Featuring a catchy melody and distinctive harmonies this 2018 hit from Zedd Maren Morris and Grey was nominated for a number of Grammy awards including best song and has demonstrated a rare quality of enduring popularity. Paul Murtha perfectly captures the flavor of this upbeat hit.

Featuring two of the most popular movements from Percy Grainger's cornerstone work for band this mini suite of Horkstow Grange and The Lost Lady Found is the perfect introduction to Grainger's music for smaller or incomplete ensembles.

Perfect for a light holiday or winter concert this appealing setting of Meredith Willson’s familiar song is scored for flexible instrumentation in a medium swing style and creatively passes the melody around to all five parts.

Among the Variations on an Original Theme WoO 80 from 1806 constitutes a special case in that Beethoven consciously draws on older practices. A chromatically descending bass line in the theme provides the foundation for the variations its ostinato-like repetition lending the composition the air of a passacaglia. The revised musical text of the Henle Urtext edition with an extensive preface and commentary section was prepared on the basis of the Critical Report in the Beethoven Complete Edition and is published as a stand-alone edition from “Variations for Piano II” (HN 1269). Ian Fountain provided the fingerings.Among the Variations on an Original Theme WoO 80 from 1806 constitutes a special case in that Beethoven consciously draws on older practices. A chromatically descending bass line in the theme provides the foundation for the variations its ostinato-like repetition lending the composition the air of a passacaglia. The revised musical text of the Henle Urtext edition with an extensive preface and commentary section was prepared on the basis of the Critical Report in the Beethoven Complete Edition and is published as a stand-alone edition from “Variations for Piano II” (HN 1269). Ian Fountain provided the fingerings.

Arranged here in a funky New Orleans style the full ensemble takes the first statement after the piano intro. The spotlight then moves between the saxes and the brass before a feature solo spot for trombone. A classic and unique take on a familiar standard!

Recorded in 1977 on the album Heavy Weather Palladium is a jazz fusion staple from the ground-breaking group Weather Report. Wayne Shorter's dynamic composition is orchestrated here for full jazz ensemble with some added touches from master arranger Mike Tomaro. The open solo section allows anyone to be featured.

This easy swing tune is a great way to introduce the music of Dizzy Gillespie to your young players. Trumpets take the first chorus followed by the saxes on the second. Skillful scoring for young players is evident throughout complete with some nice dynamic nuances. The short solo section can be played by a trumpet soloist or the entire section.

One of Dave Brubeck's most famous compositions this ballad has been recorded by such luminaries as Miles Davis Sonny Rollins John Coltrane and Wes Montgomery. Arranged here in an easy flowing swing style John Wasson's chart takes full advantage of the many colors of the entire jazz ensemble along with a rich harmonic palette. Solos are included for alto sax and trumpet.

Few holiday songs have the staying power and popularity of this familiar tune known primarily from the recordings by Perry Como in the 1950s but also the Carpenters in 1984. Here is a lush and easy-flowing bossa nova setting sure to get you into the holiday spirit. Solos are included for alto sax and flugelhorn.

Opening with a small group feature (alto tenor trumpet and trombone) this easy arrangement features plenty of scoring variety and a nicely flowing moderate swing style. Also included is a brief sax soli and a written or ad lib. solo for trumpet.

The compositions united here provide a good overview of the diversity of the variation genre in Beethoven’s early piano works – and present such moderate technical demands that even advanced beginners might try their hand at them. Beethoven found the models for these variations in popular song collections (WoO 64 on a Swiss song) contemporary opera performances (WoO 70 on “Nel cor più non mi sento” by Giovanni Paisiello) and his own compositions (WoO 77 on a theme from the finale of Piano Sonata op. 22). The revised musical text of the Henle Urtext edition with its extensive preface and commentary section was prepared on the basis of the Critical Report in the BeethovenComplete Edition and is published as a stand-alone edition from “Variations for Piano I/II” (HN 1267 and 1269). Ian Fountain provided the fingerings. The compositions united here provide a good overview of the diversity of the variation genre in Beethoven’s early piano works – and present such moderate technical demands that even advanced beginners might try their hand at them. Beethoven found the models for these variations in popular song collections (WoO 64 on a Swiss song) contemporary opera performances (WoO 70 on “Nel cor più non mi sento” by Giovanni Paisiello) and his own compositions (WoO 77 on a theme from the finale of Piano Sonata op. 22). The revised musical text of the Henle Urtext edition with its extensive preface and commentary section was prepared on the basis of the Critical Report in the BeethovenComplete Edition and is published as a stand-alone edition from “Variations for Piano I/II” (HN 1267 and 1269). Ian Fountain provided the fingerings.

Morning Story

Big Mouth

Time Certain

For SATB piano & optional guitar bass & drum kit. Samba Mass is a joyous setting of the Missa brevis. The stylistic piano part can be played as written or serve as a guide and an optional band part is available separately. Performers will enjoy exploring the interplay between voices and the rich colours of the samba and bossa nova styles.

Missa Festiva

Mass In Honor of St. Rose Philippine Duchesne

Mass In Honor of St. Rose Philippine Duchesne

Way Truth and Life

Choose To Hope