Mozart Symphony No.40 skilfully arranged and abridged for easy Piano. 'Mark Goddard has produced a convincing arrangement which manages to retain the essential elements and flavour of this famous masterpiece. Not only that there is an appropriately 'classical' feel to the Piano writing as well...I imagine that this version will appeal to adult as well as children of around Grade 4 standard.' Sheet Music Magazine. Grade: Easy

Munkespøgelset - fra musicalen 'Klokkeren Fra Notre Dame'. Becifret melodilinie med underlagt tekst Tekst og musik: Sebastian Munkespogelset - fra musicalen 'Klokkeren Fra Notre Dame'. Becifret melodilinie med underlagt tekst Tekst og musik: Sebastian

Looking On Darkness for Accordion solo was composed by Bent Sørensen in 2000. Programme note: It is in the attempt to recreate a lost world without any illusion of its feasibility that we find the Danish composer Bent Sørensen's beautiful and melancholic music. Sørensen one of the most frequently performed contemporary Scandinavian composers has taken the title Looking on Darkness from Shakespeare's Sonnet No. 27. The thematic and intellectually clearly constructed form in which the inherent emotion is centrally placed and which characterises the sonnet also forms the basis of Sørensen'scomposition which is dedicated to Frode Haltli. As in Shakespeare's sonnet the past memory arises in Sørensen's music as it were out of nothing out of the darkness the silence; the concrete rattle of the accordion buttons and the sensitive dripping notes in the opening section vibrate on the borderline between the concrete and the hereafter. Loss and mourning for that which is lost and will never come again flow into the fleeting and poetic tones and meld together; the music oscillates lingers holds tightly to the absence slackens its grip tries again moves carefully onwards like the fragmentary memories in Samuel Beckett's late prose before the sorrowful voice of the piece just as beautiful and unobtrusive withdraws again and leaves us to the silence to what used to be.

Piano. Schubert F

Contains the 'supplementary piano accompaniments' to book 1 of the tutor. 100 pages. AMEB (Australian Syllabus) 2004

Aage Stentoft s Kys Hinanden arrangeret for blandet kor og klaver af Erik Bjorn Lund . Tekst af Epe.

Meditation from Psalm 130 1-4-Organ. Friedrichs G

from Layla und Medjnun-(Full score). Glanert D (Full score). Glanert D

Text: Rückert Arrangiert für Solo und achtstimmigen Chor onBo Holten Gustav Mahler's Ich bin der Welt abhanden gekommen expertly arranged for Baritone solo and 8-part Choir (SSAATTBarB) by Bo Holten (2010). Text by Friedrich Ruckert. Programme note Gustav Mahler: Ich bin der Welt abhanden gekommen (arr.: Holten 2010) is an arrangement for baritone soloist and 8-part choir of one of Mahler's Ruckert-Lieder. There is already an often performed arrangement for 16-voice choir by Clytus Gottwald which Holten has himself conducted a few times. But Holten does not really think that Gottwald does justice toMahler's song; among other things it lacks a soloist who can express the Ich that is so central to the text. Holten takes his cue from Mahler's piano setting but with Mahler's own sublime orchestral setting firmly in mind. The choir thus functions as an (orchestral) accompaniment for the soloist. Holten has taken pains to stay as close to the model as possible within the constraints of what in fact can be sung by a choir. And he has striven to function solely as an arranger and as far as possible to avoid mixing his own personality with Mahler's. (Klaus Moller-Jorgensen 2012)

Set of parts for String Quartet No.6 'Tintinnabulary' by Per Norgard (1986). Study score available: WH30118B

Grades 3-5-Tapping Heels (No. 15 in this book) is currently set on Trinity Guildhall Piano 2012-2014 Grade 4 (B4). See the u-tube clip! A celebration of music styles from around the world these miniatures are a personal response to the music of a wide range of countries: from Japanese ceremonial music to the rhythms of Tanzania from the American fiddler to the Spanish guitarist from the melancholy calm of the Russian landscape to the exuberance of a Trinidadian steel-band. Suitable for pianists of all ages.

Mit über 1.200 Titeln aus Orchester- und Chorliteratur Kammermusik und Musiktheater ist die Edition Eulenburg die größte Partiturreihe der Welt. Sie deckt einen große Teil der Musikgeschichte vom Barock bis zur klassischen Moderne ab und blickt auf eine lange Tradition zurück.

Eulenberg's celebrated and highly authoritative miniature score is the definitive reference source for study performance preparation or simply for those with a love of the great orchestral works.

9 Bicinia S/A-T/B. 9 Bicinia S/A-T/B.

Guitar. Benda G Guitar. Benda G

Mit über 1.200 Titeln aus Orchester- und Chorliteratur Kammermusik und Musiktheater ist die Edition Eulenburg die größte Partiturreihe der Welt. Sie deckt einen große Teil der Musikgeschichte vom Barock bis zur klassischen Moderne ab und blickt auf eine lange Tradition zurück.

8 Nursery Rhymes For Flex-Eight nursery rhymes. Individual parts for all Spartan Press ensembles are available separately quickly and inexpensively. DO NOT PHOTOCOPY.

Concerto For Flute And Orchestra Op.126 by Vagn Holmboe. Piano reduction and solo part: WH29417C Parts are for hire: hire@ewh.dk Concerto For Flute And Orchestra Op.126 by Vagn Holmboe. Piano reduction and solo part: WH29417C Parts are for hire: hire@ewh.dk

This new publication replaces the old Latham edition (now out of print) - popular title on both ABRSM and TG double bass syllabuses (grade 7). Dennis Leogrande writes: I began writing the melody first although every piece begins differently. I wanted to begin with a sound that for me is very characteristic of the bass that being the ½ step slide from G# to A. Looking throughout the piece you will notice other slides ie. bars 1 3 5 7 12 14 16 18 38 58 114 116 18 120 123 125 and 127. Please don't forget to notice the grace note slide in measure 100. These are the melodic motifs that give the piece its character and act as hooks(memorable ideas) for the listener to latch on to. Once I began writing the melody it just grew organically from the original idea. I hope you feel the same organic growth. The shifting harmonic tonalities (between D major and D minor) seem to ask the question 'May I?' and keep the listener involved in trying to answer the question. The jazz style keeps the 'question' light hearted a little 'tongue in cheek.' However playing this piece requires attention to these details and a great deal of musicianship. It's the fine musician who understands both the music and the instrument who can make a difficult and complicated piece sound easy light and fun. Oh and yes please enjoy!

Hvorfor Er Lykken Sa Lundefuld af Karen Jonsson (1909-42) arrangeret for blandet kor SATB af Erik Bjorn Lund. Tekst af Carl Vigggo Meincke.