Arranged for Viola and Piano by Alan Arnold ascap.

Dialogue Of The Soul Is A Composition By Gerard Schurmann For Unaccompanied Satb Chorus. It Is A Setting Of Words By The Poet Andrew Marvell And Forms A Part Of The Collection 'The Double Heart'. Dialogue Of The Soul is a composition by Gerard Schurmann for unaccompanied SATB chorus. It is a setting of words by the poet Andrew Marvell and forms a part of the collection 'The Double Heart'.

John Rutter's Lord Make Me An Instrument Of Thy Peace for SATB Choir with Organ accompaniment. John Rutter's Lord Make Me An Instrument Of Thy Peace for SATB Choir with Organ accompaniment.

for SATB and organ This mellifluous Advent setting opens in a still and contemplative mood reminiscent of plainsong before a thrilling section heralded by the first entry of the organ. The piece finishes as it began - a perfect Advent blend of meditation and drama. Gabriel Jackson 's Creator Of The Stars Of Night for SATB and Organ. This mellifluous Advent setting opens in a still and contemplative mood reminiscent of plainsong before a thrilling section heralded by the first entry of the organ. The piece finishes as it began - a perfect Advent blend of meditation and drama.

The Double Bass part of J.S. Bach’s wonderful composition arranged for String Orchestra by Christopher Bunting and is suitable for String Quintet.

The Musical Box is a collection of three character songs by Betty Roe for Medium Voice and Guitar accompaniment. Each song is a setting of a poem by James Reeves from Complete Poems For Children .

There exists already and abundant supply of original compositions and arrangements suitable for performance on large and comprehensive organs but many organists who have only a small instrument at their disposal in country churches often have some difficulty in finding short and easy voluntaries suitable for their own use and the instruction of their pupils. It is hoped that The Village Organist may supply this want so much felt by that valuable and zealous class of church-workers to whom the work is inscribed. The editors have endeavoured to bring together a collection of pieces which they trust will prove to be at once simple without being uninteresting and effective where the instrumental resources are limited.

Two Songs For Female Chorus by Jo Kondo. Texts by Ariake Kanbara ('Random Thought' and 'Vermilion Patches'). Commissioned by Female Choir Akatsuki. 7'30; for SSA choir. Two Songs For Female Chorus by Jo Kondo. Texts by Ariake Kanbara ('Random Thought' and 'Vermilion Patches'). Commissioned by Female Choir Akatsuki. 7'30'; for SSA choir.

Written for guitar. Written for guitar.

Morfudd - Three Welsh Songs by Patrick Hawes for solo soprano and piano. First performed as part of the 'Concerts at the Crossroads' series on 2 June 2012 in Beulah United Reformed Church Rhiwbina Cardiff by Elin Manahan Thomas (soprano) and John Reid (piano).

Includes the music of Bach Handel Schumann Grieg and Mendelssohn. Includes the music of Bach Handel Schumann Grieg and Mendelssohn.

Cantata for Soloists Chorus and Orchestra composed in 1888 by the then 20 year old Scottish composer.

The 84 chansons in this collection are mainly for SATB and were selected first and foremost for their musical value. Care has been taken to represent the great masters as well as lesser-known composers who made significant contributions to the genre. The 84 chansons in this collection are mainly for SATB and were selected first and foremost for their musical value. Care has been taken to represent the great masters as well as lesser-known composers who made significant contributions to the genre.

Gabriel Faure's Fantasie is well known and respected as one of the finest examples of this musical form. Not bound by strict or textbook conventions it is a marvellous expressive work. This version has been wonderfully arranged for Viola and Piano accompaniment by Alan Arnold. Gabriel Faure's Fantasie is well known and respected as one of the finest examples of this musical form. Not bound by strict or textbook conventions it is a marvellous expressive work. This version has been wonderfully arranged for Viola and Piano accompaniment by Alan Arnold.

This volume comprises twenty-eight of the finest oratorio choruses complete short choral works and movements from masses or requiems from the seventeenth to the twentieth centuries. Drawing repertoire from Britain and mainland Europe the volume features renowned choruses and familiar cornerstones of the repertoire as well as some choral discoveries all in new carefully researched and practical editions. Playable piano reductions for rehearsal use are included in the main volume with a separate volume of purpose-made three-stave organ accompaniments and newly typeset orchestral material available on rental. Intended for choral societies and cathedral church and concert choirs this is a unique collection of choral classics for mixed voices and orchestra and an invaluable practical addition to any choir's library.

This hymn to the 'Queen of the Heavens' is a glorious work replete with dramatic changes of mood and texture. The majestic chords of the opening bars quickly give way to a spirited section in which unison altos and basses mimic the insistent flourishes of the sopranos and tenors. This pattern of contrasts is repeated throughout the piece before the final jubilant chords fade away to a modest triple piano. This is an approachable and rewarding motet appropriate for the Feast of the Blessed Virgin Mary in addition to Eastertide.

Dvorak's Romance Op.11 has been arranged for viola and piano by Alan Arnold. Dvorak's Romance Op.11 has been arranged for viola and piano by Alan Arnold.

As the title suggests my Serenata Notturna evokes the atmosphere of night music. Following a reflective opening where the pitch development outlines a twelve-note series the music gradually becomes more agitated developing into a kind of danse macabre eventually reaching a powerful climax. The music then subsides into a much more tranquil atmosphere and the previous dissonant material transposes itself into a simple melody (like a lullaby) uttered by the cello the outline of which both melodically and in terms of the accompaniment figuration has already been present in the piece since the beginning. Thus the turmoil of the first part of the work becomes transfigured intosomething much more peaceful - hence the quotation that prefaces the score: 'out of darkness cometh light'. Edward Gregson 'As the title suggests my Serenata Notturna evokes the atmosphere of night music. Following a reflective opening where the pitch development outlines a twelve-note series the music gradually becomes more agitated developing into a kind of danse macabre eventually reaching a powerful climax. The music then subsides into a much more tranquil atmosphere and the previous dissonant material transposes itself into a simple melody (like a lullaby) uttered by the cello the outline of which both melodically and in terms of the accompaniment figuration has already been present in the piece since the beginning. Thus the turmoil of the first part of the work becomes transfiguredinto something much more peaceful - hence the quotation that prefaces the score: 'out of darkness cometh light'.' Edward Gregson

English folk-song for SSA unaccompanied An English folk-song for SSA chorus unaccompanied. Arranged by Brian Trant.

for SATB chorus ST soli and piano or orchestra This is the sparkling duet and chorus which opens Verdi's opera. This chorus also appears in the anthology Opera Choruses. Orchestral material is available on hire. Brindisi the openning scene from Verdi's opera La Traviata is a sparkling duet and chorus. The opera was based on the novel by Alexandre Dumas La Dame Aux Camelias . La Traviata was premiered in 1853 at La Fenice in Venice and remains to this day one of Verdi's most performed works. This has been written for mixed chorus and Soprano and Tenor Soli with Piano or Orchestra.