Serenade . Votre public chauffera l’atmosphère en écoutant cet arrangement captivant.

(This Train is Bound for Glory) Trombone Ensemble Feature-This infectious arrangement uses the old spiritual This Train is Bound for Glory as a boogie style feature with the trombone section as soloists. The train can hardly stay on the rails because the coaches can’t stop dancing! Along the way see how many other famous train references you can hear. A fantastic piece that’s great fun to play.

This is one of Handel's most well known and love choral works. Here Andre Thomas provides a practical modern edition making the piece more useable for our choirs and audiences. The long introduction has been shortened and the keyboard part is a reduction of the orchestration(not a continuo part). This edition can be performed with piano two oboes and bassoon. This is a great festival piece for high school voices.

Separate Large Size Piano Score-Larger-size score formatted for clarity and ease of page turns for the pianist. This is the same piano part in HMC2355a.

Prelude And Ant Fugue With A Crab Canon for Ensemble was composed by Per Nørgård in 1982. Programme Note: The work was commissioned by Nieuve Ensemble (New Ensemble) in Holland and was premiered in December 82 in Amsterdam. As the title suggests the work refers to the baroque genre prelude and fugue but seen through the 20.th century consciousness: The prelude is based - bar for bar - on the famous Bach-prelude in C major from the Well Temperated Piano I which is reflected as in a prism where the 5 inherent parts are magnified or transposed to other octaves or its basic rhytm of 8:5:3 is widered to bigger stretches (or reduced to smaller) keeping its golden section - proportion.The Crab Canon as well as the fugue is inspired by Escher the Dutch aartist creating the Illusionary Realism (with wrong but convincing perspectives etc.) in the way that a real fugue never is undertaken but a rush of parts is always interlocking - and in a big hurry. After a slower cadenza-like section the work closes with a combinatioin of the Bach-prelude-ending and the Fugue theme. Per Nørgård Prelude And Ant Fugue With A Crab Canon for Ensemble was composed by Per Nørgård in 1982. Programme Note: The work was commissioned by Nieuve Ensemble (New Ensemble) in Holland and was premiered in December 82 in Amsterdam. As the title suggests the work refers to the baroque genre prelude and fugue but seen through the 20.th century consciousness: The prelude is based - bar for bar - on the famous Bach-prelude in C major from the Well Temperated Piano I which is reflected as in a prism where the 5 inherent parts are magnified or transposed to other octaves or its basic rhytm of 8:5:3 is widered to bigger stretches (orreduced to smaller) keeping its golden section - proportion. The Crab Canon as well as the fugue is inspired by Escher the Dutch aartist creating the Illusionary Realism (with wrong but convincing perspectives etc.) in the way that a real fugue never is undertaken but a rush of parts is always interlocking - and in a big hurry. After a slower cadenza-like section the work closes with a combinatioin of the Bach-prelude-ending and the Fugue theme. Per Nørgård

This is the essential pocket-sized collection of Cat Stevens hits. Presented in chord songbook format this book includes complete lyrics and guitar chords for over 140 memorable classics. Don't miss this portable easy-to-carry format with all of your favourite Cat Stevens songs!

Joseph Bodin de Boismortier 's Trio Sonata In F Major for 2 Oboes (Flutes Violins) and Basso Continuo.

A Collection of 32 Fun-to-Play Familiar Melodies for the beginning Instrumentalist- Tons Of Tunes From The Classics is an enjoyable collection of 32 fun-to-play and familiar melodies for the beginning instrumentalist. This version has been arranged by Amy Adam for Trumpet. Includes Play along CD of backing and demonstration tracks.

Le compositeur-interprète britannique Peter Skellern (1947) a débuté sa carrière artistique comme chef d’un chœur d’église. Après avoir reçu une solide formation au Collège de Musique Guildhall à Londres il travaille plusieurs années durant comme compositeur à la BBC. Il collabore également avec Andrew Lloyd Webber l’un des plus brillants compositeurs de comédies musicales. Peter Skellern a essentiellement composé des chansons d’amour lyriques dont la plus célèbre est You’re a Lady . Wim Stalman a réalisé un arrangement particulièrement brillant et fidèle à la version originale.

for SATB and piano four hands or chamber orchestra This setting of a traditional Irish melody captivates audiences especially in the second verse when the men carry the melody while the women sing a canonic descant. Voices subsequently join in homophony and leave a lasting final impression. Orchestral material is available on hire. This setting of a traditional Irish melody captivates audiences especially in the second verse when the men carry the melody while the women sing a canonic descant. Voices subsequently join in homophony and leave a lasting final impression.

Four-part song written for unaccompanied men's voices. No.3 of Cavalier Tunes . Four-part song written for unaccompanied men's voices. No.3 of Cavalier Tunes .

Perez Prado 's Mambo Nr. 5 for Mandolin Orchestra. Part for Mandola.

Three pieces with a contrasting title theme to Twilight Pieces . Including Pool-lights - the last work of the young composer - composed a short time before his death.

Christ The Lord Hath Risen is an anthem for Eastertide. It is scored for Unison Voices Chorus (ad lib) and Organ and takes its text from a 12th Century English carol. Craig Seller Lang (1891-1971) was a British composer organist and musical pedagogue who was born in New Zealand. He studied at the Royal College of Music before becoming a teacher at Christ’s Hospital School. His compositions were mostly written with a student performer in mind. He is best remembered for his seminal educational Organ books but he also created prolific volumes of material in both sacred and secular choral genres.

Shostakovich's last work the Sonata For Viola And Piano Op.147 is a superbly crafted Sonata in three movements with unusually a slow Adagio movement for the third. It was dedicated to the violist Fyodor Druzhinin a professor of the Moscow Tchaikovsky Conservatory and a member of the Beethoven String Quartet a renowned Moscow ensemble that played at the premieres of most of Shostakovich’s string quartets. Fyodor Druzhinin and Mikhail Muntyan premiered the Viola Sonata in Leningrad on October 1 1975. The solo Viola part is also included on a separate insert.

Autograph: Royal College of Music London- Facsimile of the autograph score in the Royal College of Music London - With a commentary by Robert Levin. 74 pp. facsimile 40 pp. of commentary (Eng/Ger). Half-leather binding. In his fascinating preface to Bärenreiter's facsimile Professor Colin Lawson Director of the Royal College of Music describes the journey made by Mozart 's autograph following its sale in 1800 by Constanze Mozart 's widow to its eventual resting place in London SW7 where it is the jewel in the RCM's extensive collection of historic manuscripts. The Piano Concerto in C minor K.491 is oneof Mozart 's greatest Piano Concertos not least because of the dramatic character of its minor key (it is one of only two Piano concertos composed in minor keys). It also has the largest Orchestra he ever used in a Piano concerto and the only Piano concerto to use both Oboes and Clarinets. Written in 1786 during a period of almost feverish activity it was completed only 22 days after the A major concerto K.488 and during composition of The Marriage of Figaro. The autograph is exceptional in that Mozart records sketches that he later enlarged and extensively revised for the score thus allowing us an insight into his creative process. Mozart 's work appears here for the first time in a colour facsimile making it possible to easily recognise the contrasting colours of ink. The renowned Mozart scholar and pianist Robert Levin has written an illuminating commentary. He explains Mozart 's method of composition and guides the reader page by page through the autograph. This high-quality facsimile truly is a fascinating insight into Mozart 's art of composition.