nach einem mittelalterlichen japanischen Gedicht-Voice Instrument. Zender H

Federico Ruiz finds constant inspiration in the rich popular and folkloric music of his country. No. 10 The little Peruvian girl is featured by the Associated Board of the Royal Schools of Music in their Grade 4 piano exam pieces 2013 & 2014. Clara has recorded these pieces on CD: The Music of Federico Ruiz - on Nimbus Alliance Records (Catalogue No. NI6179). They first met in 1993 and she became acquainted not only with his music but through it discovered the precision and the soft expressiveness of each of the numerous rhythms of Latin America and the Caribbean. His music is a sophisticated synthesis of Latin American styles that amongst manyother traits expresses the subtle interface between 'classical' and 'popular' music of the continent. Clara Rodriguez is often described as an Ambassador of Latin-American piano music recognising the great number of concerts she has given and CDs where this music features prominently. Born in Caracas Clara studied there with Giomar Narváez and with Phyllis Sellick after winning a scholarship from the Venezuelan Arts Council to train in London at the Royal College of Music. At the age of sixteen she made her debut playing Mozart's last piano concerto with the Simón Bolívar Orchestra under the baton of José Antonio Abreu which was the starting point of her international career as a concert pianist. Her discography includes CDs of the piano music of Venezuelan composers Moises Moleiro (Nimbus NI6104) Teresa Carreño (Nimbus NI6103) VENEZUELA (Nimbus NI 6122) receiving glowing reviews from international publications such as Gramophone Magazine: 'Clara Rodriguez makes the most of her innate feel for the exuberant and languorous dispatching the toe-tapping cross-rhythms with panache and a light touch. This is a treasure chest from which to cherry-pick.' She regularly plays in London's Wigmore Hall Southbank Centre St. John's Smith Square St. Martin in-the-Fields and at Barbican Centre. Clara Rodriguez teaches the

Turmalin for Flute solo (2008).

Procession II for small Orchestra was composed by Anders Brødsgaard in 1986. Programme note: The title Procession refers to the process going on throughout the piece where a two-part formula (played by two groups of instruments) gradually turn inside out as the short ornamental grace notes becomes long and vice versa. The title also suggests the ritual in the experience of the imperceptible changes in the 25 transformations the possibility of ignoring the 13 events that regularly interrupt the progressive procession. The piece is a rewriting of Procession for Two Clarinets and Vibraphone from 1979 . Instr.:1.1.2.sx.0/1.1.1.0/3perc/pf/str(1.1.3.2.1) Procession II for small Orchestra was composed by Anders Brodsgaard in 1986. Programme note: The title Procession refers to the process going on throughout the piece where a two-part 'formula' (played by two groups of instruments) gradually 'turn inside out' as the short ornamental grace notes becomes long and vice versa. The title also suggests the ritual in the experience of the imperceptible changes in the 25 transformations the possibility of ignoring the 13 'events' that regularly interrupt the progressive procession. The piece is a rewriting of Procession for Two Clarinets and Vibraphone from1979 . Instr.:1.1.2.sx.0/1.1.1.0/3perc/pf/str(1.1.3.2.1)

Spiritual arranged by John Høybye

Meditation by Per Nørgård a four-minute instrumental work for Flute or Recorder with Guitar. Meditation by Per Nørgård a four-minute instrumental work for Flute or Recorder with Guitar.

The Planets-The Planets is cast as a single unit consisting of seven movements varying greatly in character each of which describes a planet or a celestial body. Venus is the most exquisite of the planets symbolizing femininity and beauty. In certain places the music is reminiscent of Parsifal. The Planets is cast as a single unit consisting of seven movements varying greatly in character each of which describes a planet or a celestial body. Venus is the most exquisite of the planets symbolizing femininity and beauty. In certain places the music is reminiscent of Parsifal.

Nu Har Vi Altsa Jul Igen - 14 Julesange for blandet kor SATB Arrangeret af Rasmus Thaarup Henrik Metz Michael Bojesen og Erik Sommer.

Filled With The Glory arranged for SATB. Words and music by Nancy Price and Don Besig.

Vågn Op Og Slå På Dine Strenge (trad.) arrangeret for blandet kor SATB af Otto Mortensen . Tekst: Kingo. Særtryk fra 7 Korsange : WH29785 Vagn Op Og Sla Pa Dine Strenge (trad.) arrangeret for blandet kor SATB af Otto Mortensen . Tekst: Kingo. Saertryk fra 7 Korsange : WH29785

Four Sketches For A Sunset for Mezzo Saxophone Cello and Harp was composed by Anders Koppel in 2009. Four Sketches For A Sunset for Mezzo Saxophone Cello and Harp was composed by Anders Koppel in 2009.

A version for SSA a capella.

Choral Medley for Male Voice Choir Contains: 'Hello! My Baby' 'Peg O' My Heart' 'Oh! You Beautiful Doll' 'I Want A Girl' and 'Goodnight Ladies'.

SATB vocal arrangement with optional Piano accompaniment part on the score.

Airs Classiques: Airs Classiques Francais for Soprano or Alto and Piano accompaniment.

2 Part-For Two-part Voices (Treble Male or Mixed) and Piano. For Two-part Voices (Treble Male or Mixed) and Piano.

Best Bits-Brass Set-Each of the four movements of Tchaikovsky's Pathetique Symphony simplified and abridged. Unlocked and arranged by Mark Goddard for Flexible Brass Ensemble. Combines with SP575 (Woodwind) and SP577 (Strings). Grade: 2 - 5

Uberørt af byens travlhed for blandet kor SATB. Tekst af Lars Busk Sørensen. S ærtryk fra 12 Lyriske Sange (WH31242). Uberort af byens travlhed for blandet kor SATB. Tekst af Lars Busk Sorensen. S aertryk fra 12 Lyriske Sange (WH31242).

The 'Gymnopédies' from 1888 rank amongst Satie's most popular works for the piano. These arrangements for the recorder will provide the player with a new and unique challenge for capturing the calm almost simple solemnity of these pieces. The resulting sound experience will prove quite remarkable. Sylvia C. Rosin has managed to maintain the original musical structure in her arrangements by assigning the melody line the right hand part in the original to the recorder. According to the individual requirements of the player the arrangements can be played on the soprano or tenor and even the treble recorder.

Five pieces at Grade 4 level for piano.